Author: Rafael Schacter
Publisher: MIT Press
ISBN: 0262379791
Category : Art
Languages : en
Pages : 402
Book Description
What graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression. What is graffiti—vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be. Monumental Graffiti unpacks today’s iconoclastic moment, showing us why graffiti demands our urgent attention as a form of expression that challenges power structures by questioning whose voices are included in—and whose are excluded from—public space. Written from twenty years of embedded research on graffiti, the book includes works from graffiti writers such as 10Foot, Delta, Egs, Honet, Mosa, Petro, Revok, and Wombat, alongside those of artists such as Francis Alÿs, Jeremy Deller, Thomas Hirschhorn, Jenny Holzer, Klara Liden, Gordon Matta-Clark, William Pope.L, Cy Twombly, and many more. Richly illustrated, this study of graffiti as monument and monument as graffiti is as fascinating as it is ethnographically expansive.
Monumental Graffiti
Author: Rafael Schacter
Publisher: MIT Press
ISBN: 0262379791
Category : Art
Languages : en
Pages : 402
Book Description
What graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression. What is graffiti—vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be. Monumental Graffiti unpacks today’s iconoclastic moment, showing us why graffiti demands our urgent attention as a form of expression that challenges power structures by questioning whose voices are included in—and whose are excluded from—public space. Written from twenty years of embedded research on graffiti, the book includes works from graffiti writers such as 10Foot, Delta, Egs, Honet, Mosa, Petro, Revok, and Wombat, alongside those of artists such as Francis Alÿs, Jeremy Deller, Thomas Hirschhorn, Jenny Holzer, Klara Liden, Gordon Matta-Clark, William Pope.L, Cy Twombly, and many more. Richly illustrated, this study of graffiti as monument and monument as graffiti is as fascinating as it is ethnographically expansive.
Publisher: MIT Press
ISBN: 0262379791
Category : Art
Languages : en
Pages : 402
Book Description
What graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression. What is graffiti—vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be. Monumental Graffiti unpacks today’s iconoclastic moment, showing us why graffiti demands our urgent attention as a form of expression that challenges power structures by questioning whose voices are included in—and whose are excluded from—public space. Written from twenty years of embedded research on graffiti, the book includes works from graffiti writers such as 10Foot, Delta, Egs, Honet, Mosa, Petro, Revok, and Wombat, alongside those of artists such as Francis Alÿs, Jeremy Deller, Thomas Hirschhorn, Jenny Holzer, Klara Liden, Gordon Matta-Clark, William Pope.L, Cy Twombly, and many more. Richly illustrated, this study of graffiti as monument and monument as graffiti is as fascinating as it is ethnographically expansive.
The World Atlas of Street Art and Graffiti
Author: Rafael Schacter
Publisher: Yale University Press
ISBN: 0300199422
Category : Art
Languages : en
Pages : 398
Book Description
DIVAn authoritative guide to the most significant artists, schools, and styles of street art and graffiti around the world/div
Publisher: Yale University Press
ISBN: 0300199422
Category : Art
Languages : en
Pages : 398
Book Description
DIVAn authoritative guide to the most significant artists, schools, and styles of street art and graffiti around the world/div
Monumental Fury
Author: Matthew Fraser
Publisher: Rowman & Littlefield
ISBN: 1633888118
Category : History
Languages : en
Pages : 339
Book Description
Recent years in America have seen Confederate monuments toppled, statues of colonizers vandalized, and public icons commemorating figures from a history of exploitation demolished. Some were alarmed by the destruction, claiming that pulling down public statues is a negation of an entire cultural heritage. For others, statue-smashing is justified vandalism against a legacy of injustice. Monumental Fury confronts the long-neglected questions of our relationship with statues, icons, and monuments in public spaces, providing a rich historical perspective on iconoclastic violence. Organized according to specific themes that provide insights into the erection and destruction of statues — from religion, war, and revolution to colonialism, ideology, art, and social justice — author Matthew Fraser examines the implications of our monuments from the Buddhas of Bamiyan to those of Napoleon Bonaparte, Abraham Lincoln, Robert E. Lee, Vladimir Lenin, and many more. Above all, the book endeavors to frame moments of statue-toppling throughout history so we can better understand the eruptions of iconoclastic violence that we are witnessing today. Statues are erected as expressions of power, and the impulse to destroy them is motivated by a desire to defy, reject, and eradicate their authority. However, the symbolic power of statues can stubbornly persist even after their destruction. This enduring paradox — between destruction and resurrection – is at the heart of this book. Fraser concludes with reflections that propose new ways of thinking about our relationship with statues and monuments and, more practically, about how we can creatively integrate their legacy into our collective memory in a way that inclusively enriches shared historical experience.
Publisher: Rowman & Littlefield
ISBN: 1633888118
Category : History
Languages : en
Pages : 339
Book Description
Recent years in America have seen Confederate monuments toppled, statues of colonizers vandalized, and public icons commemorating figures from a history of exploitation demolished. Some were alarmed by the destruction, claiming that pulling down public statues is a negation of an entire cultural heritage. For others, statue-smashing is justified vandalism against a legacy of injustice. Monumental Fury confronts the long-neglected questions of our relationship with statues, icons, and monuments in public spaces, providing a rich historical perspective on iconoclastic violence. Organized according to specific themes that provide insights into the erection and destruction of statues — from religion, war, and revolution to colonialism, ideology, art, and social justice — author Matthew Fraser examines the implications of our monuments from the Buddhas of Bamiyan to those of Napoleon Bonaparte, Abraham Lincoln, Robert E. Lee, Vladimir Lenin, and many more. Above all, the book endeavors to frame moments of statue-toppling throughout history so we can better understand the eruptions of iconoclastic violence that we are witnessing today. Statues are erected as expressions of power, and the impulse to destroy them is motivated by a desire to defy, reject, and eradicate their authority. However, the symbolic power of statues can stubbornly persist even after their destruction. This enduring paradox — between destruction and resurrection – is at the heart of this book. Fraser concludes with reflections that propose new ways of thinking about our relationship with statues and monuments and, more practically, about how we can creatively integrate their legacy into our collective memory in a way that inclusively enriches shared historical experience.
Literacy and Identity in Pre-Islamic Arabia
Author: M.C.A. Macdonald
Publisher: Routledge
ISBN: 1000585107
Category : History
Languages : en
Pages : 432
Book Description
In these studies Michael Macdonald examines the extraordinary flowering of literacy in both the settled and nomadic populations of western Arabia in the 1500 years before the birth of Islam, when a larger proportion of the population could read and write than in any other part of the ancient Near East, and possibly any other part of the ancient world. Even among the nomads there seems to have been almost universal literacy in some regions. The scores of thousands of inscriptions and graffiti they left paint a vivid picture of the way-of-life, social systems, and personal emotions of their authors, information which is not available for any other non-élite population in the ancient Near East outside Egypt. This abundance of inscriptions has enabled Michael Macdonald to explore in detail some of the - often surprising - ways in which reading and writing were used in the literate and non-literate communities of ancient Arabia. He describes the many different languages and the distinct family of alphabets used in ancient Arabia, and discusses the connections between the use of particular languages or scripts and expressions of personal and communal identity. The problem of how ancient perceptions of ethnicity in this region can be identified in the sources is another theme of these papers; more specifically, they deal from several different perspectives with the question of what ancient writers meant when they applied the term 'Arab' to a wide variety of peoples throughout the ancient Near East.
Publisher: Routledge
ISBN: 1000585107
Category : History
Languages : en
Pages : 432
Book Description
In these studies Michael Macdonald examines the extraordinary flowering of literacy in both the settled and nomadic populations of western Arabia in the 1500 years before the birth of Islam, when a larger proportion of the population could read and write than in any other part of the ancient Near East, and possibly any other part of the ancient world. Even among the nomads there seems to have been almost universal literacy in some regions. The scores of thousands of inscriptions and graffiti they left paint a vivid picture of the way-of-life, social systems, and personal emotions of their authors, information which is not available for any other non-élite population in the ancient Near East outside Egypt. This abundance of inscriptions has enabled Michael Macdonald to explore in detail some of the - often surprising - ways in which reading and writing were used in the literate and non-literate communities of ancient Arabia. He describes the many different languages and the distinct family of alphabets used in ancient Arabia, and discusses the connections between the use of particular languages or scripts and expressions of personal and communal identity. The problem of how ancient perceptions of ethnicity in this region can be identified in the sources is another theme of these papers; more specifically, they deal from several different perspectives with the question of what ancient writers meant when they applied the term 'Arab' to a wide variety of peoples throughout the ancient Near East.
The Soviet Century
Author: Karl Schlögel
Publisher: Princeton University Press
ISBN: 0691183740
Category : History
Languages : en
Pages : 928
Book Description
An encyclopedic and richly detailed history of everyday life in the Soviet Union The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century, Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. A museum of—and travel guide to—the Soviet past, The Soviet Century explores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police. Drawing on Schlögel’s decades of travel in the Soviet and post-Soviet world, and featuring more than eighty illustrations, The Soviet Century is vivid, immediate, and grounded in firsthand encounters with the places and objects it describes. The result is an unforgettable account of the Soviet Century.
