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Author:
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 208
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Book Description
"Museum publications [Jan. 1929]": v. 2, p. 28-32.
Author: Marc-Antoine Mathieu
Publisher: Paw Prints
ISBN: 9781442002012
Category :
Languages : en
Pages : 0
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Book Description
In a dark, half-ruined museum, an expert investigates its subterranean levels in an attempt to catalog all of it's abandoned treasures.
Author:
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 208
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Book Description
"Museum publications [Jan. 1929]": v. 2, p. 28-32.
Author: Lawrence J. Fennelly
Publisher: Butterworth-Heinemann
ISBN: 1483221032
Category : Business & Economics
Languages : en
Pages : 908
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Book Description
Museum, Archive, and Library Security provides an introduction to the security programs of museums and other park facilities. This book discusses the mechanism that provides for the protection of information, collections, equipment, personnel, and physical facilities of museums. Organized into seven parts encompassing 30 chapters, this book begins with an overview of the security programs of the National Park Service. This text then examines the quality of security personnel and its proper training, as well as its most efficient utilization and allocation. Other chapters consider the standard instruction in how to implement new security procedures by staff members. This book discusses as well the significance of good security for the protection of fine arts of any nature. The final chapter deals with global concern on the prevention, protection, import, or export of cultural property. This book is a valuable resource for security directors, archivists, curators, maintenance personnel, historic preservation specialists, and librarians.
Author: United States. National Park Service
Publisher:
ISBN:
Category : Archival materials
Languages : en
Pages : 1108
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Book Description
Author: Mirjam Brusius
Publisher: Routledge
ISBN: 1351659421
Category : Art
Languages : en
Pages : 291
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Book Description
Beyond their often beautiful exhibition halls, many museums contain vast, hidden spaces in which objects may be stored, conserved, or processed. Museums can also include unseen archives, study rooms, and libraries which are inaccessible to the public. This collection of essays focuses on this domain, an area that has hitherto received little attention. Divided into four sections, the book critically examines the physical space of museum storage areas, the fluctuating historical fortunes of exhibits, the growing phenomenon of publicly visible storage, and the politics of objects deemed worthy of collection but unsuitable for display. In doing so, it explores issues including the relationship between storage and canonization, the politics of collecting, the use of museum storage as a form of censorship, the architectural character of storage space, and the economic and epistemic value of museum objects. Essay contributions come from a broad combination of museum directors, curators, archaeologists, historians, and other academics.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 58
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Book Description
Author: Bob Sheil
Publisher: UCL Press
ISBN: 1800086342
Category : Architecture
Languages : en
Pages : 163
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Book Description
Fabricate 2024: Creating Resourceful Futures is the fifth volume in the series of Fabricate publications. The first conference – ‘Making Digital Architecture’ – explored the ways in which technology, design and industry are shaping the world around us. Since then, we have become finely attuned to the negative impacts of this shaping. The 2024 conference, hosted in Copenhagen, sets focus on the pressing need to develop new models for architectural production that rethink how resource is deployed, its intensity, its socio-ecological origins and sensitivity to environment. This book features the work of designers, engineers and makers operating within the built environment. It documents disruptive approaches that reconsider how fabrication can be leveraged to address our collective and entangled challenges of resource scarcity, climate emergency and burgeoning demand. Exploring case studies of completed buildings and works-in-progress, together with interviews with leading thinkers, this edition of Fabricate offers a plurality of tangible models for design and production that set a creative and responsible course towards resourceful futures.
Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 812
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Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Author: George Learmonth
Publisher: Rowanvale Books
ISBN: 0953078582
Category :
Languages : en
Pages : 123
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Book Description
Author: Martha Buskirk
Publisher: MIT Press
ISBN: 9780262524421
Category : Art
Languages : en
Pages : 324
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Book Description
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality.
