Author: Sakina M. Hughes
Publisher: UNC Press Books
ISBN: 1469676281
Category : History
Languages : en
Pages : 160
Book Description
Before the heyday of the Chitlin Circuit and the Harlem Renaissance, African American performing artists and creative entrepreneurs—sometimes called Black Bohemians—seized their limited freedoms and gained both fame and fortune with their work in a white-dominated marketplace. These Black performers plied their trade in circuses, blues tents, and Wild West Shows with Native Americans. The era’s traveling entertainments often promoted the “disappearing Indian” myth and promoted racial hierarchies with Black and Native people at the bottom. But in a racial economy rooted in settler-colonialism and legacies of enslavement, Black and Indigenous performers found that otherness could be a job qualification. Whether as artists or manual laborers, these workers rejected marginalization by traveling the world, making a solid living off their talents, and building platforms for political and social critique. Eventually, America’s popular entertainment industry could not survive without Black and Native Americans’ creative labor. As audiences came to eagerly anticipate their genius, these performers paved the way for greater social, economic, and cultural autonomy. Sakina M. Hughes provides a conceptually rich work revealing memorable individuals—laborers, artists, and entrepreneurs—who, faced with danger and discrimination, created surprising opportunities to showcase their talents and gain fame, wealth, and mobility.
Music, Muscle, and Masterful Arts
Author: Sakina M. Hughes
Publisher: UNC Press Books
ISBN: 1469676281
Category : History
Languages : en
Pages : 160
Book Description
Before the heyday of the Chitlin Circuit and the Harlem Renaissance, African American performing artists and creative entrepreneurs—sometimes called Black Bohemians—seized their limited freedoms and gained both fame and fortune with their work in a white-dominated marketplace. These Black performers plied their trade in circuses, blues tents, and Wild West Shows with Native Americans. The era’s traveling entertainments often promoted the “disappearing Indian” myth and promoted racial hierarchies with Black and Native people at the bottom. But in a racial economy rooted in settler-colonialism and legacies of enslavement, Black and Indigenous performers found that otherness could be a job qualification. Whether as artists or manual laborers, these workers rejected marginalization by traveling the world, making a solid living off their talents, and building platforms for political and social critique. Eventually, America’s popular entertainment industry could not survive without Black and Native Americans’ creative labor. As audiences came to eagerly anticipate their genius, these performers paved the way for greater social, economic, and cultural autonomy. Sakina M. Hughes provides a conceptually rich work revealing memorable individuals—laborers, artists, and entrepreneurs—who, faced with danger and discrimination, created surprising opportunities to showcase their talents and gain fame, wealth, and mobility.
Publisher: UNC Press Books
ISBN: 1469676281
Category : History
Languages : en
Pages : 160
Book Description
Before the heyday of the Chitlin Circuit and the Harlem Renaissance, African American performing artists and creative entrepreneurs—sometimes called Black Bohemians—seized their limited freedoms and gained both fame and fortune with their work in a white-dominated marketplace. These Black performers plied their trade in circuses, blues tents, and Wild West Shows with Native Americans. The era’s traveling entertainments often promoted the “disappearing Indian” myth and promoted racial hierarchies with Black and Native people at the bottom. But in a racial economy rooted in settler-colonialism and legacies of enslavement, Black and Indigenous performers found that otherness could be a job qualification. Whether as artists or manual laborers, these workers rejected marginalization by traveling the world, making a solid living off their talents, and building platforms for political and social critique. Eventually, America’s popular entertainment industry could not survive without Black and Native Americans’ creative labor. As audiences came to eagerly anticipate their genius, these performers paved the way for greater social, economic, and cultural autonomy. Sakina M. Hughes provides a conceptually rich work revealing memorable individuals—laborers, artists, and entrepreneurs—who, faced with danger and discrimination, created surprising opportunities to showcase their talents and gain fame, wealth, and mobility.
The Renaissance in Italian Art: The master of Perugia [Piero della Francesca
Author: Selwyn Brinton
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 136
Book Description
Musical Magazine and Musical Courier
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 1064
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 1064
Book Description
Etude Music Magazine
Author: Theodore Presser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 954
Book Description
Includes music.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 954
Book Description
Includes music.
Musical West, Music and the Dance
Author:
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 342
Book Description
The Renaissance in Italian Art
Author: Selwyn Brinton
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 144
Book Description
A Dictionary of the English Language
Author: Joseph Emerson Worcester
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 2060
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 2060
Book Description
Much More Than a Game
Author: Robert F. Burk
Publisher: Univ of North Carolina Press
ISBN: 0807875376
Category : Sports & Recreation
Languages : en
Pages : 384
Book Description
To most Americans, baseball is just a sport; but to those who own baseball teams--and those who play on them--our national pastime is much more than a game. In this book, Robert Burk traces the turbulent labor history of American baseball since 1921. His comprehensive, readable account details the many battles between owners and players that irrevocably altered the business of baseball. During what Burk calls baseball's "paternalistic era," from 1921 to the early 1960s, the sport's management rigidly maintained a system of racial segregation, established a network of southern-based farm teams that served as a captive source of cheap replacement labor, and crushed any attempts by players to create collective bargaining institutions. In the 1960s, however, the paternal order crumbled, eroded in part by the civil rights movement and the competition of television. As a consequence, in the "inflationary era" that followed, both players and umpires established effective unions that successfully pressed for higher pay, pensions, and greater occupational mobility--and then fought increasingly bitter struggles to hold on to these hard-won gains.
Publisher: Univ of North Carolina Press
ISBN: 0807875376
Category : Sports & Recreation
Languages : en
Pages : 384
Book Description
To most Americans, baseball is just a sport; but to those who own baseball teams--and those who play on them--our national pastime is much more than a game. In this book, Robert Burk traces the turbulent labor history of American baseball since 1921. His comprehensive, readable account details the many battles between owners and players that irrevocably altered the business of baseball. During what Burk calls baseball's "paternalistic era," from 1921 to the early 1960s, the sport's management rigidly maintained a system of racial segregation, established a network of southern-based farm teams that served as a captive source of cheap replacement labor, and crushed any attempts by players to create collective bargaining institutions. In the 1960s, however, the paternal order crumbled, eroded in part by the civil rights movement and the competition of television. As a consequence, in the "inflationary era" that followed, both players and umpires established effective unions that successfully pressed for higher pay, pensions, and greater occupational mobility--and then fought increasingly bitter struggles to hold on to these hard-won gains.
Musical Courier and Review of Recorded Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1494
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1494
Book Description
Musical Courier
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 984
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 984
Book Description