Motion Picture Distribution Trade Practices PDF Download
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Author: United States. Congress. Senate. Committee on Small Business
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 970
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Book Description
Investigates large movie distributors' allegedly exorbitant rental pricing methods used in sales to small independent theaters. Mar. 31, Apr. 1 and 2 hearings were held in Los Angeles, Calif.
Author: United States. Congress. Senate. Committee on Small Business
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 970
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Book Description
Investigates large movie distributors' allegedly exorbitant rental pricing methods used in sales to small independent theaters. Mar. 31, Apr. 1 and 2 hearings were held in Los Angeles, Calif.
Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 76
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Book Description
Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category :
Languages : en
Pages : 970
Get Book Here
Book Description
Author: United States. Congress. Senate. Select Committee on Small Business
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
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Book Description
Author: Guy Barefoot
Publisher: Bloomsbury Publishing USA
ISBN: 1501365916
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
Author: Blair Davis
Publisher: Rutgers University Press
ISBN: 0813553245
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.
Author: Tremblay
Publisher: M.E. Sharpe
ISBN: 0765628287
Category : Business & Economics
Languages : en
Pages : 386
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Book Description
The fourth edition of this acclaimed text is a rich resource for undergraduate and graduate courses in industrial organization, applied game theory, and management strategy. It incorporates game theory into industry analysis by studying the behavior of successful and failing firms as well as the structure-conduct-performance of particular industries. Chapters address a wide variety of issues concerning industry structure, policy towards business, and the strategic innovations and blunders of individual firms. New coverage of professional sports, soft drinks, distilled spirits, and cigarettes complements revised and updated chapters on airline services, retail and commercial banking, health insurance, motion pictures, and brewing. The book includes firm case studies of General Motors, Microsoft, Schlitz, and TiVo.
Author: Gary Edgerton
Publisher: Routledge
ISBN: 1317928903
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.
Author: Frank Kessler
Publisher: Indiana University Press
ISBN: 0861969375
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
Essays by prominent scholars examining film distribution in the early years of cinema. This collection of essays explores the complex issue of film distribution from the invention of cinema into the 1910s. From regional distribution networks to international marketing strategies, from the analysis of distribution catalogs to case studies on individual distributors, these essays written by well-known specialists in the field discuss the intriguing question of how films came to meet their audiences. Contributors include Richard Abel, Marta Braun, Joseph Garncarz, André Gaudreault, François Jost, Charlie Keil, Martin Loiperdinger, Viva Paci, Wanda Strauven, Gregory Waller, and many more.
Author: Jens Ulff-Møller
Publisher: University Rochester Press
ISBN: 9781580460866
Category : Art
Languages : en
Pages : 244
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Book Description
It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.
