Author: Christoph F. E. Holzhey
Publisher: Series Cultural Inquiry
ISBN: 3851327349
Category : Philosophy
Languages : en
Pages : 273
Book Description
Multistable figures offer an intriguing model for arbitrating conflicting positions. Moving back and forth between different aspects, one recognizes that contradictory descriptions of a situation can be equally valid and that disputes over the correct account can be settled without dissolving differences or establishing a higher synthesis. Yet, the experience of a gestalt switch also offers a model for radical conversions and revolutions, that is, for irreversible leaps to incommensurable alternatives foiling ideals of rational choice while providing the possibility and necessity of decision. Accentuating the temporal dimensions of multistable figures, this multidisciplinary volume illuminates the critical potential and limits of multistability as a complex figure of thought.
Multistable Figures
Author: Christoph F. E. Holzhey
Publisher: Series Cultural Inquiry
ISBN: 3851327349
Category : Philosophy
Languages : en
Pages : 273
Book Description
Multistable figures offer an intriguing model for arbitrating conflicting positions. Moving back and forth between different aspects, one recognizes that contradictory descriptions of a situation can be equally valid and that disputes over the correct account can be settled without dissolving differences or establishing a higher synthesis. Yet, the experience of a gestalt switch also offers a model for radical conversions and revolutions, that is, for irreversible leaps to incommensurable alternatives foiling ideals of rational choice while providing the possibility and necessity of decision. Accentuating the temporal dimensions of multistable figures, this multidisciplinary volume illuminates the critical potential and limits of multistability as a complex figure of thought.
Publisher: Series Cultural Inquiry
ISBN: 3851327349
Category : Philosophy
Languages : en
Pages : 273
Book Description
Multistable figures offer an intriguing model for arbitrating conflicting positions. Moving back and forth between different aspects, one recognizes that contradictory descriptions of a situation can be equally valid and that disputes over the correct account can be settled without dissolving differences or establishing a higher synthesis. Yet, the experience of a gestalt switch also offers a model for radical conversions and revolutions, that is, for irreversible leaps to incommensurable alternatives foiling ideals of rational choice while providing the possibility and necessity of decision. Accentuating the temporal dimensions of multistable figures, this multidisciplinary volume illuminates the critical potential and limits of multistability as a complex figure of thought.
Process, Image, and Meaning
Author: Wolfgang Wildgen
Publisher: John Benjamins Publishing
ISBN: 902725043X
Category : Language Arts & Disciplines
Languages : en
Pages : 294
Book Description
The general topic of this book is the development of a realistic model of meaning; it has to account for the ecological basis of meaning in perception, action, and interaction, and is realistic in the sense of scientific realism, i.e. it is based on the most successful paradigm of modern science: dynamical systems theory. In Part One a model of sentences is put forward. The first chapter outlines the philosophical background of a theory of meaning. Chapter 2 gives a very short summary of recent proposals for a semantic model which considers image-like schemata. In Chapter 3 a realistic model of valence and basic predication is developed in detail. Chapter 4 treats multistability in meaning and the application of chaos theory and dissipative structures in semantics. Chapter 5 outlines the global framework of a stratified universe of meanings, and Chapter 6 prepares the way for Part Two: the analysis of narrative texts. Oral narratives of personal experience are the prototypical form in which experienced events are organized with the aim of remaking a piece of reality. In Chapter 7 a discrete grammar based on vectorial schemata is developed. Chapters 8 and 9 elaborate the syntax of narratives in Chapter 7. Chapter 10 progress to conversational dynamics.
