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Author: Lotte H. Eisner
Publisher:
ISBN: 9780520022850
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Author: Lotte H. Eisner
Publisher:
ISBN: 9780520022850
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Author: Jens Rymes
Publisher: GRIN Verlag
ISBN: 3638431398
Category : Literary Criticism
Languages : en
Pages : 17
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Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Heidelberg (Anglistisches Seminar), course: Cinema and Society, Kino und Gesellschaft, language: English, abstract: 1 Introduction In adapting Stoker’s Dracula, Murnau has made quite a few changes to the original plot. Some of them were made due to economic and practical reasons, such as moving the setting and locations to Germany, some of them in order to avoid charges of copyright infringement, such as changing the characters’ names, as Murnau was not authorised to make an adaptation. However, Murnau doesn’t simply copy Dracula. Stoker’s novel about the intrusion of an alien evil into English society is transformed into a story mirroring the fears that prevailed in Germany in the late 1910’s. Screenwriter Henrik Galeen and di¬rector Murnau were obviously influenced by the impressions that both World War I and the influenza pandemic had left. The war had left large areas in Central Europe in ruins and had triggered many political changes. Often, the new-founded Weimar Republic was seen as weak and incapable of acting. Moreover, the outbreak of the Spanish Flu in 1918 proved no less devastating, ranking “with the plague of Justinian and the Black Death as one of the three most destructive human epidemics.”(1) Assisted by large troop movements and disastrous hygienic con¬ditions after the armistice, the disease spread across the globe within less than three months. Physicians and scientist were helpless. There was no immunization available: the influenza virus could not be isolated and positively identified as the pathogene until 1932. In fact, even today there are no means of preventing another influenza epidemic(2) . Murnau begins with a caption that presents the movie as a record of an epidemic: “Aufzeichnung über das große Sterben in Wisborg.” The vampire is not the party animal that Lugosi impersonated; instead, Murnau draws on a tradition that associates vampires with unexpected or inexplicable death. His creature feeds on a society which is defenseless against him, either because its members are too weakened or too terrified to take action. Thus, though set almost one hundred years in the past, Nosferatu presents an actualisation of Dracula. [...] ______ (1) Potter, C.W. “A history of influenza”. Journal of Applied Microbiology 31. 2001: 575. (2) cf. ibid., 572.
Author: Thomas Elsaesser
Publisher: Routledge
ISBN: 1135078599
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.
Author:
Publisher:
ISBN:
Category : Administrative law
Languages : en
Pages : 706
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Author: Edith Raim
Publisher: Routledge
ISBN: 1000521095
Category : History
Languages : en
Pages : 279
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Book Description
The Rise of National Socialism in the Bavarian Highlands offers a microhistory of the town of Murnau between 1919 and 1933, a period which witnessed the rise of national socialism in Germany. National socialism had its roots in Bavaria, where the Weimar Republic found it difficult to secure popular support amongst the rural population. It was in this region that economic hardship and effective national socialist propaganda furthered the erosion of democracy. Focusing on Murnau, this book examines the political and economic state of the town, as well as the mentality and social composition of its inhabitants. It also looks at the development of tourism in the interwar period, a topic which has received little scholarly attention. Although the study limits itself to one town, the reactions of its inhabitants reflect a common attitude of nostalgia for a seemingly better past and a rejection of the ‘excessive’ demands of modernity that the Weimar Republic exacted on them. This book will appeal to scholars and students of national socialism, as well as those interested in the Weimer Republic, Nazi Germany, microhistory, and the history of tourism.
Author: Rob White
Publisher: Taylor & Francis
ISBN: 9781579583286
Category : Motion pictures
Languages : en
Pages : 656
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Book Description
Author: Jon Lewis
Publisher: Duke University Press
ISBN: 0822390132
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records. Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies. Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp
Author: ans-Michael Bock,,
Publisher: Berghahn Books
ISBN: 9780857455659
Category : Performing Arts
Languages : en
Pages : 596
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Book Description
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
Author: Thomas Waugh
Publisher: Duke University Press
ISBN: 9780822324683
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
DIVA selection of writings on gay and lesbian cinema by one of the pioneers of queer film criticism./div
