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Author: Jimena Perry
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
This report discusses and analyzes the ways in which some communities remember. Focusing on examples that display violence in museum settings, the main goal of this paper is to illustrate how certain social groups interpret and represent atrocities of their past. Since the decade of 2000, Colombia has seen the emergence of several memory museums that intend to account for the violence of the 1980s and 1990s. These bottom up venues are part of a process of healing and community building that serves the purpose of restoring the social fabric of the peoples affected by brutalities. In contrast, there are the top bottom initiatives, generally undergone by the state, which narrate the past in a different way. This report examines the differences in the stories told by official and non-official museums and the messages both of these venues want to convey. Drawing from sources and secondary bibliography about the National Museum of Colombia and two departmental institutions, The Hall of Never Again, Antioquia, and the Traveling Museum of the Memory of Montes de María, Sucre and Bolívar, this report describes the exhibitions of violence the coordinators of these venues had produced, what are they pursuing, and their intentions.
Author: Jimena Perry
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Get Book Here
Book Description
This report discusses and analyzes the ways in which some communities remember. Focusing on examples that display violence in museum settings, the main goal of this paper is to illustrate how certain social groups interpret and represent atrocities of their past. Since the decade of 2000, Colombia has seen the emergence of several memory museums that intend to account for the violence of the 1980s and 1990s. These bottom up venues are part of a process of healing and community building that serves the purpose of restoring the social fabric of the peoples affected by brutalities. In contrast, there are the top bottom initiatives, generally undergone by the state, which narrate the past in a different way. This report examines the differences in the stories told by official and non-official museums and the messages both of these venues want to convey. Drawing from sources and secondary bibliography about the National Museum of Colombia and two departmental institutions, The Hall of Never Again, Antioquia, and the Traveling Museum of the Memory of Montes de María, Sucre and Bolívar, this report describes the exhibitions of violence the coordinators of these venues had produced, what are they pursuing, and their intentions.
Author: Jimena Perry
Publisher: Taylor & Francis
ISBN: 1000896420
Category : History
Languages : en
Pages : 163
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Book Description
This book explores how recent Colombian historical memories are informed by cultural diversity and how some of the country’s citizens remember the brutalities committed by the Army, guerrillas, and paramilitaries during the internal war (1980-2016). Its chapters delve into four case studies. The first highlights the selections of what not to remember and what not to represent at the National Museum of the country. The second focuses on the well-received memories at the same institution by examining a display made to commemorate the assassination of a demobilized guerrilla fighter. The third discusses how a rural marginal community decided to vividly remember the attacks they experienced by creating a display hall to aid in their collective and individual healing. Lastly, the fourth case study, also about a rural peripheric community, discusses their way of remembering, which emphasizes peasant oral traditions through a traveling venue. By bringing violence, memory, and museum studies together, this text contributes to our understanding of how social groups severely impacted by atrocities recreate and remember their violent experiences. By drawing on displays, newspapers, interviews, catalogs, and oral histories, Jimena Perry shows how museums and exhibitions in Colombia become politically active subjects in the acts of reflection and mourning, and how they foster new relationships between the state and society. This volume is of great use to students and scholars interested in Latin American and public history.
Author: Jimena Perry Posada
Publisher:
ISBN: 9781003283997
Category : Civil war
Languages : en
Pages : 0
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Book Description
"This book explores how recent Colombian historical memories are informed by cultural diversity and how some of the country's citizens remember the brutalities committed by the Army, guerrillas, and paramilitaries during the internal war (1980-2016). Its chapters delve into four case studies. The first highlights the selections of what not to remember and what not to represent at the National Museum of the country. The second focuses on the well-received memories at the same institution by examining a display made to commemorate the assassination of a demobilized guerrilla fighter. The third discusses how a rural marginal community decided to vividly remember the attacks they experienced by creating a display hall to aid in their collective and individual healing. Lastly, the fourth case study, also about a rural peripheric community, discusses their way of remembering, which emphasizes peasant oral traditions through a traveling venue. By bringing violence, memory, and museum studies together, this text contributes to our understanding of how social groups severely impacted by atrocities recreate and remember their violent experiences. By drawing on displays, newspapers, interviews, catalogs, and oral histories, Jimena Perry shows how museums and exhibitions in Colombia become politically active subjects in the acts of reflection and mourning, and how they foster new relationships between the state and society. This volume is of great use to students and scholars interested in Latin American and public history"--
Author: Brad West
Publisher: Springer Nature
ISBN: 981165588X
Category : Social Science
Languages : en
Pages : 192
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Book Description
This edited book demonstrates a new multidimensional comprehension of the relationship between war, the military and civil society by exploring the global rise of paramilitary culture. Moving beyond binary understandings that inform the militarization of culture thesis and examining various national and cultural contexts, the collection outlines ways in which a process of paramilitarization is shaping the world through the promotion of new warrior archetypes. It is argued that while the paramilitary hero is associated with military themes, their character is in tension with the central principals of modern military organization, something that often challenges the state’s perceived monopoly on violence. As such paramilitization has profound implications for institutional military identity, the influence of paramilitary organizations and broadly how organised violence is popularly understood
Author: Amy Sodaro
Publisher: Rutgers University Press
ISBN: 0813592178
Category : Architecture
Languages : en
Pages : 227
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Book Description
Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. Exhibiting Atrocity documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights. Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.
