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Author: Jennifer M. Pickering
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 444
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Author: Jennifer M. Pickering
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 444
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Author: Dez Wright
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
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The eighteenth century may have been a period when the only truly world figures in British music - Handel and J. C. Bach - were Germans, but what is fascinating about the century is how the music industry became increasingly sophisticated. Career opportunities for musicians now existed outside the traditions of court and church. Patronage was still vital in other parts of Europe, and most composers were employed as court or church Kapellmeisters or, if they were lucky, had private support. The opportunities to make a living composing to commission and performing in concert simply didn't exist in Vienna or Paris. And it was in its infrastructure and opportunities that Britain led the world during the eighteenth century, even if its legacy on a purely musical level was a little thin. This chronology is the second part of the story of the music of these islands arranged strictly on a month-by-month, year-by-year basis. Each year is prefaced by a brief overview of historical events in the British Isles, followed by important contemporary events in music elsewhere, and finally a list of major works of art and literature that appeared here. There then follows a chronological account of musical events. Volume one covers the period up to the end of the seventeenth century, and a further five are planned which will take the story up to the twenty-first century.
Author: Laurence Bristow-Smith
Publisher:
ISBN: 9782970065463
Category :
Languages : en
Pages :
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Volume One begins with a set of pipes from 2000 BC discovered in an Irish bog and follows the story of British music through invasions and religious and political upheavals up to the end of the eighteenth century. It shows the dominance of the Church and the monarchy giving way to promoters and managers whose motives were much more commercial.
Author: Charles Humphries
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 434
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Author: Laurence Bristow-Smith
Publisher:
ISBN: 9782970065470
Category : Music
Languages : en
Pages : 522
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Volume Two begins with Queen Victoria and the Empire. It charts the story of British music through its Renaissance period at the end of the 19th century, through the rise of the music halls and folksong, the arrival of radio, cinema, and recorded music, through the great upheavals of two World Wars, right up to the Beatles, hifi and symphonic rock.
Author: Dez Wright
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
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This third volume of seven in the series covers the evolution of British music and the music industry over the first eighty years of the nineteenth century. At the end of the previous century musical life in London consisted of concerts (often funded by subscribers who paid a certain amount per season for a seat), vernacular and Italian opera, and, in summer, the pleasure gardens. Other major cities in the islands, such as Dublin and Edinburgh, offered a similar range of entertainments. Popular ballads and airs were sold as broadsheets, and could increasingly be heard in urban streets blaring out from barrel organs, a relatively new invention. Employment prospects for a musician were largely confined to the theatre, the church and, possibly, as a musician/tutor in a private household. Home music making was largely a pursuit of the wealthy. Fast-forward eighty years and the musical landscape of the British Isles had changed completely. In 1880 concerts were still largely the preserve of the moneyed elites, but the emerging middle classes and the new generations of factory workers now had the music halls and the new kind of musical theatre provided by the likes of Gilbert and Sullivan. Performers could become household names, and musicians and jobbing composers could make a decent living. Music education had been restricted to private lessons and on-the-job-training in 1800, but in 1880 there were internationally known schools such as the Royal Academy of Music and the Royal College of Music in London. Music in the home, too, had changed radically. The new Victorian middle classes in their suburban villas inevitably owned a piano, and a piano required sheet music to play. Undemanding instrumental music, and sentimental and moralistic ballads were the order of the day. Many of the great European composers spent time in Britain in the eighteenth century, and this is something that continued during the nineteenth. Mendelssohn, Weber, Berlioz, Liszt and others all spent very profitable periods in the country. There had been no one at home of a comparable stature, if one discounts foreign-born, but adopted sons like Handel and Johann Christian Bach, since the days of Purcell. William Sterndale Bennett was the most important figure furing the first half of the century, not so much for his compositions, but for the high standards he brought to music teaching, and for the invigorating influence he had on concert life. His pupils included Sullivan and Hubert Parry, and these two, along with Charles Villiers Stanford and Alexander Mackenzie, were responsible to a large degree for the renaissance of musical life that began in the last quarter of the century.
Author: Jürgen Schaarwächter
Publisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
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Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
Author: Roz Southey
Publisher: Routledge
ISBN: 1351556789
Category : Music
Languages : en
Pages : 272
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The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.
Author: Charles Humphries
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Norman Hyde
Publisher:
ISBN:
Category : England
Languages : en
Pages : 158
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