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Author: James Grier
Publisher: Cambridge University Press
ISBN: 9780521558631
Category : Music
Languages : en
Pages : 288
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Book Description
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Author: James Grier
Publisher: Cambridge University Press
ISBN: 9780521558631
Category : Music
Languages : en
Pages : 288
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Book Description
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Author: Georg Feder
Publisher:
ISBN: 9780945193272
Category : Music
Languages : en
Pages : 195
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Book Description
In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) "the most important contribution to date" on textual criticism in music and "the only one that considers the full range of critical issues in editing" (Grier, p. 14). Pendragon Press's edition of Feder's Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music. --
Author: Georg Feder
Publisher:
ISBN: 9781576471135
Category : Music
Languages : en
Pages : 195
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Book Description
In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) "the most important contribution to date" on textual criticism in music and "the only one that considers the full range of critical issues in editing" (Grier, p. 14). Pendragon Press's edition of Feder's Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music. From the Middle Ages to the present, music has been written down and disseminated in notated form. In evaluating music notation, philological methods have been used more and more. These methods come from linguistic disciplines and are linked with specifically musical traditions and subjects. Starting with the relationships of music and language, tradition and understanding, work and text, Feder describes the fundamentals of music philology and its tasks. In addition to the musical sources themselves, theoretical and historical sources enable the critical study of questions about authenticity, dating, origin, and dissemination.
Author: John T. Hamilton
Publisher: University of Chicago Press
ISBN: 022657282X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
As the Christian doctrine of Incarnation asserts, “the Word became Flesh.” Yet, while this metaphor is grounded in Christian tradition, its varied functions far exceed any purely theological import. It speaks to the nature of God just as much as to the nature of language. In Philology of the Flesh, John T. Hamilton explores writing and reading practices that engage this notion in a range of poetic enterprises and theoretical reflections. By pressing the notion of philology as “love” (philia) for the “word” (logos), Hamilton’s readings investigate the breadth, depth, and limits of verbal styles that are irreducible to mere information. While a philologist of the body might understand words as corporeal vessels of core meaning, the philologist of the flesh, by focusing on the carnal qualities of language, resists taking words as mere containers. By examining a series of intellectual episodes—from the fifteenth-century Humanism of Lorenzo Valla to the poetry of Emily Dickinson, from Immanuel Kant and Johann Georg Hamann to Friedrich Nietzsche, Franz Kafka, and Paul Celan—Philology of the Flesh considers the far-reaching ramifications of the incarnational metaphor, insisting on the inseparability of form and content, an insistence that allows us to rethink our relation to the concrete languages in which we think and live.
Author: Paul Watt
Publisher: Oxford University Press, USA
ISBN: 019061692X
Category : History
Languages : en
Pages : 568
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Book Description
In The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century, contributors consider the fascinating and unexpected ways that nineteenth-century writing on music contributed to debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture.
Author: Friedemann Sallis
Publisher: Cambridge University Press
ISBN: 0521866480
Category : Music
Languages : en
Pages : 297
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Book Description
This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Author: North Carolina College for Women. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 858
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Book Description
Author: James Turner
Publisher: Princeton University Press
ISBN: 069116858X
Category : Philosophy
Languages : en
Pages : 574
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Book Description
A prehistory of today's humanities, from ancient Greece to the early twentieth century Many today do not recognize the word, but "philology" was for centuries nearly synonymous with humanistic intellectual life, encompassing not only the study of Greek and Roman literature and the Bible but also all other studies of language and literature, as well as history, culture, art, and more. In short, philology was the queen of the human sciences. How did it become little more than an archaic word? In Philology, the first history of Western humanistic learning as a connected whole ever published in English, James Turner tells the fascinating, forgotten story of how the study of languages and texts led to the modern humanities and the modern university. The humanities today face a crisis of relevance, if not of meaning and purpose. Understanding their common origins—and what they still share—has never been more urgent.
Author: Charlotte Mary Yonge
Publisher: London Macmillan 1892.
ISBN:
Category : Hampshire (England)
Languages : en
Pages : 356
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Book Description
Author: Brooklyn Institute of Arts and Sciences
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 556
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Book Description