Publisher: John Benjamins Publishing
ISBN: 902725043X
Category : Language Arts & Disciplines
Languages : en
Pages : 294
Book Description
The general topic of this book is the development of a realistic model of meaning; it has to account for the ecological basis of meaning in perception, action, and interaction, and is realistic in the sense of scientific realism, i.e. it is based on the most successful paradigm of modern science: dynamical systems theory. In Part One a model of sentences is put forward. The first chapter outlines the philosophical background of a theory of meaning. Chapter 2 gives a very short summary of recent proposals for a semantic model which considers image-like schemata. In Chapter 3 a realistic model of valence and basic predication is developed in detail. Chapter 4 treats multistability in meaning and the application of chaos theory and dissipative structures in semantics. Chapter 5 outlines the global framework of a stratified universe of meanings, and Chapter 6 prepares the way for Part Two: the analysis of narrative texts. Oral narratives of personal experience are the prototypical form in which experienced events are organized with the aim of remaking a piece of reality. In Chapter 7 a discrete grammar based on vectorial schemata is developed. Chapters 8 and 9 elaborate the syntax of narratives in Chapter 7. Chapter 10 progress to conversational dynamics.
Mimesis, Desire, and the Novel
Author: Pierpaolo Antonello
Publisher: MSU Press
ISBN: 1628951737
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell.
Publisher: MSU Press
ISBN: 1628951737
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell.
The Role of Eye Movements in Perceptual Processes
Author: E. Chekaluk
Publisher: Elsevier
ISBN: 0080867421
Category : Psychology
Languages : en
Pages : 359
Book Description
It has become a truism that the frozen optical diagram representation of vision is the worst possible picture of the way in which we visually interact with the environment. Even apart from our reaction to moving targets by pursuit movements, our visual behaviour can be said to be characterised by eye movements. We sample from our environment in a series of relatively brief fixations which move from one point to another in a series of extremely rapid jerks known as saccades. Many questions arising from this characteristic of vision are explored within this volume, including the question of how our visual world maintains its perceptual stability despite the drastic changes in input associated with these eye movements.
Publisher: Elsevier
ISBN: 0080867421
Category : Psychology
Languages : en
Pages : 359
Book Description
It has become a truism that the frozen optical diagram representation of vision is the worst possible picture of the way in which we visually interact with the environment. Even apart from our reaction to moving targets by pursuit movements, our visual behaviour can be said to be characterised by eye movements. We sample from our environment in a series of relatively brief fixations which move from one point to another in a series of extremely rapid jerks known as saccades. Many questions arising from this characteristic of vision are explored within this volume, including the question of how our visual world maintains its perceptual stability despite the drastic changes in input associated with these eye movements.
The Scandal of Self-contradiction
Author: Luca Di Blasi
Publisher: Series Cultural Inquiry
ISBN: 3851326814
Category : Philosophy
Languages : en
Pages : 327
Book Description
Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present.
Publisher: Series Cultural Inquiry
ISBN: 3851326814
Category : Philosophy
Languages : en
Pages : 327
Book Description
Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present.
Ambiguity in Mind and Nature
Author: Peter Kruse
Publisher: Springer Science & Business Media
ISBN: 3642784119
Category : Science
Languages : en
Pages : 491
Book Description
Ambiguity in Mind and Nature is the result of cognitive multistability, the phenomenon in which an unchanging stimulus, usually visual, gives rise in the subject to an oscillating perceptual interpretation. The vase/face picture is one of the most famous examples. In this book scientists from many disciplines including physics, biology, psychology, maths and computer science, present recent progress in this fascinating area of cognitive science. Using the phenomenon of multistability as a paradigm they seek to understand how meaning originates in the brain as a consequence of cognitive processes. New advances are achieved by applying concepts such as self-organization, chaos theory and complex systems to the latest results of psychological and neurophysical experiments.
Publisher: Springer Science & Business Media
ISBN: 3642784119
Category : Science
Languages : en
Pages : 491
Book Description
Ambiguity in Mind and Nature is the result of cognitive multistability, the phenomenon in which an unchanging stimulus, usually visual, gives rise in the subject to an oscillating perceptual interpretation. The vase/face picture is one of the most famous examples. In this book scientists from many disciplines including physics, biology, psychology, maths and computer science, present recent progress in this fascinating area of cognitive science. Using the phenomenon of multistability as a paradigm they seek to understand how meaning originates in the brain as a consequence of cognitive processes. New advances are achieved by applying concepts such as self-organization, chaos theory and complex systems to the latest results of psychological and neurophysical experiments.
