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Author: Jerome Mitchell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.
Author: Jerome Mitchell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 364
Get Book Here
Book Description
More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.
Author: Cavan Scott
Publisher: National Geographic Books
ISBN: 1787731901
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
From the original libretto of Andrew Lloyd Webber's world-famous, multi-award-winning musical that has been playing continuously around the world for over 33 years comes this fully authorized graphic novel adaptation. In 1881 the cast and crew of a new production, Hannibal, are terrorized by the Phantom of the Opera, a mysterious, hideously disfigured man who lives beneath the Paris Opera House. Hopelessly in love and obsessed with one of the chorus singers, the Phantom will stop at nothing to make her the star of the show, even if that means murder.
Author: Cavan Scott
Publisher: Titan Comics
ISBN: 1787734803
Category : Comics & Graphic Novels
Languages : en
Pages : 114
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Book Description
The Phantom of the Opera is the longest running show in Broadway history and the most successful musical of all time. It has been seen on stage by over 140 million people worldwide since it first opened in London on October 9, 1986 at Her Majesty’s Theatre, which has been its home ever since. Now it has been transformed into this outstanding Graphic Novel, illustrated by José María Beroy and adapted by Cavan Scott from the original Libretto written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe. The timeless story, based on the original book by Gaston Leroux, sees the beautiful soprano Christine Daaé become the obsession of the hideously disfigured and mysterious Phantom of the Opera, the musical genius who rules – through fear – the Paris Opera House from his subterranean lair deep beneath the streets of Paris. Relive every moment and every song of the classic stage musical – from the legendary chandelier crash, to Christine’s first visit to the Paris catacombs and the Phantom’s lair: Open your mind, let your fantasies unwind and let this book take you back to the wonders of the Phantom of the Opera.
Author: Irene Morra
Publisher: Routledge
ISBN: 1317005856
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.
Author: Michael Halliwell
Publisher: BRILL
ISBN: 9004485228
Category : History
Languages : en
Pages : 522
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Book Description
Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another – metaphrasis – is its point of departure. Starting with a survey of the current thinking regarding the nexus between words and music with specific reference to operatic adaptation of existing literary works, it traces the four-hundred-year history of opera, demonstrating that the novel has become increasingly attractive to librettists and composers as an operatic source. As the resources of modern music theatre have increased in sophistication, so too have the possibilities for an expanded engagement with complex fictional works. The intricate relationship between fictional and musical narrative is examined: the proposition that the orchestra assumes much of the function of the narrator in fiction is explored. The second section is a detailed examination of eight operatic works based on Henry James’s fiction. It is opera’s unique capability to present the intense emotional and psychological situations central to James’s fiction as well as the ability to engage with his synthesis of melodrama and psychological ambiguity which makes James’s work peculiarly amenable to operatic adaptation. Composers who have used James as a source include Douglas Moore, Benjamin Britten, Thomas Pasatieri, Donald Hollier, Thea Musgrave, Philip Hagemann and Dominick Argento. The operas discussed represent a contemporary critical and often self-conscious engagement with the art form itself as well as illustrating current adaptive strategies, and suggest ways in which new operatic paths may be forged. This volume is of relevance to students and scholars of English literature and opera as well as readers who take an interest in intermedial research and the question of adaptation in general.
Author: Donald J. Grout
Publisher: Columbia University Press
ISBN: 0231507720
Category : Music
Languages : en
Pages : 1047
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Book Description
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Author: David Pogue
Publisher: For Dummies
ISBN: 9780764550102
Category : Music
Languages : en
Pages : 384
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Book Description
“Pogue is a wonderful teacher… He can teach anybody.” — Gay Talese, bestselling author of Honor Thy Father “Scott Speck is a great communicator of classical music…. Concert audiences and readers alike can’t help getting caught up in the joy of his subject.” — David Styers, American Symphony Orchestra League Opera is weird. Everybody wears makeup and sings all the time. Even when they’re singing your language, which is rare, you still can’t understand the words. Women play men, men play women, and 45-year-olds play teenagers. All the main characters seem to get killed off. And when somebody dies, he takes ten minutes to sing about it. Yet, for all its weirdness, an operatic experience is an experience in breathtaking beauty. When you hear a soprano float a soft high C, or a tenor singing a love song, or a full-throated chorus in the climax of a scene’s dramatic finale, you can’t help getting goosebumps. Want to experience all that beauty for yourself, but don’t know where to begin? Opera For Dummies is an excellent place to start. Written by an acclaimed conductor and a musical director, this friendly guide tells you what you need to know to: Understand opera from the Baroque and Roman periods through today Interpret characters, orchestra, chorus, and other players Understand what’s happening, both on stage and off Choose the best seats Identify famous operas Build a great collection of opera recordings Locate opera sites and chat groups online Whether you’re interested in attending a live opera, want to build a collection of recordings, or just want to be able to talk about opera intelligently, Opera For Dummies is for you. Among other things, you’ll explore: The words, the music, and the people who sing it The history of opera and the lives of the great composers Going to the opera — including tips for getting tickets, preparing for the opera, dressing for the opera, and more Musical and theatrical conventions used in opera In-depth synopses of the world’s most beloved operas On the bonus CD you’ll find: More than 60 minutes of music compiled especially for the book A multimedia piece for PC or MAC Wonder what it is about opera that can make a grown person cry like a baby? Find out in Opera For Dummies.
Author: Aubrey S. Garlington
Publisher: Routledge
ISBN: 1351148869
Category : Social Science
Languages : en
Pages : 227
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Book Description
Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.
Author:
Publisher: Editions Mardaga
ISBN:
Category :
Languages : en
Pages : 535
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Book Description
Author: Romulus Linney
Publisher: Dramatists Play Service Inc
ISBN: 9780822210580
Category : Drama
Languages : en
Pages : 72
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Book Description
THE STORY: Frederick the Great, King of Prussia, aged 73, rises in his tent on the morning of a battle. He is bent, snarling, formidable and sardonically funny. He addresses his army and rouses it to savage fury, then, receiving a message, commands
