Author: W. Somerset Maugham
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 271
Book Description
"Mrs. Craddock" is a book by W. Somerset Maugham that discusses the story of a rich woman Bertha, who falls in love with a peasant named Edward, and marries him with a thousand wishes, but soon realizes that he loves his wife, and there is no reciprocal love. This book covers Bertha's suffering, struggles, love turning into hatred, and indifference. Will Bertha find the love she so deserves?
Mrs. Craddock
Author: W. Somerset Maugham
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 271
Book Description
"Mrs. Craddock" is a book by W. Somerset Maugham that discusses the story of a rich woman Bertha, who falls in love with a peasant named Edward, and marries him with a thousand wishes, but soon realizes that he loves his wife, and there is no reciprocal love. This book covers Bertha's suffering, struggles, love turning into hatred, and indifference. Will Bertha find the love she so deserves?
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 271
Book Description
"Mrs. Craddock" is a book by W. Somerset Maugham that discusses the story of a rich woman Bertha, who falls in love with a peasant named Edward, and marries him with a thousand wishes, but soon realizes that he loves his wife, and there is no reciprocal love. This book covers Bertha's suffering, struggles, love turning into hatred, and indifference. Will Bertha find the love she so deserves?
Mrs. Craddock
Author: William Somerset Maugham
Publisher: Cosimo Classics
ISBN:
Category : Fiction
Languages : en
Pages : 392
Book Description
"The most difficult thing for a wise woman to do is to pretend to be a foolish one." -Miss Ley, Mrs. Craddock (1902) by Somerset Maugham Mrs. Craddock (1902) by Somerset Maugham is the story of Bertha Ley, who marries handsome, older Edward Craddock; however she soon realizes he's a bore, and thus begins the demise of their relationship. Her marital and life troubles mount, and Mrs. Craddock turns her attention to a much younger man. Deemed too risqué for the time, Maugham had difficulty finding a publisher until he agreed to remove the passages which readers would find offensive. A timeless novel of a woman's plight in a loveless marriage, this is a great edition to any reader's personal library.
Publisher: Cosimo Classics
ISBN:
Category : Fiction
Languages : en
Pages : 392
Book Description
"The most difficult thing for a wise woman to do is to pretend to be a foolish one." -Miss Ley, Mrs. Craddock (1902) by Somerset Maugham Mrs. Craddock (1902) by Somerset Maugham is the story of Bertha Ley, who marries handsome, older Edward Craddock; however she soon realizes he's a bore, and thus begins the demise of their relationship. Her marital and life troubles mount, and Mrs. Craddock turns her attention to a much younger man. Deemed too risqué for the time, Maugham had difficulty finding a publisher until he agreed to remove the passages which readers would find offensive. A timeless novel of a woman's plight in a loveless marriage, this is a great edition to any reader's personal library.
Mrs Craddock (The Classic Unabridged Edition)
Author: William Somerset Maugham
Publisher: e-artnow
ISBN: 8026836766
Category : Fiction
Languages : en
Pages : 322
Book Description
Mrs. Craddock is a novel by William Somerset Maugham first published in 1902. Set in the final years of the 19th century, Mrs. Craddock talks about a young and attractive woman of independent means who marries beneath her. On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27-year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional ...
Publisher: e-artnow
ISBN: 8026836766
Category : Fiction
Languages : en
Pages : 322
Book Description
Mrs. Craddock is a novel by William Somerset Maugham first published in 1902. Set in the final years of the 19th century, Mrs. Craddock talks about a young and attractive woman of independent means who marries beneath her. On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27-year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional ...
Mrs Craddock (A Dramatic Love Story)
Author: William Somerset Maugham
Publisher: e-artnow
ISBN: 8027230551
Category : Fiction
Languages : en
Pages : 322
Book Description
"Mrs Craddock" is a novel by William Somerset Maugham first published in 1902. Set in the final years of the 19th century, "Mrs Craddock" talks about a young and attractive woman of independent means who marries beneath her. On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27-year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional…. William Somerset Maugham (1874–1965) was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.
Publisher: e-artnow
ISBN: 8027230551
Category : Fiction
Languages : en
Pages : 322
Book Description
"Mrs Craddock" is a novel by William Somerset Maugham first published in 1902. Set in the final years of the 19th century, "Mrs Craddock" talks about a young and attractive woman of independent means who marries beneath her. On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27-year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional…. William Somerset Maugham (1874–1965) was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.
