Author: G. Robert James
Publisher: Fulton Books, Inc.
ISBN:
Category : Business & Economics
Languages : en
Pages : 126
Book Description
Music. Not Noise leverages over thirty years of experience, identifying and addressing subtle cues leaders often easily overlook as they guide their organizations through constant and controlled growth. It highlights the importance of synchronized passion, insight, and foresight in creating harmony, contrasting it with the dissonance often found in less cohesive efforts. Like music, business is a blend of art and craft. Whether new or established, for profit or not-for-profit, organizations often struggle to maintain harmony through their people, processes, and systems. Successful leaders are those who simplify complexities and possess the vision and courage to see what others may not to ensure the organization remains in tune. Acknowledging that all organizations eventually face adversity at some level, Music. Not Noise emphasizes the importance of agility and adaptability, drawing on examples of once-prominent organizations that failed to adapt and eventually succumbed to their own noisiness, as well as examples of some that succeeded. In essence, Music. Not Noise delves into the intricacies of leadership and the art of discerning when an organization's performance deviates from music to noise. It advocates for a refined instinct that goes beyond textbooks and conventional wisdom, emphasizing a nuanced understanding of an organization's harmonious functioning and the necessity for leaders to transform noise into music.
Music Not Noise
Author: G. Robert James
Publisher: Fulton Books, Inc.
ISBN:
Category : Business & Economics
Languages : en
Pages : 126
Book Description
Music. Not Noise leverages over thirty years of experience, identifying and addressing subtle cues leaders often easily overlook as they guide their organizations through constant and controlled growth. It highlights the importance of synchronized passion, insight, and foresight in creating harmony, contrasting it with the dissonance often found in less cohesive efforts. Like music, business is a blend of art and craft. Whether new or established, for profit or not-for-profit, organizations often struggle to maintain harmony through their people, processes, and systems. Successful leaders are those who simplify complexities and possess the vision and courage to see what others may not to ensure the organization remains in tune. Acknowledging that all organizations eventually face adversity at some level, Music. Not Noise emphasizes the importance of agility and adaptability, drawing on examples of once-prominent organizations that failed to adapt and eventually succumbed to their own noisiness, as well as examples of some that succeeded. In essence, Music. Not Noise delves into the intricacies of leadership and the art of discerning when an organization's performance deviates from music to noise. It advocates for a refined instinct that goes beyond textbooks and conventional wisdom, emphasizing a nuanced understanding of an organization's harmonious functioning and the necessity for leaders to transform noise into music.
Publisher: Fulton Books, Inc.
ISBN:
Category : Business & Economics
Languages : en
Pages : 126
Book Description
Music. Not Noise leverages over thirty years of experience, identifying and addressing subtle cues leaders often easily overlook as they guide their organizations through constant and controlled growth. It highlights the importance of synchronized passion, insight, and foresight in creating harmony, contrasting it with the dissonance often found in less cohesive efforts. Like music, business is a blend of art and craft. Whether new or established, for profit or not-for-profit, organizations often struggle to maintain harmony through their people, processes, and systems. Successful leaders are those who simplify complexities and possess the vision and courage to see what others may not to ensure the organization remains in tune. Acknowledging that all organizations eventually face adversity at some level, Music. Not Noise emphasizes the importance of agility and adaptability, drawing on examples of once-prominent organizations that failed to adapt and eventually succumbed to their own noisiness, as well as examples of some that succeeded. In essence, Music. Not Noise delves into the intricacies of leadership and the art of discerning when an organization's performance deviates from music to noise. It advocates for a refined instinct that goes beyond textbooks and conventional wisdom, emphasizing a nuanced understanding of an organization's harmonious functioning and the necessity for leaders to transform noise into music.
Noise Music
Author: Paul Hegarty
Publisher: Continuum
ISBN: 9780826417275
Category : Music
Languages : en
Pages : 240
Book Description
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
Publisher: Continuum
ISBN: 9780826417275
Category : Music
Languages : en
Pages : 240
Book Description
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Radio My Way
Author: Ron Della Chiesa
Publisher: Pearson Higher Ed
ISBN: 0205921353
Category : Music
Languages : en
Pages : 302
Book Description
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. With a voice as smooth as a Charlie Parker alto saxophone solo, Boston broadcasting icon Ron Della Chiesa has brought music and musical legends alive for over thirty-five years. These are the inside stories of Della Chiesa’s career in radio. Discover Boston's vibrant music scene as only Ron can tell it: through his interviews with everyone from opera greats Luciano Pavarotti and Placido Domingo, to jazz artists Dizzy Gillespie and Dave McKenna, beloved song legends Rosemary Clooney and Bobby Short, composers David Raksin and Andre Previn, the brilliant raconteur Jean Shepherd, to his close friend, musical legend Tony Bennett.
Publisher: Pearson Higher Ed
ISBN: 0205921353
Category : Music
Languages : en
Pages : 302
Book Description
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. With a voice as smooth as a Charlie Parker alto saxophone solo, Boston broadcasting icon Ron Della Chiesa has brought music and musical legends alive for over thirty-five years. These are the inside stories of Della Chiesa’s career in radio. Discover Boston's vibrant music scene as only Ron can tell it: through his interviews with everyone from opera greats Luciano Pavarotti and Placido Domingo, to jazz artists Dizzy Gillespie and Dave McKenna, beloved song legends Rosemary Clooney and Bobby Short, composers David Raksin and Andre Previn, the brilliant raconteur Jean Shepherd, to his close friend, musical legend Tony Bennett.
Noise
Author: Jacques Attali
Publisher: Manchester University Press
ISBN: 9780719014710
Category : Music
Languages : en
Pages : 234
Book Description
Listening - Sacrificing - Representing - Repeating - Composing - The politics of silence and sound, by Susan McClary.
Publisher: Manchester University Press
ISBN: 9780719014710
Category : Music
Languages : en
Pages : 234
Book Description
Listening - Sacrificing - Representing - Repeating - Composing - The politics of silence and sound, by Susan McClary.
Listening through the Noise
Author: Joanna Demers
Publisher: Oxford University Press
ISBN: 019977448X
Category : Music
Languages : en
Pages : 212
Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Publisher: Oxford University Press
ISBN: 019977448X
Category : Music
Languages : en
Pages : 212
Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
From Music to Sound
Author: Makis Solomos
Publisher: Routledge
ISBN: 0429575017
Category : Music
Languages : en
Pages : 235
Book Description
From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.
Publisher: Routledge
ISBN: 0429575017
Category : Music
Languages : en
Pages : 235
Book Description
From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.
Connecting sounds
Author: Nick Crossley
Publisher: Manchester University Press
ISBN: 1526126044
Category : Music
Languages : en
Pages : 229
Book Description
Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music which captures not only music’s context but ‘the music itself’. The book will appeal to social scientists, musicologists and cultural scholars more widely.
Publisher: Manchester University Press
ISBN: 1526126044
Category : Music
Languages : en
Pages : 229
Book Description
Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music which captures not only music’s context but ‘the music itself’. The book will appeal to social scientists, musicologists and cultural scholars more widely.
Annoying Music in Everyday Life
Author: Felipe Trotta
Publisher: Bloomsbury Publishing USA
ISBN: 1501360655
Category : Music
Languages : en
Pages : 219
Book Description
Just as music has the power to inspire, it has the power to irritate and enrage. Why does certain music annoy us? Why does it force us to leave rooms, invade our personal space and affect us on a visceral level? Based on more than 70 interviews, this book discusses the everyday challenges of living together with unwanted music. It examines issues of taste, individual rights, private and public spaces, violence and the law. The interviews explore various relationships with forced listening and the behaviors that result. Interviewees talk about emotions and reactions to the nuisance caused by music, highlighting matters of otherness, individualism and rights. They discuss experiences with neighbors, at stores, on the street, while commuting and even in their homes - and reveal the complex social interactions mediated by music and sounds in our day-to-day lives.
Publisher: Bloomsbury Publishing USA
ISBN: 1501360655
Category : Music
Languages : en
Pages : 219
Book Description
Just as music has the power to inspire, it has the power to irritate and enrage. Why does certain music annoy us? Why does it force us to leave rooms, invade our personal space and affect us on a visceral level? Based on more than 70 interviews, this book discusses the everyday challenges of living together with unwanted music. It examines issues of taste, individual rights, private and public spaces, violence and the law. The interviews explore various relationships with forced listening and the behaviors that result. Interviewees talk about emotions and reactions to the nuisance caused by music, highlighting matters of otherness, individualism and rights. They discuss experiences with neighbors, at stores, on the street, while commuting and even in their homes - and reveal the complex social interactions mediated by music and sounds in our day-to-day lives.
Bug Music
Author: David Rothenberg
Publisher: Macmillan
ISBN: 1250005213
Category : Music
Languages : en
Pages : 290
Book Description
Analyzes the role of insects in teaching humans about music, tracing research into exotic insect markets and research labs while explaining how insect sound and movement patterns inspired traditions in rhythm, synchronization, and dance.
Publisher: Macmillan
ISBN: 1250005213
Category : Music
Languages : en
Pages : 290
Book Description
Analyzes the role of insects in teaching humans about music, tracing research into exotic insect markets and research labs while explaining how insect sound and movement patterns inspired traditions in rhythm, synchronization, and dance.