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Author: David Wyn Jones
Publisher: Boydell & Brewer
ISBN: 1783271078
Category : History
Languages : en
Pages : 289
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Book Description
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
Author: David Wyn Jones
Publisher: Boydell & Brewer
ISBN: 1783271078
Category : History
Languages : en
Pages : 289
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Book Description
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409808
Category : Music
Languages : en
Pages : 267
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Book Description
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1107116716
Category : Biography & Autobiography
Languages : en
Pages : 719
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Book Description
Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.
Author: Erica Buurman
Publisher: Cambridge University Press
ISBN: 1108495850
Category : Music
Languages : en
Pages : 209
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Book Description
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
Author: David Wyn Jones
Publisher: Cambridge University Press
ISBN: 1009276476
Category : Music
Languages : en
Pages : 287
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Book Description
A zesty biography reassessing the Strauss family's musical achievements within wider Habsburg society and its cultural life as a whole.
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
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Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Author: Luca Lévi Sala
Publisher: Routledge
ISBN: 1351800884
Category : Music
Languages : en
Pages : 258
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Book Description
Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520084438
Category : Music
Languages : en
Pages : 243
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Book Description
In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.
Author: Kimberly Beck Hieb
Publisher: Taylor & Francis
ISBN: 1040111203
Category : Music
Languages : en
Pages : 165
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Book Description
Music, Piety, and Political Power in 17th-Century Salzburg traces the role of sacred music in the service of politics at the archbishopric of Salzburg, one of many jurisdictions that made up the Holy Roman Empire in the second half of the 17th century. The author reveals that the use of music to present political, cultural, and religious meanings was not limited to cross-confessional communities, the Imperial capital of Vienna, or other early modern metropolitan centers such as Munich and Paris. Presenting music as a powerful cultural artifact that informs our understanding of the religious and political relationships shaping the history of central Europe, this study expands our understanding of the history of music, absolutism, and Catholicism in the 17th century and will be of interest to scholars working in those areas.
Author: Anne Hyland
Publisher: Cambridge University Press
ISBN: 1009210920
Category : Music
Languages : en
Pages : 329
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Book Description
A fresh analytical and musicological exploration of Schubert's incorporation of lyric elements into sonata form by way of his string quartets.
