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Author: Samuel Wilson
Publisher: Routledge
ISBN: 1317092643
Category : Music
Languages : en
Pages : 344
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Book Description
There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
Author: Samuel Wilson
Publisher: Routledge
ISBN: 1317092643
Category : Music
Languages : en
Pages : 344
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Book Description
There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
Author: David Schwarz
Publisher: Duke University Press
ISBN: 9780822319221
Category : Music
Languages : en
Pages : 228
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Book Description
On psychoanalysis and music appreciation
Author: Roger Kennedy
Publisher: Phoenix Publishing House
ISBN: 1800130015
Category : Psychology
Languages : en
Pages : 190
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Book Description
Emotion is an integral aspect of musical experience; music has the power to take us on an emotional and intellectual journey, transforming the listener along the way. The aim of this book is to examine the nature of this journey, using a variety of perspectives. No one discipline can do justice to music's complexity if one is to have a sense of the whole musical experience, even if one has to break up the whole experience into various elements for the purposes of clarification. The issues raised have some relationship to psychoanalytic understanding and listening, as after all psychoanalysis is a listening discipline; its bedrock is listening to the patient's communications. While of course there are significant differences between understanding of, and listening to, a musical performance and a patient in a consulting room, the book explores common ground. Evidence from neuroscience indicates that music acts on a number of different brain sites, and that the brain is likely to be hard-wired for musical perception and appreciation, and this offers some kind of neurological substrate for musical experiences, or a parallel mode of explanation for music's multiple effects on individuals and groups. After various excursions into early mother/baby experiences, evolutionary speculations, and neuroscientific findings, the book's main emphasis is that it is the intensity of the artistic vision which is responsible for music's power. That intense vision invites the viewer or the listener into the orbit of the work, engaging us to respond to the particular vision in an essentially intersubjective relationship between the work and the observer or listener. This is the area of what we might call the human soul. Music can be described as having soul when it hits the emotional core of the listener. And, of course, there is 'soul music', whose basic rhythms reach deep into the body to create a powerful feeling of aliveness. One can truly say that music of all the arts is most able to give shape to the elusive human subject or soul.
Author: Youn Kim
Publisher:
ISBN: 0190636238
Category : Music
Languages : en
Pages : 473
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Book Description
The presence of the phenomenological body is central to music in all of its varieties. The Oxford Handbook of Music and the Body brings together scholars from across the humanities, social sciences, and biomedical sciences to provide an introduction into the rich, multidimensional world of music and the body.
Author: Samuel Wilson
Publisher: Routledge
ISBN: 1317092643
Category : Music
Languages : en
Pages : 344
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Book Description
There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
Author: David Schwarz
Publisher: University of Virginia Press
ISBN: 9780813917009
Category : Education
Languages : en
Pages : 324
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Book Description
Keeping Score is a diverse collection of essays that argues for and demonstrates the current effort to redefine the methods, goals, and scope of musical scholarship. This volume gives voice to new directions in music studies, including traditional and "new" musicology, music and psychoanalysis, music and film, popular music studies, and gay and lesbian studies. These essays speak to music study from within its own language and enter into important conversations already taking place across disciplinary boundaries throughout the academy.
Author: Stuart Feder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
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Book Description
"This second series of essays is an enriching companion to its ground-breaking predecessor. In a truly interdisciplinary endeavor, the scope of the "explorations" is extended by a unique international group of scholars working in both music and psychoanalysis. Unlike the earlier series, this volume consists entirely of original contributions." "This volume continues the analytic study of individual composers in articles on Bach and Mozart, Robert Schumann, Satie and Wagner. Wagner receives particular attention in studies of universal fantasies which relate to the music, the psychological function of the Leitmotif, and Freud's familiarity with Wagner, hitherto unexplored. Other composers whose works are considered are Schubert and Bartok." "A core issue in each of the two fields resides in the study of affect: What is its nature; the means and modes of representation? How is affect communicated in both the clinical situation and in the performance of music? In a central section of the book, "On Affect and Music," writers in both areas address these questions." "An opening section concerns itself with the problem of method in applied psychoanalysis with specific reference to music, the only such treatment in the literature. Also included in this portion of the book is a preliminary report of an ongoing study of contemporary composers based upon analytic interviews." "The volume concludes with a pair of historical essays, one of which considers myths of Freud's relationship to music. The second is a study of the musicologist in Freud's early circle (and the father of "Little Hans"), Max Graf." "The present volume then is the second in what promises to become a unique series - an intellectual venue for an authentically interdisciplinary study of psychoanalysis and music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: David Clarke
Publisher: Oxford University Press
ISBN: 0199553793
Category : Music
Languages : en
Pages : 409
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Book Description
Consciousness has been described as one of the most mysterious things in the universe. Scientists, philosophers, and commentators from a whole range of disciplines can't seem to agree what it is, or why it is that the whole rich panoply of human experience seems to emerge from a lump of squishy grey matter in our heads. Most agree, though, that consciousness represents a Hard Problem, and consciousness studies has emerged as a quasi-discipline over recent years, as a multidisciplinary discourse seeking to address these and other fascinating and perplexing questions. While the arts and humanities have joined the sciences at the debating table, music has been relatively under-represented-until now. This book redresses this balance. Its 20 essays offer different takes on issues around music and consciousness, both addressing existing agendas, and introducing new ones. No single view emerges, but what the collection as a whole makes clear is that to understand consciousness we need to do much more than look at brains. Studying music makes it clear that consciousness is as much to do with minds, bodies, culture, and history. The book, which includes several chapters drawing from Eastern philosophies, also provides a corrective to any perception that the study of consciousness is a purely Western preoccupation. In addition to what it says about consciousness, the book also - and perhaps primarily - represents a new configuration of writings about music.
Author: John Adlam
Publisher: Jessica Kingsley Publishers
ISBN: 0857005391
Category : Psychology
Languages : en
Pages : 258
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Book Description
Forensic Music Therapy demonstrates diverse and innovative approaches, which include live, improvised and pre-composed music, from music therapy teams working in secure treatment settings. The book covers clinical development, research, supervision and discussion of institutional and multi-disciplinary team dynamics. It will inform professionals about different ways to manage challenging situations in order to deliver music therapy with adults and adolescents who have committed offences, men and women with personality disorders and mental health problems, as well as men who have killed. The book also describes the development of Cognitive Analytic Music Therapy: the first manualised form of music therapy to be used in the rehabilitation of offenders. Chapters include case studies and service developments informed by theories from an established range of psychological therapies including psychoanalysis, cognitive analytic therapy, musicology and forensic psychotherapy. The significant variations and considerations when working in low, medium and high secure treatment settings are also clarified. This book will give music therapists, forensic and clinical psychotherapists and psychologists, cognitive analytic therapists, psychiatrists, and others working in the field a wider understanding of choices, as well as demonstrating the effectiveness of tailored music therapy programmes for this complex client group.
Author: Taylor & Francis Group
Publisher:
ISBN: 9780367882082
Category :
Languages : en
Pages : 204
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Book Description
