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Author: Theodore F. Wolff
Publisher:
ISBN: 9780295973791
Category : Art
Languages : en
Pages : 57
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Book Description
This visually stunning book will be a revelation to admirers of Northwest visionary artist Morris Graves (b. 1910) who know him chiefly through his profoundly original, metaphysically charged paintings of chalices, birds, snakes, and other small creatures. Graves’s national reputation began with the Museum of Modern Art’s exhibitions "Americans 1942--18 Artists from 9 States." Throughout his long career as one of America’s most highly regarded painters of the transcendental, Graves has been less well known for his later flower paintings, represented here in more than fifty full-page color plates encompassing selected works from 1938 through 1992. A number of these paintings first captures public attention in 1983-84, during the course of a retrospective, " Morris Graves, Vision of the Inner Eye," organized by the Phillips Collection, Washington, D.C., which travelled to six major American museums. In the past decade, Graves’s flower paintings have continued to command increasing critical and public acclaim. In the view of noted art critic Theodore Wolff, whose superb analysis informs this presentation, Graves has created several dozen of the finest American flower paintings of the century. A product of Graves’s later years, these serene and radiantly beautiful paintings show distinct compositional parallels with a significant number of his early symbolic and metaphoric works. At the same time, they incorporate the dramatic shift in emphasis that took place in his art during the 1970s, when flowers and light began to embody his evolving sense of what color could be and could do. To a very real degree, notes Wolff, the flower paintings are Graves’s culminating work, epitomizing and summarizing his lifelong attempts to translate the spiritually ineffableinto pictorial form. In addition to Theodore F. Wolff’s inspired and insightful essay, Morris Graves: Flower Paintings features an excellent introduction by John Yau, art critic and author of recent book on A.R. Penck and Andy Warhol. The book will be of significant interest to collectors as well as to art historians.
Author: Theodore F. Wolff
Publisher:
ISBN: 9780295973791
Category : Art
Languages : en
Pages : 57
Get Book
Book Description
This visually stunning book will be a revelation to admirers of Northwest visionary artist Morris Graves (b. 1910) who know him chiefly through his profoundly original, metaphysically charged paintings of chalices, birds, snakes, and other small creatures. Graves’s national reputation began with the Museum of Modern Art’s exhibitions "Americans 1942--18 Artists from 9 States." Throughout his long career as one of America’s most highly regarded painters of the transcendental, Graves has been less well known for his later flower paintings, represented here in more than fifty full-page color plates encompassing selected works from 1938 through 1992. A number of these paintings first captures public attention in 1983-84, during the course of a retrospective, " Morris Graves, Vision of the Inner Eye," organized by the Phillips Collection, Washington, D.C., which travelled to six major American museums. In the past decade, Graves’s flower paintings have continued to command increasing critical and public acclaim. In the view of noted art critic Theodore Wolff, whose superb analysis informs this presentation, Graves has created several dozen of the finest American flower paintings of the century. A product of Graves’s later years, these serene and radiantly beautiful paintings show distinct compositional parallels with a significant number of his early symbolic and metaphoric works. At the same time, they incorporate the dramatic shift in emphasis that took place in his art during the 1970s, when flowers and light began to embody his evolving sense of what color could be and could do. To a very real degree, notes Wolff, the flower paintings are Graves’s culminating work, epitomizing and summarizing his lifelong attempts to translate the spiritually ineffableinto pictorial form. In addition to Theodore F. Wolff’s inspired and insightful essay, Morris Graves: Flower Paintings features an excellent introduction by John Yau, art critic and author of recent book on A.R. Penck and Andy Warhol. The book will be of significant interest to collectors as well as to art historians.
Author: Vicki Halper
Publisher: University of Washington Press
ISBN: 0295806877
Category : Literary Collections
Languages : en
Pages : 320
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Book Description
Morris Graves is a major American painter with roots in the Pacific Northwest. Morris Graves: Selected Letters draws on a vast cache of the his unpublished correspondence, dating from his teenage years until his death in 2001. Few visual artists of any era have left such a rich and wide-ranging collections of letters, which makes this body of work an unusual and valuable document in American art. The Graves correspondence is remarkable for its scope, variety, and depth. Written to many correspondents over long periods of time, the letters include the artist's reflections on his art, the art world, philosophy (Zen Buddhism and Vedanta in particular), architecture (Graves designed his homes and gardens), and relationships with family, friends, and lovers. Graves himself preserved most of the letters, or copies of them, and put no restrictions on their use. Other letters come from a wide range of private and institutional sources. Among the correspondents are Graves's family; Marian Willard, his art dealer; Richard Svare, his companion in the 1950s; and Nancy Wilson Ross, novelist and Buddhist scholar. Other notable figures with whom Graves corresponded are poet Carolyn Kizer, art critic Theodore Wolff, curator Peter Selz, choreographer Merce Cunningham (for whom Graves created a set design), and painter Mark Tobey. Recurrent themes in the Graves letters are the tensions between sociability and solitude; the desire to be free of the material world versus the need for material comfort; the dismissal of commerce and the desperate need for money; the pleasures and pitfalls of love; and the difficulties of the creative life. The letters are organized topically under the broad categories of people (family, friends, intimates), places (homes and travels), and art (finances and philosophy).
