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Author: Colm O Lochlainn
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 306
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Book Description
Author: Colm O Lochlainn
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 306
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Book Description
Author: John HAND (Poet.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Colm O Lochlainn
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
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Book Description
Author: Colm O. Lochlainn
Publisher:
ISBN:
Category : Ballads, Irish
Languages : en
Pages : 235
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Book Description
Author: David Atkinson
Publisher: Routledge
ISBN: 1317049209
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Author: David Atkinson
Publisher: Routledge
ISBN: 1317049217
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Author: Georges Denis Zimmermann
Publisher: Four Courts Press
ISBN:
Category : History
Languages : en
Pages : 356
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Book Description
This classic collection is a discussion of songs that gave utterance to the opinions and feelings of an important part of the Irish people in political, social, and religious feelings. First published in 1966, this is a new edition with corrections and additional notes. The songs, which were within the reach of all strands of society, were not only an expression of the singers' and listeners' feelings or opinions but also a form of propaganda. And when printers invested in them with the production of broadsheets and booklets, they became an industry. Thus, as the author states in his introduction, they are a curious melting pot for different kinds of literature or sub-literature.
Author: Henry Glassie
Publisher: Indiana University Press
ISBN: 0253022622
Category : Social Science
Languages : en
Pages : 606
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Book Description
In the time of the Troubles, when bombs blew through the night and soldiers prowled down the roads, Henry Glassie came to the Irish borderland to learn how country people endure through history. He settled into the farming community of Ballymenone, beside Lough Erne in the County Fermanagh, and listened to the old people. For a decade he heard and recorded the stories and songs in which they outlined their culture, recounted their history, and pictured their world. In their view, their world was one of love, defeat, and uncertainty, demanding the virtues of endurance: faith, bravery, and wit. Glassie's task in this book is to set the scene, to sketch the backdrop and clear the stage, so that Hugh Nolan and Michael Boyle, Peter Flanagan, Ellen Cutler, and their neighbors can tell their own tale, which explains their conditions and converts them into a tragedy of conflict and a comedy of the absurd. It gathers the saints and warriors, and celebrates the stars whose wit enabled endurance in days of violence and deprivation. With patience and respect, Glassie describes life in a time and a place exactly like no other, and yet Ballymenone is like a thousand other places where people work on the land during the day and tell their own tales at night, forgotten, while the men of power fill the newspapers and history books by sending poor boys out to be killed. The Stars of Ballymenone is an integrated analysis of the complete repertory of verbal art from a rural community where storytelling and singing of quality remained a part of daily life.
Author: Robin Morton
Publisher: Routledge
ISBN: 1317300882
Category : Social Science
Languages : en
Pages : 207
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Book Description
Originally published in 1973. Folk-life and folk-culture, usually the preserve of the scholar, have been brought vividly and entertainingly to life in these recollections and stories of one man’s life in the Irish countryside. This book tells the life story of John Maguire, who died in 1975, including over 50 of the songs he sang, with full musical transcriptions. He was a fine singer, firmly within the Irish tradition, and his songs are the record of a people, their history and traditions, their joys and sufferings, their comedies and tragedies. John Maguire’s fascinating story, skilfully and unobtrusively collated by Robin Morton, is full of material that will interest singers and students of folksongs. His songs and music will be of value to all those interested in traditional music and song.
Author: Mary-Ann Constantine
Publisher: Oxford University Press
ISBN: 9780197262887
Category : Language Arts & Disciplines
Languages : en
Pages : 288
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Book Description
This book takes a radical approach to the study of traditional songs. Folk song scholarship was originally obsessed with notions of completeness and narrative coherence; even now long narratives hold a privileged place in most folk song canons. Yet field notebooks and recordings (and, increasingly, publications) overwhelmingly suggest that apparently 'broken' and drastically shortened versions are not perceived as incomplete by those who sing them. Dealing with a wide range of traditions and languages, this study turns the focus on these 'dog-ends' of oral tradition, and looks closely at how very short texts convey meaning in performance by working the audience's knowledge of a highly allusive idiom. What emerges is the tenacity of meaning in the connotative and metaphorical language of traditional song, and the extraordinary adaptability of songs in different cultural contexts. Such pieces have a strong metonymic force: they should not be seen as residual 'last leaves' of a once-complete tradition, but as dynamic elements in the process of oral transmission. Not all song fragments remain in their natural environment, and this book also explores relocations and dislocations as songs are adapted to new contexts: a ballad of love and death is used to count pins in lace-making, song-snippets trail subversive meanings in the novels of Charles Dickens. Because they are variable and elusive to dating, songs have had little attention from the literary establishment: the authors show both how certain critical approaches can be fruitfully applied to song texts, and how concepts from studies in oral traditions prefigure aspects of contemporary critical theory. Like the songs themselves, this book crosses and recrosses the perceived divide between the literary and the oral. Coverage includes English, Welsh, Breton, American, and Finnish songs.
