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Author: Michael B. Bakan
Publisher: University of Chicago Press
ISBN: 9780226034881
Category : Music
Languages : en
Pages : 420
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Book Description
The accompanying CD contains music excerpts which are listed in the book on pgs. xiii-xvii.
Author: Michael B. Bakan
Publisher: University of Chicago Press
ISBN: 9780226034881
Category : Music
Languages : en
Pages : 420
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Book Description
The accompanying CD contains music excerpts which are listed in the book on pgs. xiii-xvii.
Author: Henry Spiller
Publisher: Taylor & Francis
ISBN: 0415960673
Category : Psychology
Languages : en
Pages : 321
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Book Description
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Frank Gunderson
Publisher: Oxford University Press
ISBN: 0190659815
Category : Music
Languages : en
Pages : 864
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Book Description
The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.
Author: David D. Harnish
Publisher: BRILL
ISBN: 9004498249
Category : Music
Languages : en
Pages : 357
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Book Description
This is a longitudinal study of music that weaves the complex stories of many disparate musics into a coherent account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances.
Author: Andrew Clay McGraw
Publisher: Oxford University Press
ISBN: 0199941408
Category : History
Languages : en
Pages : 305
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Book Description
In Radical Traditions, author Andrew Clay McGraw shows how music kontemporer embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach this book presents an all-encompassing social and musical history of musik kontemporer.
Author: Anna M. Gade
Publisher: University of Hawaii Press
ISBN: 9780824825997
Category : Religion
Languages : en
Pages : 368
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Book Description
The last decade has seen widespread Islamic religious revitalization in Southeast Asia, a region with a Muslim population almost as large as that of the entire Arabic-speaking Middle East. One such movement in 1990s Indonesia promoted engagement with the Qurân through memorization, reading, skilled performance, and popular competitions in recitation. This movement drew on longstanding structures of Islamic education and piety, social interests, Southeast Asian patterns of performance and aesthetics, and unique features of the Qurân itself. Based on fieldwork in South Sulawesi and elsewhere in Indonesia, Perfection Makes Practice vividly portrays Indonesian Muslims' committed practice of perfecting their own (and others') Qurânic piety.
Author: Harold M. Best
Publisher: InterVarsity Press
ISBN: 0830877584
Category : Religion
Languages : en
Pages : 230
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Book Description
One of Discerning Reader's Best Books We are not created to worship. Nor are we created for worship. We are created worshiping. Too often Christians have only thought of worship in terms of particular musical styles or liturgical formats. But a proper view of worship is far larger than what takes place in churches on Sunday mornings. Worship is not limited to specific times, places or activities. God is by his very nature continuously outpouring himself. Because we are created in his image, we too are continually pouring ourselves in various directions, whether toward God or toward false gods. All of us, Christian or not, are always worshiping, whether or not that worship is directed toward God. We are unceasing worshipers. The fruition of a lifetime of study, reflection and experience, this volume sets forth Harold M. Best's understanding of worship and the arts. Widely respected as one of the foremost thinkers and practitioners in his field, Best explores the full scope of worship as continuous outpouring in all settings and contexts. With careful exposition and eloquent analysis, Best casts a holistic vision for worship that transcends narrow discussions of musical style or congregational preference. On this broader canvas, Best addresses popular misunderstandings about the use of music and offers correctives toward a more biblically consistent practice of artistic action. Incisive, biblical, profound and comprehensive, Best's landmark volume is one by which all other statements on worship and the arts will be measured.
Author: Jeremy Begbie
Publisher: InterVarsity Press
ISBN: 1514003279
Category : Religion
Languages : en
Pages : 217
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Book Description
The biblical themes of creation and new creation are inextricably bound to each other. For the God who created the world is the same God who recreates humanity in Jesus Christ and the same God who promises a new heaven and a new earth. How might the relationship between creation and new creation be informed by and reflected in the arts? This volume, based on the DITA10 conference at Duke Divinity School, brings together reflections from theologians, biblical scholars, and artists to offer insights on God's first work, God's future work, and the future of the field of theology and the arts. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Author: Abiodun Salawu
Publisher: Springer Nature
ISBN: 3030978842
Category : Music
Languages : en
Pages : 411
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Book Description
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
Author: Jim Thompson
Publisher: Wipf and Stock Publishers
ISBN: 166674087X
Category : Religion
Languages : en
Pages : 155
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Book Description
Singing is one of the most repeated commands in Holy Scripture. It’s right up there with “believe” and “do not fear.” But commands like these can feel vaguely spiritual, intangible, or esoteric. You might not know if you’re doing them right. Not so with singing. You just open your mouth and make it happen. And when we do, we often get the sense that God is up to something, that he has designed singing to change us. But how? How does singing do its transformative work? Why has God hard-wired singing with such power? What does Scripture teach us about the gift of song? What did the songs of Scripture feel like and sound like? Why does singing awaken something so visceral and emotional within us? And what are the results of being changed by the power of song? Behind all of these questions lies a creative, songful God. He delights in singing. He extends to us a melodic mission. He invites us into intimacy with himself and with his people, and singing is more essential to the journey than we have yet to believe.