Mrs. Craddock
Author: William Somerset Maugham
Publisher: GEORGE H. DORAN COMPANY
ISBN:
Category :
Languages : en
Pages : 178
Book Description
Example in this ebook Chapter I This book might be called also The Triumph of Love. Bertha was looking out of window, at the bleakness of the day. The sky was sombre and the clouds heavy and low; the neglected carriage-drive was swept by the bitter wind, and the elm-trees that bordered it were bare of leaf, their naked branches shivering with horror of the cold. It was the end of November, and the day was utterly cheerless. The dying year seemed to have cast over all Nature the terror of death; the imagination would not bring to the wearied mind thoughts of the merciful sunshine, thoughts of the Spring coming as a maiden to scatter from her baskets the flowers and the green leaves. Bertha turned round and looked at her aunt, cutting the leaves of a new Spectator. Wondering what books to get down from Mudie’s, Miss Ley read the autumn lists and the laudatory expressions which the adroitness of publishers extracts from unfavourable reviews. “You’re very restless this afternoon, Bertha,” she remarked, in answer to the girl’s steady gaze. “I think I shall walk down to the gate.” “You’ve already visited the gate twice in the last hour. Do you find in it something alarmingly novel?” Bertha did not reply, but turned again to the window: the scene in the last two hours had fixed itself upon her mind with monotonous accuracy. “What are you thinking about, Aunt Polly?” she asked suddenly, turning back to her aunt and catching the eyes fixed upon her. “I was thinking that one must be very penetrative to discover a woman’s emotions from the view of her back hair.” Bertha laughed: “I don’t think I have any emotions to discover. I feel ...” she sought for some way of expressing the sensation—“I feel as if I should like to take my hair down.” Miss Ley made no rejoinder, but looked again at her paper. She hardly wondered what her niece meant, having long ceased to be astonished at Bertha’s ways and doings; indeed, her only surprise was that they never sufficiently corroborated the common opinion that Bertha was an independent young woman from whom anything might be expected. In the three years they had spent together since the death of Bertha’s father the two women had learned to tolerate one another extremely well. Their mutual affection was mild and perfectly respectable, in every way becoming to fastidious persons bound together by ties of convenience and decorum.... Miss Ley, called to the deathbed of her brother in Italy, made Bertha’s acquaintance over the dead man’s grave, and the girl was then too old and of too independent character to accept a stranger’s authority; nor had Miss Ley the smallest desire to exert authority over any one. She was a very indolent woman, who wished nothing more than to leave people alone and be left alone by them. But if it was obviously her duty to take charge of an orphan niece, it was also an advantage that Bertha was eighteen, and, but for the conventions of decent society, could very well take charge of herself. Miss Ley was not unthankful to a merciful Providence on the discovery that her ward had every intention of going her own way, and none whatever of hanging about the skirts of a maiden aunt who was passionately devoted to her liberty. They travelled on the Continent, seeing many churches, pictures, and cities, in the examination of which their chief aim appeared to be to conceal from one another the emotions they felt. Like the Red Indian who will suffer the most horrid tortures without wincing, Miss Ley would have thought it highly disgraceful to display feeling at some touching scene. She used polite cynicism as a cloak for sentimentality, laughing that she might not cry—and her want of originality herein, the old repetition of Grimaldi’s doubleness, made her snigger at herself. She felt that tears were unbecoming and foolish. “Weeping makes a fright even of a good-looking woman,” she said, “but if she is ugly they make her simply repulsive.” To be continue in this ebook
Publisher: GEORGE H. DORAN COMPANY
ISBN:
Category :
Languages : en
Pages : 178
Book Description
Example in this ebook Chapter I This book might be called also The Triumph of Love. Bertha was looking out of window, at the bleakness of the day. The sky was sombre and the clouds heavy and low; the neglected carriage-drive was swept by the bitter wind, and the elm-trees that bordered it were bare of leaf, their naked branches shivering with horror of the cold. It was the end of November, and the day was utterly cheerless. The dying year seemed to have cast over all Nature the terror of death; the imagination would not bring to the wearied mind thoughts of the merciful sunshine, thoughts of the Spring coming as a maiden to scatter from her baskets the flowers and the green leaves. Bertha turned round and looked at her aunt, cutting the leaves of a new Spectator. Wondering what books to get down from Mudie’s, Miss Ley read the autumn lists and the laudatory expressions which the adroitness of publishers extracts from unfavourable reviews. “You’re very restless this afternoon, Bertha,” she remarked, in answer to the girl’s steady gaze. “I think I shall walk down to the gate.” “You’ve already visited the gate twice in the last hour. Do you find in it something alarmingly novel?” Bertha did not reply, but turned again to the window: the scene in the last two hours had fixed itself upon her mind with monotonous accuracy. “What are you thinking about, Aunt Polly?” she asked