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Author: Suzannah Clark
Publisher: Harvard University Press
ISBN: 9780964031777
Category : Music
Languages : en
Pages : 0
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Book Description
Music in Time probes the temporality of music from many perspectives, in response to Christopher F. Hasty's groundbreaking Meter as Rhythm. The essays bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies.
Author: Suzannah Clark
Publisher: Harvard University Press
ISBN: 9780964031777
Category : Music
Languages : en
Pages : 0
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Book Description
Music in Time probes the temporality of music from many perspectives, in response to Christopher F. Hasty's groundbreaking Meter as Rhythm. The essays bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies.
Author: John Burnside
Publisher: Princeton University Press
ISBN: 0691218862
Category : Literary Criticism
Languages : en
Pages : 522
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Book Description
"First published in a slight different form in Great Britain in 2019 by Profile Books Ltd."--Title page verso.
Author: Daniel Barenboim
Publisher: Verso Books
ISBN: 1844674703
Category : Music
Languages : en
Pages : 193
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Book Description
In this eloquent book, Daniel Barenboim draws on his profound and uniquely influential engagement with music to argue for its central importance in our everyday lives. While we may sometimes think of personal, social and political issues as existing independently of each other, Barenboim shows how music teaches that this is impossible. Turning to his intense involvement with Palestine, he examines the transformative power of music in the world, from his own performances of Wagner in Israel and his foundation, with Edward Said, of the internationally acclaimed West-Eastern Divan Orchestra. Music Quickens Time reveals how the sheer power and eloquence of music offers us a way to explore and shed light on the way in which we live, and to illuminate and resolve some of the most intractable issues of our time.
Author: Christopher P. Gordon
Publisher:
ISBN: 9780757540967
Category : Music
Languages : en
Pages : 0
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Book Description
Author: Jennifer Bryant
Publisher: Eerdmans Publishing Company
ISBN: 0802852297
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.
Author: Christopher Hasty
Publisher: Oxford University Press
ISBN: 9780195356533
Category : Music
Languages : en
Pages : 328
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Book Description
In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which meter is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of meter that engages diverse musical repertories and aesthetic issues.
Author: Mariusz Kozak
Publisher: Oxford University Press
ISBN: 0190080221
Category : Music
Languages : en
Pages : 325
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Book Description
What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.
Author: William Mann
Publisher: Parker Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 398
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Book Description
Presents a chronological approach to music, featuring biographical material on the famous musicians of successive years.
Author: Gwendolyn Hooks
Publisher: Confetti Kids
ISBN: 9781620143438
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Henry's drum practice at home is too loud so he goes outside and when he sees his friends playing jump rope he figures out a way to play drums and play with his friends.
Author: Elizabeth Rusch
Publisher: Simon and Schuster
ISBN: 1481444859
Category : Juvenile Nonfiction
Languages : en
Pages : 52
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Book Description
Award-winning biographer Elizabeth Rusch and two-time Caldecott Honor–recipient Marjorie Priceman team up to tell the inspiring story of the invention of the world’s most popular instrument: the piano. Bartolomeo Cristofori coaxes just the right sounds from the musical instruments he makes. Some of his keyboards can play piano, light and soft; others make forte notes ring out, strong and loud, but Cristofori longs to create an instrument that can be played both soft and loud. His talent has caught the attention of Prince Ferdinando de Medici, who wants his court to become the musical center of Italy. The prince brings Cristofori to the noisy city of Florence, where the goldsmiths’ tiny hammers whisper tink, tink and the blacksmiths’ big sledgehammers shout BANG, BANG! Could hammers be the key to the new instrument? At last Cristofori gets his creation just right. It is called the pianoforte, for what it can do. All around the world, people young and old can play the most intricate music of their lives, thanks to Bartolomeo Cristofori’s marvelous creation: the piano.
