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Author: Isaac Yue
Publisher:
ISBN: 9781638570226
Category : Animals in literature
Languages : en
Pages : 0
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Book Description
"This book examines the interconnection between the idea of monstrosity and the emergence of Chinese cultural identity since the Song dynasty. Chinese vernacular literature matured during the Southern Song period and coincided with society's growing apprehension of foreignness. As society's perception of the other fluctuated between acceptance and abhorrence following the Mongolian conquest of the Middle Kingdom and the subsequent political desire to return to a fixation with the concept of Han during the Ming dynasty, the idea of monstrosity was adopted by these works as a logical vessel for contemplating the question of identity. Unlike other forms of written work in China, vernacular literature developed out of the necessity to cater to the masses. As such, they provide a unique window to understand society's reaction to the cultural and political milieu of the time. By resituating the production of these works within this cultural backdrop, the importance of this study lies both in the foregrounding of the manifestation of Chinese cultural identity in the literary world and the proposition of its importance to our understanding of the cultural politics since the Song dynasty. Beyond its timely discussion of the background and historical genealogy of how Chineseness is conceptualized, this book specifically addresses the effect of the contentiousness of ethnicity on the identity question. In doing so, it explores how this gradual historical transformation of Chinese cultural identity is closely tied to xenophobia and the reimagination of foreignness as reflected in the idea of monstrosity"--
Author: Isaac Yue
Publisher:
ISBN: 9781638570226
Category : Animals in literature
Languages : en
Pages : 0
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Book Description
"This book examines the interconnection between the idea of monstrosity and the emergence of Chinese cultural identity since the Song dynasty. Chinese vernacular literature matured during the Southern Song period and coincided with society's growing apprehension of foreignness. As society's perception of the other fluctuated between acceptance and abhorrence following the Mongolian conquest of the Middle Kingdom and the subsequent political desire to return to a fixation with the concept of Han during the Ming dynasty, the idea of monstrosity was adopted by these works as a logical vessel for contemplating the question of identity. Unlike other forms of written work in China, vernacular literature developed out of the necessity to cater to the masses. As such, they provide a unique window to understand society's reaction to the cultural and political milieu of the time. By resituating the production of these works within this cultural backdrop, the importance of this study lies both in the foregrounding of the manifestation of Chinese cultural identity in the literary world and the proposition of its importance to our understanding of the cultural politics since the Song dynasty. Beyond its timely discussion of the background and historical genealogy of how Chineseness is conceptualized, this book specifically addresses the effect of the contentiousness of ethnicity on the identity question. In doing so, it explores how this gradual historical transformation of Chinese cultural identity is closely tied to xenophobia and the reimagination of foreignness as reflected in the idea of monstrosity"--
Author: Isaac Man Cheung Yue
Publisher:
ISBN: 9781621965312
Category :
Languages : en
Pages : 205
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Book Description
Author: Thomas William Whyke
Publisher: Springer Nature
ISBN: 9819942586
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
This book offers queer readings of Chinese Qing Dynasty zhiguai, ‘strange tales’, a genre featuring supernatural characters and events. In a unique approach interweaving Chinese philosophies alongside critical theories, this book explores tales which speak to contemporary debates around identity and power. Depictions of porous boundaries between humans and animals, transformations between genders, diverse sexualities, and contextually unusual masculinities and femininities, lend such tales to queer readings. Unlike previous scholarship on characters as allegorical figures or stories as morality tales, this book draws on queer theory, animal studies, feminism, and Deleuzian philosophy, to explore the ‘strange’ and its potential for social critique. Examining such tales enriches the scope of historic queer world literatures, offering culturally situated stories of relationships, desires, and ways of being, that both speak to and challenge contemporary debates.
Author: Tommaso Previato
Publisher: BRILL
ISBN: 9004699007
Category : Religion
Languages : en
Pages : 352
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Book Description
This multi-contributor volume examines the evolving relationship between fear, heterodoxy and crime in traditional China. It throws light on how these three variously interwoven elements shaped local policies and people’s perceptions of the religious, ethnic, and cultural “other.” Authors depart from the assumption that “otherness” is constructed, stereotyped and formalized within the moral, political and legal institutions of Chinese society. The capacity of their findings to address questions about the emotional dimension of mass mobilization, the socio-political implications of heterodoxy, and attributions of crime is the result of integrating multiple sources of knowledge from history, religious studies and social science. Contributors are Ágnes Birtalan, Ayumu Doi, Fabian Graham, Hung Tak Wai, Jing Li, Hang Lin, Tommaso Previato, and Noriko Unno.