Understanding Creativity
Author: Daniel Collado-Ruiz Hesamedin Ostad-Ahmad-Ghorabi
Publisher: XinXii
ISBN: 3960288255
Category : Psychology
Languages : en
Pages : 152
Book Description
“Any ideas?” How often have you heard or said something like that? Most of the problems that we face force us to think about new ways of solving problems. Be it complicated design solutions, or simple riddles that we encounter in our free time, the world requires us to use our creativity. It is what has taken us so far. But creativity is very often not well understood. People often talk about it with an aura of mysticism; as if it were some sort of magical property; as if ideas “came from” somewhere; as if you would not be able to understand it, but that by applying some almost superstitious practices, you would gain access to it. Some say that magic is the explanation we use when we do not understand something. Instead of that, we want to make you understand creativity. By knowing a bit more about how your brain works, you will be able to enhance your creativity, and that of those around you. Not because you will be applying some trick, but because you will be understanding what is happening. We take pride in basing this book on scientific evidence. The authors have carried out research in this area, but have also read extensively the works of other authors. We will be sharing with you the most modern theories - and the older ones that have stood the test of time. In some books, you will find authors that shared what has worked for them, without understanding why. We will make sure you know what is behind the curtain all the time. In other words: we will not be talking about magic remedies, we will not give you any unexplained tricks, and we will not ask you to just take our word for it. We want to make sure you understand creativity.
Publisher: XinXii
ISBN: 3960288255
Category : Psychology
Languages : en
Pages : 152
Book Description
“Any ideas?” How often have you heard or said something like that? Most of the problems that we face force us to think about new ways of solving problems. Be it complicated design solutions, or simple riddles that we encounter in our free time, the world requires us to use our creativity. It is what has taken us so far. But creativity is very often not well understood. People often talk about it with an aura of mysticism; as if it were some sort of magical property; as if ideas “came from” somewhere; as if you would not be able to understand it, but that by applying some almost superstitious practices, you would gain access to it. Some say that magic is the explanation we use when we do not understand something. Instead of that, we want to make you understand creativity. By knowing a bit more about how your brain works, you will be able to enhance your creativity, and that of those around you. Not because you will be applying some trick, but because you will be understanding what is happening. We take pride in basing this book on scientific evidence. The authors have carried out research in this area, but have also read extensively the works of other authors. We will be sharing with you the most modern theories - and the older ones that have stood the test of time. In some books, you will find authors that shared what has worked for them, without understanding why. We will make sure you know what is behind the curtain all the time. In other words: we will not be talking about magic remedies, we will not give you any unexplained tricks, and we will not ask you to just take our word for it. We want to make sure you understand creativity.
Pier Paolo Pasolini
Author: Gian Maria Annovi
Publisher: Columbia University Press
ISBN: 0231542704
Category : Performing Arts
Languages : en
Pages : 297
Book Description
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Publisher: Columbia University Press
ISBN: 0231542704
Category : Performing Arts
Languages : en
Pages : 297
Book Description
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Business Psychology and Organisational Behaviour
Author: Eugene F. McKenna
Publisher: Psychology Press
ISBN: 9780863776670
Category : Business & Economics
Languages : en
Pages : 730
Book Description
Introductory textbook about business psychology and organisational behaviour.
Publisher: Psychology Press
ISBN: 9780863776670
Category : Business & Economics
Languages : en
Pages : 730
Book Description
Introductory textbook about business psychology and organisational behaviour.
What is Cognitive Science?
Author: Ernest Lepore
Publisher: John Wiley & Sons
ISBN: 0631204938
Category : Philosophy
Languages : en
Pages : 451
Book Description
Written by an assembly of leading researchers in the field, this volume provides an innovative and non-technical introduction to cognitive science, and the key issues that animate the field.
Publisher: John Wiley & Sons
ISBN: 0631204938
Category : Philosophy
Languages : en
Pages : 451
Book Description
Written by an assembly of leading researchers in the field, this volume provides an innovative and non-technical introduction to cognitive science, and the key issues that animate the field.