Author: Sheryl Conkelton
Publisher: University of Washington Press
ISBN:
Category : Modernism (Art)
Languages : en
Pages : 182
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Book Description
* Chronicles the myth and relationships of the artists of the "Northwest School"
Author: Guy Davenport
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 170
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Book Description
Om 40'ernes malerkunst, skulpturer og kunsthåndværk
Author: Wulf Herzogenrath
Publisher: University of Washington Press
ISBN: 9780295982748
Category : Art
Languages : en
Pages : 246
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Book Description
Sounds of the Inner Eyeexplores the artistic and biographical connection among three of the Pacific Northwest's most significant and highly respected artists. Mark Tobey, often aligned with the abstract expressionists, was a pioneer in integrating elements of Asian art into mystical, calligraphic paintings. Morris Graves, known as something of an art world maverick, combined Eastern religious beliefs and a deep appreciation of the natural world in his work, focusing initially on the Northwest's birds and vegetation. John Cage, an avant-garde composer, philosopher, writer, and printmaker, began his visual creations with graphic representations of musical scores, and then evolved to include printmaking, drawing, and watercolor.Sounds of the Inner Eyeexplores the lives and careers of these three men who were instrumental in leading a community of artists, patrons, and scholars into a deeper understanding of the potential and power of art and, in turn, had a large impact on much of what followed in modern art in America. Known as the Northwest Mystics, they were influenced by Eastern philosophies and the natural beauty of the Pacific Rim. Their legendary nickname has remained over time, helping to establish the Northwest as a center for artistic talent, worthy of the admiration of the international art community.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Virginia McCord Mecklenburg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
Author: Cam Montgomery
Publisher: Harlequin
ISBN: 0369705637
Category : Young Adult Fiction
Languages : en
Pages : 306
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Book Description
A literal star-studded anthology that delivers a love story for every star sign straight from the hearts of thirteen multicultural YA authors. A haunted Aquarius finds love behind the veil. An ambitious Aries will do anything to stay in the spotlight. A foodie Taurus discovers the best eats in town (with a side of romance). A witchy Cancer stumbles into a curious meet-cute. Whether it’s romantic, platonic, familial, or something else you can’t quite define, love is the thing that connects us. All Signs Point to Yes will take you on a journey from your own backyard to the world beyond the living as it settles us among the stars for thirteen stories of love and life. These stories will touch your heart, speak to your soul, and have you reaching for your horoscope forevermore. Contributors: g. haron davis (Aries) Adrianne White (Aquarius) Cam Montgomery (Ophiuchus) Tehlor Kay Mejia (Gemini) Mark Oshiro (Libra) Eric Smith (Scorpio) Emery Lee (Pisces) Byron Graves (Virgo) Karuna Riazi (Cancer) Roselle Lim (Taurus) Alexandra Villasante (Capricorn) Lily Anderson (Sagittarius) Kiana Nguyen (Leo)
Author: William Cumming
Publisher: University of Washington Press
ISBN: 9780295985602
Category : Art
Languages : en
Pages : 292
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Book Description
William Cumming began as a self-taught artist who grew up in Tukwila, a small town outside Seattle. In 1937, at the age of twenty, he met Morris Graves, who was at that time working in Seattle for the Federal Art project of the Works Progress Administration. Through Graves he soon became part of the circle of friends who came to be known as the Northwest School of artists: Mark Tobey, then nearing fifty, the patriarchal leader of the group; Kenneth Callahan and his wife Margaret, a writer and critic who became Cumming's particular mentor; Guy Anderson, Lubin Petric, and others. He has taught for many years at the Art Institute of Seattle and Cornish College of the Arts. "Bill Cumming is at once an exceptional and successful regional artist and one of the most erudite, perceptive, and entertainingly cantankerous characters in this part of the world. [He] tells what it was like to be an artist in the Great Depression, tells tales out of school about such international luminaries as Mark Tobey and Morris Graves, tells how the Northwest School (of which he was the youngest member) developed, tells about the early success -- and ultimate failure -- of the Communist movement in the Far West, and shows how the political, economic, and cultural events of a half-century affected the life of a region and of its creative minority. Cumming is a natural raconteur, equipped with more literary wit and charm than most professional writers." -- Tom Robbins "Besides being one of the Northwest's best painters, Bill Cumming has certainly had a knack for being, historically speaking, in the right place at the right time. Beyond being good local history, hisSketchbookis a moving, sometimes chillingly perceptive, and certainly fascinating glimpse into the nature of artists themselves." -- Wesley Wehr
Author: Ian Volner
Publisher: Chronicle Books
ISBN: 161689685X
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism. Following a devastating illness that paralyzed him from the chest down, Graves became a tireless designer and advocate of improved health-care products and facilities before his sudden death in 2015. Shortly before this, he began a series of interviews with journalist Ian Volner, which form the basis of this biography of a remarkable designer. Volner also conducted numerous interviews with Graves's family, patrons, colleagues, and friends. What emerges is a meticulously researched, anecdote-rich human story, as well as a primer on the American architecture scene of the past sixty years and a portrait of a man whose deep passion for his art brought pleasure to millions.
