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Author: William Gayley Simpson
Publisher:
ISBN: 9781733648134
Category : Philosophy
Languages : en
Pages : 1072
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Book Description
The widely traveled William Gayley Simpson discusses his experiences and his very deep observations about the decay of Western Civilization.
Author: William Gayley Simpson
Publisher:
ISBN: 9781733648134
Category : Philosophy
Languages : en
Pages : 1072
Get Book Here
Book Description
The widely traveled William Gayley Simpson discusses his experiences and his very deep observations about the decay of Western Civilization.
Author: Kathryn Kalinak
Publisher: Routledge
ISBN: 1136620575
Category : Music
Languages : en
Pages : 242
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Book Description
Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.
Author: Wyndham Lewis
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 618
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Book Description
Author: Mark Collett
Publisher: Createspace Independent Publishing Platform
ISBN: 9781542417648
Category :
Languages : en
Pages : 0
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Book Description
Western man is a shadow of his former self: his mind enslaved, his body weakened, his spirit corrupted and the courage and bravery he once possessed radically diminished. Western civilisation and all the achievements it encompasses once held the world in awe, yet despite this, the West is in the midst of a moral and social decline.The Fall of Western Man explains the working of the mind and how once the mind is reduced in its capacity to reason and the hardened mental fortitude of a people is broken, those people can be convinced of anything. The enemies of the West have used this knowledge to play a devious and divisive game that has undermined the common values and homogeneity found within Western society.The Fall of Western Man details how the social structures that have shaped generation after generation of Western man have been weakened and removed in order to prevent Western society from holding on to its culture and traditions. This has destroyed strong and cohesive Western communities and reduced them to disparate groups of individuals who are only concerned with hedonism and selfish pursuits. But it is still not too late for redemption. Discover how Western man can fight back against these attacks and go on to rediscover his roots and reclaim his birthright.
Author: Hank Williams
Publisher: Hal Leonard Corporation
ISBN: 1458446891
Category : Music
Languages : en
Pages : 147
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Book Description
(Guitar Chord Songbook). A resource of nearly 70 Williams' classics, including: Cold, Cold Heart * Hey, Good Lookin' * Honky Tonk Blues * Honky Tonkin' * I Saw the Light * I'm a Long Gone Daddy * Jambalaya (On the Bayou) * Long Gone Lonesome Blues * My Son Calls Another Man Daddy * Take These Chains from My Heart * Your Cheatin' Heart * and more.
Author: Kirsten Gibson
Publisher: Routledge
ISBN: 1351559028
Category : Music
Languages : en
Pages : 335
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Book Description
How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of masculinities in twelve different musical case studies. In other disciplines within the arts and humanities, 'men's studies' is a well-established field. Musicology has only recently begun to address critically music's engagement with masculinity and as a result has sometimes thereby failed to recognize its own discursive misogyny. This book does not seek to cover the field comprehensively but, rather, to explore in detail some of the ways in which musical practices do the cultural work of masculinity. The book is structured into three thematic sections: effeminate and virile musics and masculinities; national masculinities, national musics; and identities, voices, discourses. Within these themes, the book ranges across a number of specific topics: late medieval masculinities; early modern discourses of music, masculinity and medicine; Renaissance Italian masculinities; eighteenth-, nineteenth- and early twentieth-century ideas of creativity, gender and canonicity; masculinity, imperialist and nationalist ideologies in the nineteenth century, and constructions of the masculine voice in late nineteenth- and twentieth-century opera and song. While the case studies are methodologically disparate and located in different historical and geographical locations, they all share a common conc
Author: Reg Ankrom
Publisher: McFarland
ISBN: 1476673764
Category : History
Languages : en
Pages : 380
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Book Description
It didn't take long for freshman Congressman Stephen A. Douglas to see the truth of Senator Thomas Hart Benton's warning: slavery attached itself to every measure that came before the U.S. Congress. Douglas wanted to expand the nation into an ocean-bound republic. Yet slavery and the violent conflicts it stirred always interfered, as it did in 1844 with his first bill to organize Nebraska. In 1848, when America acquired 550,000 square miles after the Mexican War, the fight began over whether the territory would be free or slave. Henry Clay, a slave owner who favored gradual emancipation, packaged territorial bills from Douglas's committee with four others. But Clay's "Omnibus Bill" failed. Exhausted, he left the Senate, leaving Douglas in control. Within two weeks, Douglas won passage of all eight bills, and President Millard Fillmore signed the Compromise of 1850. It was Douglas's greatest legislative achievement. This book, a sequel to the author's Stephen A. Douglas: The Political Apprenticeship, 1833-1843, fully details Douglas's early congressional career. The text chronicles how Douglas moved the issue of slavery from Congress to the ballot box.
Author: Henry R. Luce
Publisher:
ISBN: 9781258434137
Category :
Languages : en
Pages : 312
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Book Description
Author: Karl Anderson
Publisher: Arcadia Publishing
ISBN: 1467105392
Category : History
Languages : en
Pages : 128
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Book Description
Traditional Country & Western Music presents historical photographs, memorabilia, and stories about an enduring music genre that took root in America from the late 1920s through the mid-1930s. Although many of our early folk songs originated from the British Isles, Jimmie Rodgers (the "Father of Country Music") and Gene Autry ("America's Favorite Singing Cowboy") became the foundation of modern country and western music. Many regional styles and variations of country and western music developed during the first half of the 20th century, including hillbilly, bluegrass, honky-tonk, rockabilly, southern gospel, Cajun, and Texas swing. Local artists, live radio shows, and regional barn dance programs provided entertainment throughout the Great Depression, World War II, and into America's postwar years. During the 1950s, country and western music became homogenized with the Nashville sound and the Bakersfield sound. By the end of the 1960s, country music completed its move to Nashville, and "western" was dropped from the equation. This book recalls the golden age of country and western music from the late 1920s through the 1960s. Each of the featured artists and programs in this book were once household names. We celebrate these early legends, live radio and television shows, unsung heroes, and local performers from Maine to California.
Author: Paul Edwards
Publisher: Oxford University Press
ISBN: 0192874705
Category : Literary Criticism
Languages : en
Pages : 587
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Book Description
The Collected Works of Wyndham Lewis brings together for the first time all of the published writings of Wyndham Lewis (1882-1957), a major contributor to literary modernism and one of the most important British painters of the first half of the twentieth century. This is the first comprehensive edition of Time and Western Man, with explanatory notes, previously unpublished drafts, a history of composition, and an account of its critical reception. Originally published in 1927, Time and Western Man is one of Lewis's most important books, and a pioneering work of cultural criticism. It contains scathing criticism of his fellow modernist writers, Ezra Pound, James Joyce, and Gertrude Stein. The second part of the book analyses and attacks the philosophy of 'Time', focusing especially on Henri Bergson, A. N. Whitehead, Samuel Alexander, and Oswald Spengler. Many of Lewis's most penetrating arguments are in the drafts that are printed in this edition for the first time.
