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![Giorgio Morandi. Paintings & Prints. [Catalogue of an Exhibition. With Reproductions and a Portrait.]. PDF](https://books.google.com/books/content/images/frontcover/igJpjgEACAAJ?fife=w80-h100)
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Author: Giorgio Morandi
Publisher:
ISBN:
Category : Etching, Italian
Languages : en
Pages : 92
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Author: Giorgio Morandi
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
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One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Author: Josef Albers
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
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An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Author: Flavio Fergonzi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Giorgio Morandi (1890-1964) built his visual lexicon from the most minimal of props--dust-covered bottles, bowls, vases, pitchers, tins and boxes. From it, he composed delicious permutations of quiet still lifes, in the most muted yet luminous of palettes, transforming the genre of still life into a cosmos. The composer Morton Feldman once wrote that in his own work he was "interested in getting to Time in its unstructured existence... How Time exists before we put our paws on it," and in this sense Morandi may be his counterpart in paint: his painted objects seem to possess a subtle self-sufficiency and interiority. Accompanying a recent exhibition at the Phillips Collection, Washington D.C., this beautifully designed catalogue contains a selection of reproductions buttressed with two essays by Morandi experts: Flavio Fergonzi appraises the myths that have attached to Morandi, the history of his critical reception and the cities with which the artist was particularly associated; Elisabetta Barisoni discusses Morandi's reception in America.
Author: Giorgio Morandi
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 184
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Author: Paul Coldwell
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 92
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Morandi is often defined within the traditions of still life and landscape painting, and is known for the domestic and local source of his subject matter. However, the radical nature of his work addresses themes that have become central within contemporary artistic practice. An exploration of the influence of his work on generations of British artists, this fascinating exhibition will juxtapose paintings and drawings by Morandi with signature works by artists such as David Hockney, Tony Cragg, Patrick Caulfield, Euan Uglow and Ben Nicholson.
Author: Paul Coldwell
Publisher: Black Dog Publishing
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Review of the art of printmaking, focusing on the contemporary approaches to the medium. Includes work from all over the world, profiling some of the most innovative examples of printmaking today. Artists featured include Grayson Perry, Thomas Kilpper, Patrick Caulfield, Marko Blazo, Chuck Close, Masami Teraoka, Michael Craig-Martin, Kara Walker, Willie Cole, Banksy, and others.
Author: Bo Nilsson
Publisher:
ISBN: 9789198042894
Category :
Languages : en
Pages : 221
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The exhibition at Artipelag highlights about fifty works from Morandi?s career. The very earliest works are from 1921 and the latest from 1963. A significant portion of the Morandi paintings featured in the exhibition are still life of ceramic household items and there are also a handful of landscape paintings included. The paintings are complemented by drawings, etchings and watercolours, which illustrate Morandi?s artistic range.0De Waal?s characteristic series of porcelain pots shifts the attention from each pot to their grouping as a whole, the created spaces between them and how the viewer?s gaze flows through the art work.0Artipelag?s exhibition will be the first time that de Waal?s works are presented in Sweden and will include close to forty art works from 2012 to 2017. About ten of these works are new, stemming from a dialogue with the works of Morandi; de Waal has on numerous occasions emphasized Morandi as one of his greatest sources of inspiration. 00Exhibition: Artipelag, Gustavsberg, Sweden (07.04. -1.10.2017)
Author: Gian-Paolo Biasin
Publisher: Princeton University Press
ISBN: 140086044X
Category : Poetry
Languages : en
Pages : 172
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Integrating the study of both music and art into an exploration of the early poetry of Eugenio Montale (1896-1982), this book situates Italy's premier poet of the twentieth century within the Modernist movement. Gian-Paolo Biasin finds in Montale's poetry broad resonances, reverberations, and comparisons that involve it in the European culture of its time and that invite the reading of poetry, music, and painting as texts in a cultural system. This interdisciplinary approach expands our appreciation of Montale's work in a way not possible with literary analysis alone. Biasin's study first shows the structural homology between some of Debussy's preludes for piano and certain poems in Montale's Ossi di seppia, emphasizing the rhythmic qualities of the compositions. This formal analysis leads to an understanding of the respective texts' thematic, symbolic, and cultural meaning--specifically, antiheroism as a choice of life. Similar methodology is then used to reveal the relationship between the poetry of Montale and Giorgio Morandi's etchings and between Montale's poetic persona, Arsenio, and the novelistic characters of Svevo and Pirandello. Each of these comparisons brings to light a shared image, that of the clown (or antihero) as a mocking self-portrait of the modern artist. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
