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Author: Michael J. Maher
Publisher: McFarland
ISBN: 0786483873
Category : Music
Languages : en
Pages : 233
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Book Description
Buoyant, irrepressible and hot-tempered, John Charles Thomas captivated audiences worldwide with his incredible voice. The son of a minister, he studied voice at the Peabody Conservatory under the tutelage of Adelin Fermin, one of the few voice teachers in America capable of training Thomas in the French operatic style. By 1915, Thomas had become a leading performer on Broadway, and ten years later had embarked on a trans-Atlantic career in opera and concerts. At the height of his popularity from 1934 through 1946, he was a popular star of radio, phonographs, and the Metropolitan Opera, a favorite of both popular and classical audiences. His decision to leave opera and focus on his radio career during the Second World War cost him his reputation as a serious artist. The singer who introduced "Home on the Range" and launched many other American standards has been largely forgotten today. This thorough biography details Thomas's life and career. Beginning with his school days at the Peabody, it traces his Broadway career as the star of Step This Way and Maytime and his highly successful career as a concert, recording, and opera star. Appendices provide a discography of his recordings, a list of operatic appearances in Brussels and the United States, and the songs he performed on radio broadcasts from 1934 to 1948.
Author: Michael J. Maher
Publisher: McFarland
ISBN: 0786483873
Category : Music
Languages : en
Pages : 233
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Book Description
Buoyant, irrepressible and hot-tempered, John Charles Thomas captivated audiences worldwide with his incredible voice. The son of a minister, he studied voice at the Peabody Conservatory under the tutelage of Adelin Fermin, one of the few voice teachers in America capable of training Thomas in the French operatic style. By 1915, Thomas had become a leading performer on Broadway, and ten years later had embarked on a trans-Atlantic career in opera and concerts. At the height of his popularity from 1934 through 1946, he was a popular star of radio, phonographs, and the Metropolitan Opera, a favorite of both popular and classical audiences. His decision to leave opera and focus on his radio career during the Second World War cost him his reputation as a serious artist. The singer who introduced "Home on the Range" and launched many other American standards has been largely forgotten today. This thorough biography details Thomas's life and career. Beginning with his school days at the Peabody, it traces his Broadway career as the star of Step This Way and Maytime and his highly successful career as a concert, recording, and opera star. Appendices provide a discography of his recordings, a list of operatic appearances in Brussels and the United States, and the songs he performed on radio broadcasts from 1934 to 1948.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
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Author: Frank Hoffmann
Publisher: Routledge
ISBN: 1135949492
Category : Music
Languages : en
Pages : 2611
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Book Description
First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.
Author:
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Category : Music
Languages : en
Pages : 534
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Category :
Languages : en
Pages : 660
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Category : Music
Languages : en
Pages : 922
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Book Description
Author: David K. Hildebrand
Publisher: JHU Press
ISBN: 1421422395
Category : Music
Languages : en
Pages : 230
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Book Description
In Musical Maryland, the first comprehensive survey of the music emanating from the Old Line State, David K. Hildebrand and Elizabeth M. Schaaf explore the myriad ways in which music has enriched the lives of Marylanders. From the drinking songs of colonial Annapolis, the liturgical music of the Zion Lutheran Church, and the work songs of the tobacco fields to the exuberant marches of late nineteenth-century Baltimore Orioles festivals, Chick Webb’s mastery on drums, and the triumphs of the Baltimore Opera Society, this richly illustrated volume explores more than 300 years of Maryland’s music history. Beginning with early compositions performed in private settings and in public concerts, this book touches on the development of music clubs like the Tuesday Club, the Florestan Society, and H. L. Mencken’s Saturday Night Club, as well as lasting institutions such as the Peabody Institute and the Baltimore Symphony Orchestra (BSO). Yet the soundscape also includes militia quicksteps, sea chanteys, and other work songs. The book describes the writing of "The Star-Spangled Banner"—perhaps Maryland's single greatest contribution to the nation's musical history. It chronicles the wide range of music created and performed by Maryland’s African American musicians along Pennsylvania Avenue in racially segregated Baltimore, from jazz to symphonic works. It also tells the true story of a deliberately integrated concert that the BSO staged at the end of World War II. The book is full of musical examples, engravings, paintings, drawings, and historic photographs that not only portray the composers and performers but also the places around the state in which music flourished. Illuminating sidebars by William Biehl focus on late nineteenth- and early twentieth-century song of the kind evoked by the USS Baltimore or inspired by the state's history, natural beauty, and romantic steamboats. The book also offers a sampling of the tunes that Maryland’s more remarkable composers and performers, including Billie Holiday, Eubie Blake, and Cab Calloway, contributed to American music before the homogenization that arrived in earnest after World War II. Bringing to life not only portraits of musicians, composers, and conductors whose stories and recollections are woven into the fabric of this book, but also musical scores and concert halls, Musical Maryland is an engaging, authoritative, and bold look at an endlessly compelling subject. -- John Barry Talley, author of Secular Music in Colonial Annapolis, 1745–56
Author: Library of Congress
Publisher:
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Category : Acquisitions (Libraries)
Languages : en
Pages : 538
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Category : Copyright
Languages : en
Pages : 1188
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ISBN:
Category : Music
Languages : en
Pages : 530
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