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Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557580
Category : Music
Languages : en
Pages : 590
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Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557580
Category : Music
Languages : en
Pages : 590
Get Book Here
Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557599
Category : Music
Languages : en
Pages : 366
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Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Author: Claire Mabilat
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
This fascinating book explores issues of orientalism, otherness, gender and sexuality that arise in British representations of non-European musicians during the long nineteenth century. Mabilat uses a theoretical framework of orientalism as a form of othering to analyse primary source materials in the forms of opera libretti, popular fiction and the visual arts (such as photographs and book illustrations), alongside contextualizing non-fiction materials. In conjunction with musicological, literary and art theories, the book considers how ideas of the Other were transformed over time and between different genres and artists.
Author: Nalini Ghuman
Publisher:
ISBN: 0199314896
Category : Music
Languages : en
Pages : 369
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Book Description
During the century of British rule of the Indian subcontinent known as the British Raj, the rulers felt the significant influence of their exotic subjects. Resonances of the Raj examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the Raj on the English musical imagination. Conventional narratives depict a one-way influence of Britain on India, with the 'discovery' of Indian classical music occurring only in the post-colonial era. Drawing on new archival sources and approaches in cultural studies, author Nalini Ghuman shows that on the contrary, England was both deeply aware of and heavily influenced by India musically during the Indian-British colonial encounter. Case studies of representative figures, including composers Edward Elgar and Gustav Holst, and Maud MacCarthy, an ethnomusicologist and performer of the era, integrate music directly into the cultural history of the British Raj. Ghuman thus reveals unexpected minglings of peoples, musics and ideas that raise questions about 'Englishness', the nature of Empire, and the fixedness of identity. Richly illustrated with analytical music examples and archival photographs and documents, many of which appear here in print for the first time, Resonances of the Raj brings fresh hearings to both familiar and little-known musics of the time, and reveals a rich and complex history of cross-cultural musical imaginings which leads to a reappraisal of the accepted historiographies of both British musical culture and of Indo-Western fusion.
Author: Jeffrey Richards
Publisher: Manchester University Press
ISBN: 1526121379
Category : History
Languages : en
Pages : 545
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Book Description
Author: Tony Ballantyne
Publisher:
ISBN: 9780333919088
Category : Great Britain
Languages : en
Pages : 266
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Book Description
The idea of an Aryan race became an important feature of imperial culture in the 19th century, feeding into debates in Britain, Ireland, India, and the Pacific. This study traces the emergence and dissemination of Aryanism within the British Empire.
Author: T. Ballantyne
Publisher: Springer
ISBN: 0230508073
Category : History
Languages : en
Pages : 278
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Book Description
This study traces the emergence and dissemination of Aryanism within the British Empire. The idea of an Aryan race became an important feature of imperial culture in the nineteenth century, feeding into debates in Britain, Ireland, India, and the Pacific. The global reach of the Aryan idea reflected the complex networks that enabled the global reach of British Imperialism. Tony Ballantyne charts the shifting meanings of Aryanism within these 'webs' of Empire.
Author: Bob van der Linden
Publisher: Palgrave Macmillan
ISBN: 9781137311634
Category : History
Languages : en
Pages : 0
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Book Description
Music has been neglected by imperial historians, but this book shows that music is an essential aspect of identity formation and cross-cultural exchange. It explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization of "classical" music converged and diverged in Britain and India from 1880-1940.
Author: Tony Ballantyne
Publisher:
ISBN:
Category : Imperialism
Languages : en
Pages : 266
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Book Description
Author: Nasser Al-Taee
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 305
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Book Description
"This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power."--Provided by publisher.
