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Author: Joseph Weidlich
Publisher:
ISBN: 9781574240757
Category : Banjo
Languages : en
Pages : 0
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Book Description
(Banjo). This is the second book in a 3-part series of intabulations of music for the minstrel (Civil War-era) banjo. This particular book of banjo music comes from Frank Converse's Banjo Instructor, Without a Master from 1865. It includes a choice collection of banjo solos, jigs, songs, reels, walk arounds, etc. in tab, progressively arranged and plainly explained, enabling the learner to become a proficient banjoist without the aid of a teacher.
Author: Joseph Weidlich
Publisher:
ISBN: 9781574240757
Category : Banjo
Languages : en
Pages : 0
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Book Description
(Banjo). This is the second book in a 3-part series of intabulations of music for the minstrel (Civil War-era) banjo. This particular book of banjo music comes from Frank Converse's Banjo Instructor, Without a Master from 1865. It includes a choice collection of banjo solos, jigs, songs, reels, walk arounds, etc. in tab, progressively arranged and plainly explained, enabling the learner to become a proficient banjoist without the aid of a teacher.
Author: Joseph Weidlich
Publisher: Centerstream Publications
ISBN: 9781574241334
Category : Music
Languages : en
Pages : 0
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Book Description
(Banjo). Featuring more than 65 classic songs, this interesting book teaches how to play the minstrel banjo like players who were part of various popular troupes in 1865. The book includes: a short history of the banjo in the US in the antebellum period, including the origins of the minstrel show; info on the construction of minstrel banjos, evolution of the lower-pitched minstrel banjo tunings, and idiomatic techniques peculiar to the minstrel banjo; chapters on each of the seven major banjo methods published through the end of the Civil War; songs from each method in banjo tablature, many available first time; info on how to arrange songs for the minstrel banjo; a reference list of contemporary gut and nylon string gauges approximating historical banjo string tensions in common usage during the antebellum period (for those Civil War re-enactors who wish to achieve that old-time "minstrel banjo" sound); and an extensive cross-reference list of minstrel banjo song titles found in the major antebellum banjo methods.
Author: Brad Leftwich
Publisher: Mel Bay Publications
ISBN: 1610655893
Category : Music
Languages : en
Pages : 103
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Book Description
This book presents more than 70 tunes in the unique highly developed clawhammer style known as Round Peak -named after the Blue Ridge Mountain, North Carolina community where it originated. While not intended for the absolute beginner, this book will benefit players at various experience levels. Tunes in the book are organized according to the specific banjo tuning used, with A and D tunings most prominent. Much of the book's commentary and the audiodownload recording is directed towards the fretless variant of the 5-string banjo but as these tunes are written in standard 5-string banjo tablature, they can most definitely be played on the more common fretted instrument. Includes tune lyricsand extensive historical and biographical notes plus technical tips and a discography. Written in 5-string banjo tablature only. Audio download availableonline
Author: Robert B Winans
Publisher: University of Illinois Press
ISBN: 0252050649
Category : Music
Languages : en
Pages : 490
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Book Description
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Author: Bob Carlin
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
"A professional banjo player, Joel Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. An appendix contains a performance chronology"--Note de l'éditeur.
Author: Cecelia Conway
Publisher: Univ. of Tennessee Press
ISBN: 9780870498930
Category : History
Languages : en
Pages : 428
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Book Description
Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgotten--until now. Drawing in part on interviews with elderly African-American banjo players from the Piedmont--among the last American representatives of an African banjo-playing tradition that spans several centuries--Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows. By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre--the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands. The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.
Author: Stephen Burge Johnson
Publisher: Univ of Massachusetts Press
ISBN: 1558499342
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Author: Terry Bell
Publisher:
ISBN: 9781795734202
Category :
Languages : en
Pages : 74
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Book Description
How is a minstrel banjo different than a modern banjo? Do I need picks to play? How do I play a banjo without frets? How hard is it to read tablature banjo music? What IS a minstrel banjo? The older, and lesser known minstrel banjo is the grand daddy of the modern clawhammer banjo. Minstrel banjo music goes back to the early 1800's when the two finger stroke style was popular. LEARN MINSTREL BANJO answers the common questions asked by minstrel beginners and interested clawhammer players. Using illustrations, diagrams, and thorough explanations, the student will learn banjo maintenance, chords, fingerings, practicing tips, and gain a primary knowledge of banjo tablature. With all this information, a banjoist can save hours and hours of frustration and make rapid strides playing the minstrel style, or adapting mountain music to a minstrel banjo, and very often both. The author is a minstrel banjo maker, offering special insights into the instrument itself - a long necked, big rimmed shapely banjo with a natural skin and earthy sound. This book was originally a companion to the Bell Banjo, and is now being offered separately. The music of the minstrel banjo dominated the stages, saloons, campfires, and covered wagons before, during, and after the American Civil War. Modern banjo players are blowing the dust away to discover a national musical treasure in the glorious open back banjo of the 1800's. Easy to read and sized to fit in a banjo case or bag.
Author: Loyal Jones
Publisher: University Press of Kentucky
ISBN: 081318424X
Category : Biography & Autobiography
Languages : en
Pages : 406
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Book Description
It is said that Bascom Lamar Lunsford would "cross hell on a rotten rail to get a folk song"—his Southern highlands folk-song compilations now constitute one of the largest collections of its kind in the Library of Congress—but he did much more than acquire songs. He preserved and promoted the Appalachian mountain tradition for generations of people, founding in 1928 the Mountain Dance and Folk Festival in Asheville, North Carolina, an annual event that has shaped America's festival movement. Loyal Jones pens a lively biography of a man considered to be Appalachian music royalty. He also includes a "Lunsford Sampler" of ballads, songs, hymns, tales, and anecdotes, plus a discography of his recordings.
Author: Laurent Dubois
Publisher: Harvard University Press
ISBN: 0674968832
Category : History
Languages : en
Pages : 224
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Book Description
The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.
