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Author:
Publisher: BRILL
ISBN: 9004135774
Category : History
Languages : en
Pages : 472
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Book Description
The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for "damnatio memoriae" and ultimately reveals its praxis to be at the core of Roman cultural identity.
Author:
Publisher: BRILL
ISBN: 9004135774
Category : History
Languages : en
Pages : 472
Get Book Here
Book Description
The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for "damnatio memoriae" and ultimately reveals its praxis to be at the core of Roman cultural identity.
Author: H. F. Mussche
Publisher:
ISBN: 9789004059320
Category :
Languages : en
Pages :
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Book Description
Author: Amy C. Smith
Publisher: BRILL
ISBN: 9004214526
Category : History
Languages : en
Pages : 280
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Book Description
In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens—its people, government, and events—as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Author: John S. McHugh
Publisher: Casemate Publishers
ISBN: 1473871670
Category : History
Languages : en
Pages : 341
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Book Description
This historical biography goes beyond popular legend to present a nuanced portrait of the first century Roman emperor. Commodus, who ruled over Rome from 177 to 192, is generally remembered as a debaucherous megalomaniac who fought as a gladiator. Ridiculed and maligned by historians since his own time, modern popular culture knows him as the patricidal villain in Ridley Scott’s film Gladiator. Much of his infamy is clearly based on fact, but John McHugh reveals a more complex story in the first full-length biography of Commodus to appear in English. McHugh sets Commodus’s twelve-year reign in its historical context, showing that the ‘kingdom of gold’ he supposedly inherited was actually an empire devastated by plague and war. Openly autocratic, Commodus compromised the privileges and vested interests of the senatorial clique, who therefore plotted to murder him. Surviving repeated conspiracies only convinced Commodus that he was under divine protection, increasingly identifying himself as Hercules reincarnate. This and his antics in the arena allowed his senatorial enemies to present Commodus as a mad tyrant—thereby justifying his eventual murder.
Author: Thomas Galoppin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311079845X
Category : Religion
Languages : en
Pages : 1274
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Book Description
Ancient religions are definitely complex systems of gods, which resist our understanding. Divine names provide fundamental keys to gain access to the multiples ways gods were conceived, characterized, and organized. Among the names given to the gods many of them refer to spaces: cities, landscapes, sanctuaries, houses, cosmic elements. They reflect mental maps which need to be explored in order to gain new knowledge on both the structure of the pantheons and the human agency in the cultic dimension. By considering the intersection between naming and mapping, this book opens up new perspectives on how tradition and innovation, appropriation and creation play a role in the making of polytheistic and monotheistic religions. Far from being confined to sanctuaries, in fact, gods dwell in human environments in multiple ways. They move into imaginary spaces and explore the cosmos. By proposing a new and interdiciplinary angle of approach, which involves texts, images, spatial and archeaeological data, this book sheds light on ritual practices and representations of gods in the whole Mediterranean, from Italy to Mesopotamia, from Greece to North Africa and Egypt. Names and spaces enable to better define, differentiate, and connect gods.
Author: William A. P. Childs
Publisher: Princeton University Press
ISBN: 0691176469
Category : Art
Languages : en
Pages : 400
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Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author: Anna Maria Theocharaki
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110638207
Category : Art
Languages : en
Pages : 456
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Book Description
In Athens, most remains of the ancient city-wall were revealed during rescue excavations; as a result, documentation is scattered and fragmented. This book systematically investigates all published data, revealing the history and the nature of the surviving remains of this significant monument. The book provides an analysis of the ancient literary sources, the western travellers’ accounts, and the history of archaeological research on the circuit walls of ancient Athens. It collects, records, and maps all archaeological data from systematic and rescue excavations of the physical remains of the wall as it evolved over eleven centuries and through more than a dozen construction phases. It reviews issues relating to structure, chronology and topography of the ancient city wall, as well as to the management of its remains by the state authorities. The enormous amount of primary evidence makes the book essential reading for scholars of the topography of ancient Athens. This monograph also aspires to increase community awareness of cultural heritage in everyday urban contexts, as the wall has been preserved in a number of ways: in basements of buildings, reburied in situ, in the open air or beneath glass floors.
Author: Anna R. Stelow
Publisher:
ISBN: 0199685924
Category : Art
Languages : en
Pages : 376
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Book Description
While there have been many studies devoted to the heroes of Homeric epic, the figure of Menelaus has remained notably overlooked. This volume is the first book-length study of the Homeric character, taking a multidisciplinary approach to his depiction in the archaic Greek world through detailed analysis of literary, visual, and material evidence.
Author: Nassos Papalexandrou
Publisher: University of Texas Press
ISBN: 1477323635
Category : Art
Languages : en
Pages : 312
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Book Description
The eighth and seventh centuries BCE were a time of flourishing exchange between the Mediterranean and the Near East. One of the period’s key imports to the Hellenic and Italic worlds was the image of the griffin, a mythical monster that usually possesses the body of a lion and the head of an eagle. In particular, bronze cauldrons bore griffin protomes—figurative attachments showing the neck and head of the beast. Crafted in fine detail, the protomes were made to appear full of vigor, transfixing viewers. Bronze Monsters and the Cultures of Wonder takes griffin cauldrons as case studies in the shifting material and visual universes of preclassical antiquity, arguing that they were perceived as lifelike monsters that introduced the illusion of verisimilitude to Mediterranean arts. The objects were placed in the tombs of the wealthy (Italy, Cyprus) and in sanctuaries (Greece), creating fantastical environments akin to later cabinets of curiosities. Yet griffin cauldrons were accessible only to elites, ensuring that the new experience of visuality they fostered was itself a symbol of status. Focusing on the sensory encounter of this new visuality, Nassos Papalexandrou shows how spaces made wondrous fostered novel subjectivities and social distinctions.
Author: Nicholas Baker-Brian
Publisher: Springer Nature
ISBN: 3030398986
Category : History
Languages : en
Pages : 474
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Book Description
This edited collection focuses on the Roman empire during the period from AD 337 to 361. During this period the empire was ruled by three brothers: Constantine II (337-340), Constans I (337-350) and Constantius II (337-361). These emperors tend to be cast into shadow by their famous father Constantine, the first Christian Roman emperor (306-337), and their famous cousin Julian, the last pagan Roman emperor (361-363). The traditional concentration on the historically renowned figures of Constantine and Julian is understandable but comes at a significant price: the neglect of the period between the death of Constantine and the reign of Julian and of the rulers who governed the empire in this period. The reigns of the sons of Constantine, especially that of the longest-lived Constantius II, mark a moment of great historical significance. As the heirs of Constantine they became the guardians of his legacy, and they oversaw the nature of the world in which Julian was to grow up. The thirteen contributors to this volume assess their influence on imperial, administrative, cultural, and religious facets of the empire in the fourth century.