Author: Garrett G. Fagan
Publisher: Cambridge University Press
ISBN: 1108882900
Category : History
Languages : en
Pages :
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Book Description
The first in a four-volume set, The Cambridge World History of Violence, Volume 1 provides a comprehensive examination of violence in prehistory and the ancient world. Covering the Palaeolithic through to the end of classical antiquity, the chapters take a global perspective spanning sub-Saharan Africa, the Near East, Europe, India, China, Japan and Central America. Unlike many previous works, this book does not focus only on warfare but examines violence as a broader phenomenon. The historical approach complements, and in some cases critiques, previous research on the anthropology and psychology of violence in the human story. Written by a team of contributors who are experts in each of their respective fields, Volume 1 will be of particular interest to anyone fascinated by archaeology and the ancient world.
Author: Berber Bevernage
Publisher: Springer
ISBN: 1349953067
Category : History
Languages : en
Pages : 868
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Book Description
This handbook provides the first systematic integrated analysis of the role that states or state actors play in the construction of history and public memory after 1945. The book focuses on many different forms of state-sponsored history, including memory laws, monuments and memorials, state-archives, science policies, history in schools, truth commissions, historical expert commissions, the use of history in courts and tribunals etc. The handbook contributes to the study of history and public memory by combining elements of state-focused research in separate fields of study. By looking at the state’s memorialising capacities the book introduces an analytical perspective that is not often found in classical studies of the state. The handbook has a broad geographical focus and analyses cases from different regions around the world. The volume mainly tackles democratic contexts, although dictatorial regimes are not excluded.
Author: Ayşe Gül Altınay
Publisher: Columbia University Press
ISBN: 0231549970
Category : Social Science
Languages : en
Pages : 744
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Book Description
Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations? Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists from Chile, Turkey, and the United States. The essays in this book assemble and discuss a deep archive of works that activate memory across a variety of protest cultures, ranging from seemingly minor acts of defiance to broader resistance movements. The memory practices it highlights constitute acts of repair that demand justice but do not aim at restitution. They invite the creation of alternative histories that can reconfigure painful pasts and presents. Giving voice to silenced memories and reclaiming collective memories that have been misrepresented in official narratives, Women Mobilizing Memory offers an alternative to more monumental commemorative practices. It models a new direction for memory studies and testifies to a continuing hope for an alternative future.
Author: Kerry Whigham
Publisher: Rutgers University Press
ISBN: 1978825552
Category : History
Languages : en
Pages : 269
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Book Description
From the Holocaust in Europe to the military dictatorships of Latin America to the enduring violence of settler colonialism around the world, genocide has been a defining experience of far too many societies. In many cases, the damaging legacies of genocide lead to continued violence and social divisions for decades. In others, however, creative responses to this identity-based violence emerge from the grassroots, contributing to widespread social and political transformation. Resonant Violence explores both the enduring impacts of genocidal violence and the varied ways in which states and grassroots collectives respond to and transform this violence through memory practices and grassroots activism. By calling upon lessons from Germany, Poland, Argentina, and the Indigenous United States, Resonant Violence demonstrates how ordinary individuals come together to engage with a violent past to pave the way for a less violent future.
Author: Cynthia E. Milton
Publisher: Duke University Press
ISBN: 0822377462
Category : History
Languages : en
Pages : 320
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Book Description
Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity. Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar
