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Author: Edward McNulty
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Author: Edward McNulty
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Author: Frederick George Aflalo
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 616
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Author: Mary Burke
Publisher: OUP Oxford
ISBN: 0191570613
Category : Literary Criticism
Languages : en
Pages : 344
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The history of Irish Travellers is not analogous to that of the 'tinker', a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland. By the Revival, the tinker represented bohemian, pre-Celtic aboriginality, functioning as the cultural nationalist counter to the Victorian Gypsy mania. Long misunderstood as a portrayal of actual Travellers, J.M. Synge's influential The Tinker's Wedding was pivotal to this 'Irishing' of the tinker, even as it acknowledged that figure's cosmopolitan textual roots. Synge's empathetic depiction is closely examined, as are the many subsequent representations that looked to him as a model to subvert or emulate. In contrast to their Revival-era romanticization, post-independence writing portrayed tinkers as alien interlopers, while contemporaneous Unionists labelled them a contaminant from the hostile South. However, after Travellers politicized in the 1960s, more even-handed depictions heralded a querying of the 'tinker' fantasy that has shaped contemporary screen and literary representations of Travellers and has prompted Traveller writers to transubstantiate Otherness into the empowering rhetoric of ethnic difference. Though its Irish equivalent has oscillated between idealization and demonization, US racial history facilitates the cinematic figuring of the Irish-American Traveler as lovable 'white trash' rogue. This process is informed by the mythology of a population with whom Travelers are allied in the white American imagination, the Scots-Irish (Ulster-Scots). In short, the 'tinker' is much more central to Irish, Northern Irish and even Irish-American identity than is currently recognised.
Author: Allardyce Nicoll
Publisher: Jones & Bartlett Learning
ISBN: 9780521129473
Category : English drama
Languages : en
Pages : 1112
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Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 2088
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Author: John Quinn
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 736
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Author: Brinsley MacNamara
Publisher:
ISBN:
Category : Irish fiction
Languages : en
Pages : 304
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Author: Malcolm Sen
Publisher: Cambridge University Press
ISBN: 1108802591
Category : Literary Criticism
Languages : en
Pages : 824
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From Gaelic annals and medieval poetry to contemporary Irish literature, A History of Irish Literature and the Environment examines the connections between the Irish environment and Irish literary culture. Themes such as Ireland's island ecology, the ecological history of colonial-era plantation and deforestation, the Great Famine, cultural attitudes towards animals and towards the land, the postcolonial politics of food and energy generation, and the Covid-19 pandemic - this book shows how these factors determine not only a history of the Irish environment but also provide fresh perspectives from which to understand and analyze Irish literature. An international team of contributors provides a comprehensive analysis of Irish literature to show how the literary has always been deeply engaged with environmental questions in Ireland, a crucial new perspective in an age of climate crisis. A History of Irish Literature and the Environment reveals the socio-cultural, racial, and gendered aspects embedded in questions of the Irish environment.
Author: Robert Goode Hogan
Publisher: University of Delaware Press
ISBN: 9780851054285
Category : Drama
Languages : en
Pages : 454
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This documentary history covers a period of Irish political and dramatic climax that had an impact not only on the nation, but on the world as well. During these years both Ireland and its major theater attained a position, however precarious, of stability. De Valera and the Republicans laid down their arms and entered politics, while, by a state subsidy, the Abbey was formally recognized as the Irish National Theatre. The importance of these years goes far beyond Ireland itself because the Irish masterpieces of Sean O'Casey - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - made an impact upon world drama nearly as profound as that of Luigi Pirandello or of Eugene O'Neill. As this book is a documentary history, the story is told primarily through the words of the writers, actors, producers, critics, and members of the audience who themselves lived and created the story. However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war. The second is politically and theatrically a time of consolidation and assimilation. The two early plays of O'Casey might well be seen as symptoms of this healing process. The wound in the body politic was deep, however, and not to be so quickly or so easily healed; moreover, such matters as The Plough row and O'Casey's departure from Ireland inevitably seem to be later, more lasting symptoms of divisions that still fester in Ireland today. The authors' account of Ireland's drama is not merely confined to the capital city of Dublin, but also to Belfast, Cork, and the provinces. Also included are a full bibliography and cast listings of all the significant new plays produced or published during the period.
Author:
Publisher:
ISBN:
Category : Times (London, England)
Languages : en
Pages : 814
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