Image-Music-Text

Image-Music-Text PDF Author: Roland Barthes
Publisher: Macmillan
ISBN: 9780374521363
Category : Literary Criticism
Languages : en
Pages : 236

Get Book Here

Book Description
Essays on semiology

Image-Music-Text

Image-Music-Text PDF Author: Roland Barthes
Publisher: Macmillan
ISBN: 9780374521363
Category : Literary Criticism
Languages : en
Pages : 236

Get Book Here

Book Description
Essays on semiology

Music and Image in Classical Athens

Music and Image in Classical Athens PDF Author: Sheramy Bundrick
Publisher: Cambridge University Press
ISBN: 9780521848060
Category : Art
Languages : en
Pages : 284

Get Book Here

Book Description
Bundrick proposes that depictions of musical performance were linked to contemporary developments in music.

Music as Image

Music as Image PDF Author: Benjamin Nagari
Publisher: Routledge
ISBN: 131752635X
Category : Psychology
Languages : en
Pages : 254

Get Book Here

Book Description
Through a theoretical and practical exploration of Jungian and post-Jungian concepts surrounding image, this book moves beyond the visual scope of imagery to consider the presence and expression of music and sound, as well as how the psyche encounters expanded images – archetypal, personal or cultural – on both conscious and unconscious levels. By closely examining music in film, Nagari considers music’s complementary, enhancing, meaningful, and sometimes disruptive, contribution to expressive images. Chapters present a Jungian approach to music in film, highlighting how ‘music-image’ functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the ‘film as a whole’ experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised ‘case histories’. Music as Image will be of interest to academics and students in the fields of applied psychoanalysis and Jungian psychology, music, film and cultural studies. With implications for music therapy and other art-based therapies, it will also be relevant for practising psychotherapists.

Music and Image

Music and Image PDF Author: Richard Leppert
Publisher: CUP Archive
ISBN: 9780521448543
Category : History
Languages : en
Pages : 270

Get Book Here

Book Description
An examination of the place and practice of musical life in eighteenth-century England among the upper classes.

Rewind, Play, Fast Forward

Rewind, Play, Fast Forward PDF Author: Henry Keazor
Publisher: transcript Verlag
ISBN: 3839411858
Category : Social Science
Languages : en
Pages : 281

Get Book Here

Book Description
Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still lack a well defined and matching methodical approach for analyzing and discussing videoclips. For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future.

Music and Image in Concert

Music and Image in Concert PDF Author: Meghan Stevens
Publisher: Music and Image in Concert
ISBN: 0980732603
Category : Art
Languages : en
Pages : 202

Get Book Here

Book Description
In 'Music and Image in Concert' composer, graphic designer and writer Meghan Stevens explores the implications to music when images are presented in music concerts. But how do artistic directors ensure that listeners aren't more engaged by the images than the music? Stevens presents a number of concepts that aim to maintain musical salience over added image in the instrumental music concert. This is to avoid the situation that occurs in film where the music is backgrounded and often not heard or not remembered. These concepts cover a range of music-image characteristics including narrative, synchronisation, rhythm, tempo, meaning, emotion, structure, genre, integration, interpretation, voice and text. As there is little research in this new field, these original concepts draw on a number of other disciplines including film, music-video, multimedia, cognitive psychology, psychomusicology, education and music philosophy. This book provides a practical approach for adding image to the music concert.

The Synergy of Music and Image in Audiovisual Culture

The Synergy of Music and Image in Audiovisual Culture PDF Author: K.J. Donnelly
Publisher: Taylor & Francis
ISBN: 1000997871
Category : Music
Languages : en
Pages : 181

Get Book Here

Book Description
The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film. Bringing together revised and updated essays on music in a variety of media – including film, television, and video games – this book explores the importance of partially perceived and registered auditory and visual elements and cultural context in creating unique audiovisual experiences. Critiquing traditional models of the film score, The Synergy of Music and Image in Audiovisual Culture enables readers across music, film, and cultural studies to approach and think about audiovisual culture in new ways.

Analysing Popular Music

Analysing Popular Music PDF Author: David Machin
Publisher: SAGE
ISBN: 1446241343
Category : Art
Languages : en
Pages : 242

Get Book Here

Book Description
Popular music is far more than just songs we listen to; its meanings are also in album covers, lyrics, subcultures, voices and video soundscapes. Like language these elements can be used to communicate complex cultural ideas, values, concepts and identities. Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the ′code book′ of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers. Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.

New Wave

New Wave PDF Author: K. Adkins
Publisher: Springer
ISBN: 113736355X
Category : Music
Languages : en
Pages : 132

Get Book Here

Book Description
New Wave: Image is Everything traces the evolution of the often neglected pop music genre, new wave. Using artists from Elvis Costello to Cyndi Lauper as illustrations, the book argues that new wave was among the first flowerings of postmodern theory in popular culture.

Virtual Music

Virtual Music PDF Author: Shara Rambarran
Publisher: Bloomsbury Academic
ISBN: 1501333607
Category : Music
Languages : en
Pages : 249

Get Book Here

Book Description
Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music. Virtual Music explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.