Publisher: Princeton University Press
ISBN: 0691183740
Category : History
Languages : en
Pages : 928
Book Description
An encyclopedic and richly detailed history of everyday life in the Soviet Union The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century, Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. A museum of—and travel guide to—the Soviet past, The Soviet Century explores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police. Drawing on Schlögel’s decades of travel in the Soviet and post-Soviet world, and featuring more than eighty illustrations, The Soviet Century is vivid, immediate, and grounded in firsthand encounters with the places and objects it describes. The result is an unforgettable account of the Soviet Century.
XAVIER
Author: Christopher Abbot
Publisher: Fast-Print Publishing
ISBN: 1784563277
Category : Fiction
Languages : en
Pages : 467
Book Description
ONE MAN - ONE PLANET - ONE CHANCE 2557 Humans have been banished from Earth. Forced to live in huge space colonies close to the moon. Earth has become Heaven. The course of mankind has been set towards colonising the universe. The Pax Humana is in full effect. Giant corporations overseen by The Powers control every human necessity from birth until death, those that fail to adhere to the system are summarily executed. Genesis is the new beginning… Xavier Miro is a space rigger, graffiti artist and dissident. A series of dreams leads to an adventure where he will meet Moon Dudes, Shamanic Space Pirates, Galactic Ravers, Zugbots and fall foul of the sinister Shadows. And where he will not only find out the answers to why mankind was expelled from Earth, but why he is the one person that can save humanity.
Publisher: Fast-Print Publishing
ISBN: 1784563277
Category : Fiction
Languages : en
Pages : 467
Book Description
ONE MAN - ONE PLANET - ONE CHANCE 2557 Humans have been banished from Earth. Forced to live in huge space colonies close to the moon. Earth has become Heaven. The course of mankind has been set towards colonising the universe. The Pax Humana is in full effect. Giant corporations overseen by The Powers control every human necessity from birth until death, those that fail to adhere to the system are summarily executed. Genesis is the new beginning… Xavier Miro is a space rigger, graffiti artist and dissident. A series of dreams leads to an adventure where he will meet Moon Dudes, Shamanic Space Pirates, Galactic Ravers, Zugbots and fall foul of the sinister Shadows. And where he will not only find out the answers to why mankind was expelled from Earth, but why he is the one person that can save humanity.
Art Intervention in the City
Author: Hadas Ophrat
Publisher: Taylor & Francis
ISBN: 1000755487
Category : Architecture
Languages : en
Pages : 189
Book Description
This book focuses on the phenomenon of art intervention—an expression of local initiatives by artists, collectives, and art centers wishing to influence the design of the space or make a change in its lifestyle. It pertains not only to acts of protest, but also to the creation of a new civil and political situation in which artists acknowledge their ability to constitute foci of power. These are reflected in acts such as squatting in abandoned buildings, restoring and redistributing them according to principles of social justice; mapping the city based on alternative parameters, such as revealing venues of collective memory or exposing the city's backyard; creating outdoor urban art galleries; and creating temporary architecture and alternative solutions in order to deal with the challenges we face in times of epidemic and environmental crisis. The art intervention phenomenon has intensified since the mid-1990s, so much so that even local authorities the world over have begun to adopt activist and artistic practices. Due to the intensive urbanization processes and current global threats, the creative trends and means surveyed in the book are crucial. This book will interest researchers, planners, urban planners, architects, social activists, local authority executives, art centers, artists, and designers.
Publisher: Taylor & Francis
ISBN: 1000755487
Category : Architecture
Languages : en
Pages : 189
Book Description
This book focuses on the phenomenon of art intervention—an expression of local initiatives by artists, collectives, and art centers wishing to influence the design of the space or make a change in its lifestyle. It pertains not only to acts of protest, but also to the creation of a new civil and political situation in which artists acknowledge their ability to constitute foci of power. These are reflected in acts such as squatting in abandoned buildings, restoring and redistributing them according to principles of social justice; mapping the city based on alternative parameters, such as revealing venues of collective memory or exposing the city's backyard; creating outdoor urban art galleries; and creating temporary architecture and alternative solutions in order to deal with the challenges we face in times of epidemic and environmental crisis. The art intervention phenomenon has intensified since the mid-1990s, so much so that even local authorities the world over have begun to adopt activist and artistic practices. Due to the intensive urbanization processes and current global threats, the creative trends and means surveyed in the book are crucial. This book will interest researchers, planners, urban planners, architects, social activists, local authority executives, art centers, artists, and designers.
The Caucasian Archaeology of the Holy Land
Author: Yana Tchekhanovets
Publisher: BRILL
ISBN: 9004365559
Category : Religion
Languages : en
Pages : 331
Book Description
The Caucasian Archaeology of the Holy Land investigates the complete corpus of available literary, epigraphic and archaeological evidence of the Armenian, Georgian and Caucasian Albanian Christian communities’ activity in the Holy Land during the Byzantine and the Early Islamic periods. This book presents the first integrated approach to a wide variety of literary sources and archaeological evidence, previously unpublished or revised. The study explores the place of each of these Caucasian communities in ancient Palestine through a synthesis of literary and material evidence and seeks to understand the interrelations between them and the influence they had on the national churches of the Caucasus.
