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Author: Frank Herreman
Publisher: 5Continents
ISBN: 9788874397433
Category : Art
Languages : en
Pages : 127
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Book Description
Through forty-one masterworks, Mumuye reveals some of the most accomplished statues made by this Nigerian tribal group. It was not until the late 1960s that statues from the Mumuye culture of northeastern Nigeria appeared on the European art scene. Their impact was immediate and profound: African art aficionados marvelled at Mumuye artists' abstract interpretation of the human body, which recalled the approach to anatomy by artists of the Cubist and Expressionist movements. Indeed, anthropomorphic Mumuye figure sculptures demonstrate an astonishing range of variations, testifying to their makers' unbridled creativity and limitless inventiveness. Here, a meticulous analysis of the extraordinary forms of Mumuye figures - paying attention to their striking inherent sense of motion - leads to a new style of classification that recognises different workshops and even the hands of individual masters. A summary of the scant field-based studies discusses the figures' primary role as emblems of status and rank, their connections to ancestral veneration, and healing and divination practices. Through a selection of masks and other objects, this book reveals the beauty of Mumuye figurative sculpture.
Author: Frank Herreman
Publisher: 5Continents
ISBN: 9788874397433
Category : Art
Languages : en
Pages : 127
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Book Description
Through forty-one masterworks, Mumuye reveals some of the most accomplished statues made by this Nigerian tribal group. It was not until the late 1960s that statues from the Mumuye culture of northeastern Nigeria appeared on the European art scene. Their impact was immediate and profound: African art aficionados marvelled at Mumuye artists' abstract interpretation of the human body, which recalled the approach to anatomy by artists of the Cubist and Expressionist movements. Indeed, anthropomorphic Mumuye figure sculptures demonstrate an astonishing range of variations, testifying to their makers' unbridled creativity and limitless inventiveness. Here, a meticulous analysis of the extraordinary forms of Mumuye figures - paying attention to their striking inherent sense of motion - leads to a new style of classification that recognises different workshops and even the hands of individual masters. A summary of the scant field-based studies discusses the figures' primary role as emblems of status and rank, their connections to ancestral veneration, and healing and divination practices. Through a selection of masks and other objects, this book reveals the beauty of Mumuye figurative sculpture.
Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 0520324633
Category : Art
Languages : en
Pages : 902
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: Susan Mullin Vogel
Publisher: Metropolitan Museum of Art
ISBN: 0870992678
Category : Art, African
Languages : en
Pages : 258
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Book Description
Author: Diedrich Westermann
Publisher: Routledge
ISBN: 1351600508
Category : Language Arts & Disciplines
Languages : en
Pages : 309
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Book Description
This volume, originally published in 1970, presents a survey of the languages spoken in an area extending from the Atlantic coast at the Sengal River eastward to the Lake Chad region. The area covered by this volume is mainly a goegraphical one, so it follows that not all the languages included are related to one another, though a certain degree of homogeneity appears.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993518
Category : Art
Languages : en
Pages : 90
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Book Description
Resoconto annuale degli acquisti relativi ai vari settori del Metropolitan Museum of Art, New York.
Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 9780520038448
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Rimamnde Shawulu Kwewum
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 254
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Book Description
The phrase ''Middle Belt'', evokes contradictory emotions among Nigerians, especially those from the former Northern Protectorate. There are those who see it as affront on the sanctity of Northern Unity and of course, there are those who see it as a demonstration of the struggle of freedom from oppression.However, both those for the Middle Belt and those against it, always demonstrate some profound ignorance of it. There appears to be a general lack of clarity of what it means; which groups are part of it; whether it is a geographical entity or is just an ideology and concept. Even among its proponents, there have been very heated debate on who should be part of the Middle Belt and who should not.My Possibility and objective in this book, is to provide clarity to both the proponents and opponents to enable more useful engagement. It is obvious that most of the ethnic groups of Nigeria are in the area called the Middle Belt and, these groups are by no means homogenous.The first chapter, lifted from the first edition of Northern Nigerian In Perspective (NNIP) lists the ethnic groups. Of course, some of the languages have disappeared and many more are on the path of disappearance. The second chapter quotes the different and sometimes, contradictory definition of the Middle Belt.Excerpts from the Willink Commission report are reproduced here. The Commission was established by the British colonial authorities to investigate the fear of minority ethnic groups. The Interviews that follow, especially, those of Bello Ijumu., Jonah Asadugu further explain the frustration of the ethnic Nationalities during the Colonial era.There are people in the Middle Belt areas who do not agree with the concept of the Middle Belt. Alhaji Yahaya Kwande (Goemai) and Ahmadu Jalingo (Mumuye) belong to this group. Case Studies Atyap, (Harrison Bungun) Kilba (Free Nation Magazine) Sayawa (Dr Bukata) are also reproduced.
Author: Avner Shakarov
Publisher: McFarland
ISBN: 0786498749
Category : Art
Languages : en
Pages : 171
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Book Description
The art of sub-Saharan Africa reveals the marvelous achievements of unknown artists over thousands of years. Their aesthetic ideal finds form in wood, ivory, fabric, bronze and iron. This illustrated study of traditional African art includes pieces from Western Sudan, the Congolese Basin, the Guinea coast, Gabon, the Democratic Republic of Congo and East and South Africa. Each piece is characterized by its own traditions and artistic forms. The earliest works date from the beginning of the first millennium, the most recent from the early 20th century. Unique and rare examples are documented, many heretofore virtually unknown.
Author: Ivan R. Dihoff
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3112420063
Category : Language Arts & Disciplines
Languages : en
Pages : 362
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Book Description
No detailed description available for "Vol. 1".
Author: Antoine Lema
Publisher: 5 Continents Editions
ISBN: 9788874398744
Category : Art
Languages : en
Pages : 192
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Book Description
Secrecy is the common feature of the so-called allo kafii gida Qur'anic writing boards used by the Hausa of northern Nigeria. While on the one hand their owners share a barely concealed reluctance to reveal the auspicious epigrams decorating these artefacts, on the other they exhibit a clear desire to avoid displaying images of animals and human beings that might cause repercussions in an iconoclastic Islamic context. One need only consider that even today possessing an allo kafii gida incurs severe punishment by the most fervent Moslems, sometimes extending to the death penalty. Every board in this book would have been destroyed by Islamic fundamentalists if it had not somehow been saved at some time in the past. Those who made the decorations embellishing these Qur'anic tablets were not simply illustrators; they were nothing short of troubadours, painting on wooden panels the tales depicting the cosmic connections of the society in which they lived. Over the years, the cosmic ideas of distant foreign lands were incorporated in the Hausas' system of thought and these allo kafii gida have thus turned into cosmological time capsules impressed on wooden panels. In view of this challenging cultural context, the owners of these artworks can be described as 'curators' of these secret boards, which, in spite of serving the Islamic religion, actually record Hausa cosmology. The artefacts adorning the book are truly unique in the field of extra-European art and come from a private collection built over a period of twenty years of painstaking research.