Author: L. Chen
Publisher: Springer
ISBN: 1403982988
Category : Social Science
Languages : en
Pages : 225
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Book Description
This is a comparative study of the politics of Chinese cultural identity facing China, Taiwan, Hong Kong, the US-Chinese, and the Chinese diaspora in the West. The author challenges current discussions of hybridity and nationalism by contrasting the experiences of Taiwan, Hong Kong and US-Chinese with those of China and the Chinese diaspora.
Author: ISAAC. YUE
Publisher:
ISBN: 9781621965046
Category :
Languages : en
Pages : 220
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Book Description
Using four case studies on the developmental history of the fox demon, Zhang Fei, Sun Wukong, and Zhong Kui in vernacular literature, this book examines the interconnection between the idea of monstrosity (through its traditional connection to foreignness) and the emergence of Chinese cultural identity since the Song dynasty.
Author: Hyuk-chan Kwon
Publisher: BRILL
ISBN: 9004678328
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This book is a comparative exploration of the impact of a celebrated Chinese historical novel, the Sanguozhi yanyi (Three Kingdoms) on the popular culture of Korea since its dissemination in the sixteenth century. It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
Author: Jung-fang Tsai
Publisher: Columbia University Press
ISBN: 9780231079334
Category : History
Languages : en
Pages : 404
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Book Description
This historical study traces unrest and social transformation in Hong Kong and explores how merchants, the intelligentsia and labourers played important roles in China's social and political movements from the mid-19th century until the first years of the Chinese Republic.
Author: Catherine Lila Chou
Publisher: Cambria Press
ISBN:
Category : Political Science
Languages : en
Pages : 203
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Book Description
This book is in the Cambria Sinophone World Series, headed by Victor H. Mair (University of Pennsylvania). In the early 1990s, the people of Taiwan gained the right to vote for their executive and legislature. In building a democratic society, they transformed how they saw themselves and their homeland. The outcome of democratization was nothing less than revolutionary, producing a new, de facto nation and people that can be justly called "Taiwanese." Yet this revolution remains unfinished and incomplete. In an era of increasing US-China rivalry, the People's Republic of China (PRC) claims sovereignty over Taiwan and insists that "reunification" is the historic mission of all peoples on both sides of the Taiwan Strait. The PRC threatens war with and over the island, inviting a crisis that would engulf the region and beyond. Common ideas about Taiwan-that it "split with China in 1949" or "sees itself as the true China"-fail to explain why the Taiwanese withstand pressure from the PRC to relinquish their democratic self-governance. Revolutionary Taiwan sheds light on this. Each chapter shows how democratization in Taiwan constituted a revolution, changing not just the form of government but also how Taiwanese people conceptualized the island, coming to see it a complete nation unto itself. At the same time, however, Beijing has blocked the "normal" endpoint of this revolution: an open declaration of statehood and welcome into the global community. Revolutionary Taiwan: Making Nationhood in a Changing World Order brings the Taiwan story to a general audience. It will appeal to students and readers interested in international relations, contemporary geopolitics, and East Asian Studies. Informed by years of academic research and life in Taiwan, this book provides an entry point to a remarkable place and people.
Author: Yenna Wu
Publisher: Harvard Univ Asia Center
ISBN: 9780674125728
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Drawing from a broad array of literary, historical, dramatic and anecdotal sources, Yenna Wu makes a rich exploration of an unusually prominent theme in premodern Chinese prose fiction and drama: that of jealous and belligerent wives, or viragos, who dominate their husbands and abuse other women. Focusing on Chinese literary works from the sixteenth to the eighteenth centuries, she presents many colorful perspectives on this type of aggression, reviewing early literary and historical examples of the phenomenon. Wu argues that although the various portraits of the virago often reveal the writers' insecurities about strong-willed women in general, the authors also satirize the kind of man whose behavioral patterns have been catalysts for female aggression. She also shows that, while the women in these works are to some extent male constructs designed to affirm the patriarchal system, various elements of these portraits constitute a subversive form of parody that casts a revealing light on the patriarchal hierarchy of premodern China.