Publisher: BRILL
ISBN: 9004365559
Category : Religion
Languages : en
Pages : 331
Book Description
The Caucasian Archaeology of the Holy Land investigates the complete corpus of available literary, epigraphic and archaeological evidence of the Armenian, Georgian and Caucasian Albanian Christian communities’ activity in the Holy Land during the Byzantine and the Early Islamic periods. This book presents the first integrated approach to a wide variety of literary sources and archaeological evidence, previously unpublished or revised. The study explores the place of each of these Caucasian communities in ancient Palestine through a synthesis of literary and material evidence and seeks to understand the interrelations between them and the influence they had on the national churches of the Caucasus.
Written Space in the Latin West, 200 BC to AD 300
Author: Gareth Sears
Publisher: A&C Black
ISBN: 1441161627
Category : History
Languages : en
Pages : 243
Book Description
This volume explores the creation of 'written spaces' through the accretion of monumental inscriptions and non-official graffiti in the Latin-speaking West between c.200 BC and AD 300. The shift to an epigraphic culture demonstrates new mentalities regarding the use of language, the relationship between local elites and the population, and between local elites and the imperial power. The creation of both official and non-official inscriptions is one of the most recognisable facets of the Roman city. The chapters of this book consider why urban populations created these written spaces and how these spaces in turn affected those urban civilisations. They also examine how these inscriptions interacted to create written spaces that could inculcate a sense of 'Roman-ness' into urban populations whilst also acting as a means of differentiating communities from each other. The volume includes new approaches to the study of political entities, social institutions, graffiti and painting, and the differing trajectories of written spaces in the cities of Roman Africa, Italy, Spain and Gaul.
Publisher: A&C Black
ISBN: 1441161627
Category : History
Languages : en
Pages : 243
Book Description
This volume explores the creation of 'written spaces' through the accretion of monumental inscriptions and non-official graffiti in the Latin-speaking West between c.200 BC and AD 300. The shift to an epigraphic culture demonstrates new mentalities regarding the use of language, the relationship between local elites and the population, and between local elites and the imperial power. The creation of both official and non-official inscriptions is one of the most recognisable facets of the Roman city. The chapters of this book consider why urban populations created these written spaces and how these spaces in turn affected those urban civilisations. They also examine how these inscriptions interacted to create written spaces that could inculcate a sense of 'Roman-ness' into urban populations whilst also acting as a means of differentiating communities from each other. The volume includes new approaches to the study of political entities, social institutions, graffiti and painting, and the differing trajectories of written spaces in the cities of Roman Africa, Italy, Spain and Gaul.
Street Art in the Middle East
Author: Sabrina de Turk
Publisher: Bloomsbury Publishing
ISBN: 1786726009
Category : Art
Languages : en
Pages : 259
Book Description
Since the 2011 Arab Spring street art has been a vehicle for political discourse in the Middle East, and has generated much discussion in both the popular media and academia. Yet, this conversation has generalised street art and identified it as a singular form with identical styles and objectives throughout the region. Street art's purpose is, however, defined by the socio-cultural circumstances of its production. Middle Eastern artists thus adopt distinctive methods in creating their individual work and responding to their individual environments. Here, in this new book, Sabrina De Turk employs rigorous visual analysis to explore the diversity of Middle Eastern street art and uses case studies of countries as varied as Egypt, Tunisia, Lebanon, Palestine, Bahrain and Oman to illustrate how geographic specifics impact upon its function and aesthetic. Her book will be of significant interest to scholars specialising in art from the Middle East and North Africa and those who bring an interdisciplinary perspective to Middle East studies.
Publisher: Bloomsbury Publishing
ISBN: 1786726009
Category : Art
Languages : en
Pages : 259
Book Description
Since the 2011 Arab Spring street art has been a vehicle for political discourse in the Middle East, and has generated much discussion in both the popular media and academia. Yet, this conversation has generalised street art and identified it as a singular form with identical styles and objectives throughout the region. Street art's purpose is, however, defined by the socio-cultural circumstances of its production. Middle Eastern artists thus adopt distinctive methods in creating their individual work and responding to their individual environments. Here, in this new book, Sabrina De Turk employs rigorous visual analysis to explore the diversity of Middle Eastern street art and uses case studies of countries as varied as Egypt, Tunisia, Lebanon, Palestine, Bahrain and Oman to illustrate how geographic specifics impact upon its function and aesthetic. Her book will be of significant interest to scholars specialising in art from the Middle East and North Africa and those who bring an interdisciplinary perspective to Middle East studies.