suddenly, turning back to her aunt and catching the eyes fixed upon her. “I was thinking that one must be very penetrative to discover a woman’s emotions from the view of her back hair.” Bertha laughed: “I don’t think I have any emotions to discover. I feel ...” she sought for some way of expressing the sensation—“I feel as if I should like to take my hair down.” Miss Ley made no rejoinder, but looked again at her paper. She hardly wondered what her niece meant, having long ceased to be astonished at Bertha’s ways and doings; indeed, her only surprise was that they never sufficiently corroborated the common opinion that Bertha was an independent young woman from whom anything might be expected. In the three years they had spent together since the death of Bertha’s father the two women had learned to tolerate one another extremely well. Their mutual affection was mild and perfectly respectable, in every way becoming to fastidious persons bound together by ties of convenience and decorum.... Miss Ley, called to the deathbed of her brother in Italy, made Bertha’s acquaintance over the dead man’s grave, and the girl was then too old and of too independent character to accept a stranger’s authority; nor had Miss Ley the smallest desire to exert authority over any one. She was a very indolent woman, who wished nothing more than to leave people alone and be left alone by them. But if it was obviously her duty to take charge of an orphan niece, it was also an advantage that Bertha was eighteen, and, but for the conventions of decent society, could very well take charge of herself. Miss Ley was not unthankful to a merciful Providence on the discovery that her ward had every intention of going her own way, and none whatever of hanging about the skirts of a maiden aunt who was passionately devoted to her liberty. They travelled on the Continent, seeing many churches, pictures, and cities, in the examination of which their chief aim appeared to be to conceal from one another the emotions they felt. Like the Red Indian who will suffer the most horrid tortures without wincing, Miss Ley would have thought it highly disgraceful to display feeling at some touching scene. She used polite cynicism as a cloak for sentimentality, laughing that she might not cry—and her want of originality herein, the old repetition of Grimaldi’s doubleness, made her snigger at herself. She felt that tears were unbecoming and foolish. “Weeping makes a fright even of a good-looking woman,” she said, “but if she is ugly they make her simply repulsive.” To be continue in this ebook
MRS CRADDOCK (A Romantic Drama)
Author: William Somerset Maugham
Publisher: e-artnow
ISBN: 8027202116
Category : Fiction
Languages : en
Pages : 322
Book Description
"Mrs Craddock" is a novel by William Somerset Maugham first published in 1902. Set in the final years of the 19th century, Mrs Craddock talks about a young and attractive woman of independent means who marries beneath her. On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27-year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional…. William Somerset Maugham (1874-1965) was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.
Publisher: e-artnow
ISBN: 8027202116
Category : Fiction
Languages : en
Pages : 322
Book Description
"Mrs Craddock" is a novel by William Somerset Maugham first published in 1902. Set in the final years of the 19th century, Mrs Craddock talks about a young and attractive woman of independent means who marries beneath her. On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27-year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional…. William Somerset Maugham (1874-1965) was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.
The Academy and Literature
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
Book Description
Charles Dickens and the Properties of Fiction
Author: Ushashi Dasgupta
Publisher: Oxford University Press
ISBN: 0192602950
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
When Dickens was nineteen years old, he wrote a poem for Maria Beadnell, the young woman he wished to marry. The poem imagined Maria as a welcoming landlady offering lodgings to let. Almost forty years later, Dickens died, leaving his final novel unfinished - in its last scene, another landlady sets breakfast down for her enigmatic lodger. These kinds of characters are everywhere in Dickens's writing. Charles Dickens and the Properties of Fiction: The Lodger World explores the significance of tenancy in his fiction. In nineteenth century Britain the vast majority of people rented, rather than owned, their homes. Instead of keeping to themselves, they shared space - renting, lodging, taking lodgers in, or simply living side-by-side in a crowded modern city. Charles Dickens explored both the chaos and the unexpected harmony to be found in rented spaces, the loneliness and sociability, the interactions between cohabitants, the complex gender dynamics at play, and the relationship between space and money. Charles Dickens and the Properties of Fiction demonstrates that a cosy, secluded home life was beyond the reach of most Victorian Londoners, and considers Dickens's nuanced conception of domesticity. Tenancy maintained an enduring hold upon his imagination, giving him new stories to tell and offering him a set of models to think about authorship. He celebrated the fact that unassuming houses brim with narrative potential: comedies, romances, and detective plots take place behind their doors. Charles Dickens and the Properties of Fiction: The Lodger World wedges these doors open.
