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Author: G. Robert James
Publisher: Fulton Books, Inc.
ISBN:
Category : Business & Economics
Languages : en
Pages : 126
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Book Description
Music. Not Noise leverages over thirty years of experience, identifying and addressing subtle cues leaders often easily overlook as they guide their organizations through constant and controlled growth. It highlights the importance of synchronized passion, insight, and foresight in creating harmony, contrasting it with the dissonance often found in less cohesive efforts. Like music, business is a blend of art and craft. Whether new or established, for profit or not-for-profit, organizations often struggle to maintain harmony through their people, processes, and systems. Successful leaders are those who simplify complexities and possess the vision and courage to see what others may not to ensure the organization remains in tune. Acknowledging that all organizations eventually face adversity at some level, Music. Not Noise emphasizes the importance of agility and adaptability, drawing on examples of once-prominent organizations that failed to adapt and eventually succumbed to their own noisiness, as well as examples of some that succeeded. In essence, Music. Not Noise delves into the intricacies of leadership and the art of discerning when an organization's performance deviates from music to noise. It advocates for a refined instinct that goes beyond textbooks and conventional wisdom, emphasizing a nuanced understanding of an organization's harmonious functioning and the necessity for leaders to transform noise into music.
Author: G. Robert James
Publisher: Fulton Books, Inc.
ISBN:
Category : Business & Economics
Languages : en
Pages : 126
Get Book Here
Book Description
Music. Not Noise leverages over thirty years of experience, identifying and addressing subtle cues leaders often easily overlook as they guide their organizations through constant and controlled growth. It highlights the importance of synchronized passion, insight, and foresight in creating harmony, contrasting it with the dissonance often found in less cohesive efforts. Like music, business is a blend of art and craft. Whether new or established, for profit or not-for-profit, organizations often struggle to maintain harmony through their people, processes, and systems. Successful leaders are those who simplify complexities and possess the vision and courage to see what others may not to ensure the organization remains in tune. Acknowledging that all organizations eventually face adversity at some level, Music. Not Noise emphasizes the importance of agility and adaptability, drawing on examples of once-prominent organizations that failed to adapt and eventually succumbed to their own noisiness, as well as examples of some that succeeded. In essence, Music. Not Noise delves into the intricacies of leadership and the art of discerning when an organization's performance deviates from music to noise. It advocates for a refined instinct that goes beyond textbooks and conventional wisdom, emphasizing a nuanced understanding of an organization's harmonious functioning and the necessity for leaders to transform noise into music.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Paul Hegarty
Publisher: Continuum
ISBN: 9780826417275
Category : Music
Languages : en
Pages : 240
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Book Description
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
Author: Ron Della Chiesa
Publisher: Pearson Higher Ed
ISBN: 0205921353
Category : Music
Languages : en
Pages : 302
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Book Description
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. With a voice as smooth as a Charlie Parker alto saxophone solo, Boston broadcasting icon Ron Della Chiesa has brought music and musical legends alive for over thirty-five years. These are the inside stories of Della Chiesa’s career in radio. Discover Boston's vibrant music scene as only Ron can tell it: through his interviews with everyone from opera greats Luciano Pavarotti and Placido Domingo, to jazz artists Dizzy Gillespie and Dave McKenna, beloved song legends Rosemary Clooney and Bobby Short, composers David Raksin and Andre Previn, the brilliant raconteur Jean Shepherd, to his close friend, musical legend Tony Bennett.
Author: Tara Rodgers
Publisher: Duke University Press
ISBN: 0822394154
Category : Music
Languages : en
Pages : 338
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Book Description
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Author: G Douglas Barrett
Publisher: Bloomsbury Publishing USA
ISBN: 1501308106
Category : Music
Languages : en
Pages : 257
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Book Description
After Sound considers contemporary art practices that reconceive music beyond the limitation of sound. This book is called After Sound because music and sound are, in Barrett's account, different entities. While musicology and sound art theory alike typically equate music with pure instrumental sound, or absolute music, Barrett posits music as an expanded field of artistic practice encompassing a range of different media and symbolic relationships. The works discussed in After Sound thus use performance, text scores, musical automata, video, social practice, and installation while they articulate a novel aesthetic space for a radically engaged musical practice. Coining the term "critical music," this book examines a diverse collection of art projects which intervene into specific political and philosophical conflicts by exploring music's unique historical forms. Through a series of intimate studies of artworks surveyed from the visual and performing arts of the past ten years-Pussy Riot, Ultra-red, Hong-Kai Wang, Peter Ablinger, Pauline Boudry and Renate Lorenz, and others-After Sound offers a significant revision to the way we think about music. The book as a whole offers a way out of one of the most vexing deadlocks of contemporary cultural criticism: the choice between a sound art effectively divorced from the formal-historical coordinates of musical practice and the hermetic music that dominates new music circles today.
Author: Jacques Attali
Publisher: Manchester University Press
ISBN: 9780719014710
Category : Music
Languages : en
Pages : 234
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Book Description
Listening - Sacrificing - Representing - Repeating - Composing - The politics of silence and sound, by Susan McClary.
Author: Nick Crossley
Publisher: Manchester University Press
ISBN: 1526126044
Category : Music
Languages : en
Pages : 229
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Book Description
Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music which captures not only music’s context but ‘the music itself’. The book will appeal to social scientists, musicologists and cultural scholars more widely.
Author: David Rothenberg
Publisher: Macmillan
ISBN: 1250005213
Category : Music
Languages : en
Pages : 290
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Book Description
Analyzes the role of insects in teaching humans about music, tracing research into exotic insect markets and research labs while explaining how insect sound and movement patterns inspired traditions in rhythm, synchronization, and dance.
Author: Marie Thompson
Publisher: Bloomsbury Publishing USA
ISBN: 1501313312
Category : Music
Languages : en
Pages : 212
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Book Description
Noise is so often a 'stench in the ear' – an unpleasant disturbance or an unwelcome distraction. But there is much more to noise than what greets the ear as unwanted sound. Beyond Unwanted Sound is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon. Beyond Unwanted Sound instead aims to account for a broader spectrum of noise, ranging from the exceptional to the banal; the overwhelming to the inaudible; and the destructive to the generative. What connects these various and variable manifestations of noise is not negativity but affectivity. Building on the Spinozist assertion that to exist is to be affected, Beyond Unwanted Sound asserts that to exist is to be affected by noise.