Publisher: Oxford University Press
ISBN: 0192602950
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
When Dickens was nineteen years old, he wrote a poem for Maria Beadnell, the young woman he wished to marry. The poem imagined Maria as a welcoming landlady offering lodgings to let. Almost forty years later, Dickens died, leaving his final novel unfinished - in its last scene, another landlady sets breakfast down for her enigmatic lodger. These kinds of characters are everywhere in Dickens's writing. Charles Dickens and the Properties of Fiction: The Lodger World explores the significance of tenancy in his fiction. In nineteenth century Britain the vast majority of people rented, rather than owned, their homes. Instead of keeping to themselves, they shared space - renting, lodging, taking lodgers in, or simply living side-by-side in a crowded modern city. Charles Dickens explored both the chaos and the unexpected harmony to be found in rented spaces, the loneliness and sociability, the interactions between cohabitants, the complex gender dynamics at play, and the relationship between space and money. Charles Dickens and the Properties of Fiction demonstrates that a cosy, secluded home life was beyond the reach of most Victorian Londoners, and considers Dickens's nuanced conception of domesticity. Tenancy maintained an enduring hold upon his imagination, giving him new stories to tell and offering him a set of models to think about authorship. He celebrated the fact that unassuming houses brim with narrative potential: comedies, romances, and detective plots take place behind their doors. Charles Dickens and the Properties of Fiction: The Lodger World wedges these doors open.
A Bibliography of the Writings of William Somerset Maugham
Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Faith
Author: Peggy McKenzie
Publisher: Columbine Publishing Company
ISBN:
Category : Fiction
Languages : en
Pages : 267
Book Description
Can the new light of understanding chase away the darkness of hate? Faith No-Name is getting a second chance at life. For the past two years, her future—indeed, her very life—has been in the hands of a talented young attorney. Now that her life is no longer hanging in the balance, she must worry about her heart for she has done the unthinkable—she’s fallen in love with the handsome Irishman. She has survived the hangman’s noose, but can she survive knowing the unfortunate circumstances of her birth is a constant reminder of the terrible tragedy his family suffered at the hands of others who looked like her? Defending the dark-haired, doe-eyed young woman accused of murder has tested Liam O’Brien’s sense of justice in ways he never imagined. Every time he looks at her, he is reminded of the horrible raid that left his family dead. His heart is a dark tempest of rage, loathing and guilt that makes it impossible for him to see Faith No-Name as anything other than those she resembles despite his confusing feelings for her. The more he learns about her, the more his prejudices are challenged, but letting go of his anger is not an option. Anger is all he has left holding his world together. As Faith learns to stand tall and proud and accept who she is, Liam must learn to look past his hatred and explore his growing feelings for this beautiful young woman and accept her for who she really is, and in the end, that is a shock to them all.
Publisher: Columbine Publishing Company
ISBN:
Category : Fiction
Languages : en
Pages : 267
Book Description
Can the new light of understanding chase away the darkness of hate? Faith No-Name is getting a second chance at life. For the past two years, her future—indeed, her very life—has been in the hands of a talented young attorney. Now that her life is no longer hanging in the balance, she must worry about her heart for she has done the unthinkable—she’s fallen in love with the handsome Irishman. She has survived the hangman’s noose, but can she survive knowing the unfortunate circumstances of her birth is a constant reminder of the terrible tragedy his family suffered at the hands of others who looked like her? Defending the dark-haired, doe-eyed young woman accused of murder has tested Liam O’Brien’s sense of justice in ways he never imagined. Every time he looks at her, he is reminded of the horrible raid that left his family dead. His heart is a dark tempest of rage, loathing and guilt that makes it impossible for him to see Faith No-Name as anything other than those she resembles despite his confusing feelings for her. The more he learns about her, the more his prejudices are challenged, but letting go of his anger is not an option. Anger is all he has left holding his world together. As Faith learns to stand tall and proud and accept who she is, Liam must learn to look past his hatred and explore his growing feelings for this beautiful young woman and accept her for who she really is, and in the end, that is a shock to them all.