Author: Di Van Niekerk
Publisher: Search Press
ISBN: 9781782216827
Category : Embroidery
Languages : en
Pages : 0
Book Description
Cover title: Monograms & words: in ribbon embroidery: 26 beautiful step-by-step monograms and quick and easy projects.
Monograms and Words in Ribbon Embroidery
Author: Di Van Niekerk
Publisher: Search Press
ISBN: 9781782216827
Category : Embroidery
Languages : en
Pages : 0
Book Description
Cover title: Monograms & words: in ribbon embroidery: 26 beautiful step-by-step monograms and quick and easy projects.
Publisher: Search Press
ISBN: 9781782216827
Category : Embroidery
Languages : en
Pages : 0
Book Description
Cover title: Monograms & words: in ribbon embroidery: 26 beautiful step-by-step monograms and quick and easy projects.
The Hand Book of Alphabets, Initials, and Monograms
Author: William Gibbs
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
Book Description
Art Monograms and Lettering
Author: John Mauritz Bergling
Publisher:
ISBN:
Category : Lettering
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Lettering
Languages : en
Pages : 168
Book Description
Monograms and Ciphers
Author: Albert Angus Turbayne
Publisher: anboco
ISBN: 3736406673
Category : Fiction
Languages : en
Pages : 162
Book Description
In laying out this book I have put into it the experience of many years of actual work in the designing of Monograms, Ciphers, Trade-Marks, and other letter devices. I have given the work much careful thought in order to present the most useful material, to give that material on a good workable scale, and in such a way that any design can be quickly found. By the arrangement of the designs the plates form their own index. ..A. A. TURBAYNE.
Publisher: anboco
ISBN: 3736406673
Category : Fiction
Languages : en
Pages : 162
Book Description
In laying out this book I have put into it the experience of many years of actual work in the designing of Monograms, Ciphers, Trade-Marks, and other letter devices. I have given the work much careful thought in order to present the most useful material, to give that material on a good workable scale, and in such a way that any design can be quickly found. By the arrangement of the designs the plates form their own index. ..A. A. TURBAYNE.
Monograms and Alphabetic Devices
Author: Hayward Cirker
Publisher: Courier Corporation
ISBN: 0486142477
Category : Design
Languages : en
Pages : 242
Book Description
More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
Publisher: Courier Corporation
ISBN: 0486142477
Category : Design
Languages : en
Pages : 242
Book Description
More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
Monograms, historical and practical
Author: David Garden Berri
Publisher:
ISBN:
Category : Monograms
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : Monograms
Languages : en
Pages : 98
Book Description
Monograms Historical and Practical by D. G. Berri
Author: David Garden Berri
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
A Gospel Monogram Consisting of the Entire Texts, R.V., of the Four Gospels in a Parallel Harmony, Together with a Continuous Monogram Combining Them Exhaustively
Author:
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 558
Book Description
Modern Monograms
Author: Kiyoshi Takahashi
Publisher: Courier Corporation
ISBN: 0486144038
Category : Art
Languages : en
Pages : 170
Book Description
Monograms are immensely useful and eye catching visual devices consisting of two or more letters interwoven in artistic harmony. They lend themselves to numerous graphic applications: stationery, fabrics, advertising, book illustration, greeting cards, posters, menus, logos — virtually any project requiring symbolic or high-recognition lettering. The present volume offers graphic designers an unusually comprehensive collection of contemporary monograms — over 1,300 attention-getting designs, arranged alphabetically for convenience. Each letter of the alphabet is combined with every other letter, creating a versatile archive of monograms in an incredible array of type styles: 3-D, shaded, calligraphic, Gothic, ribbon, block, cartoon, script, Oriental, digital letters, and hundreds of others. Moreover, many monograms appear in more than one style for added flexibility. In addition to an enormous variety of typefaces, the monograms embody numerous spacing variations: overlapping, interlocking, and various other arrangements that offer the utmost versatility to designers. You'll also find a useful selection of monograms incorporated into larger illustrations: a necktie, automobile, tote bag, coffee mug, and other familiar objects. Graphic artists, illustrators, typographers, and students will find this collection indispensable — a nearly inexhaustible array of imaginative lettering configurations, arranged for maximum convenience — ready to solve a myriad of design problems. Best of all, every monogram is royalty-free — ready to use without any prior permission or fee.
Publisher: Courier Corporation
ISBN: 0486144038
Category : Art
Languages : en
Pages : 170
Book Description
Monograms are immensely useful and eye catching visual devices consisting of two or more letters interwoven in artistic harmony. They lend themselves to numerous graphic applications: stationery, fabrics, advertising, book illustration, greeting cards, posters, menus, logos — virtually any project requiring symbolic or high-recognition lettering. The present volume offers graphic designers an unusually comprehensive collection of contemporary monograms — over 1,300 attention-getting designs, arranged alphabetically for convenience. Each letter of the alphabet is combined with every other letter, creating a versatile archive of monograms in an incredible array of type styles: 3-D, shaded, calligraphic, Gothic, ribbon, block, cartoon, script, Oriental, digital letters, and hundreds of others. Moreover, many monograms appear in more than one style for added flexibility. In addition to an enormous variety of typefaces, the monograms embody numerous spacing variations: overlapping, interlocking, and various other arrangements that offer the utmost versatility to designers. You'll also find a useful selection of monograms incorporated into larger illustrations: a necktie, automobile, tote bag, coffee mug, and other familiar objects. Graphic artists, illustrators, typographers, and students will find this collection indispensable — a nearly inexhaustible array of imaginative lettering configurations, arranged for maximum convenience — ready to solve a myriad of design problems. Best of all, every monogram is royalty-free — ready to use without any prior permission or fee.
Representations
Author: John Bennet
Publisher: Oxbow Books
ISBN: 1789256429
Category : Social Science
Languages : en
Pages : 353
Book Description
This volume presents a series of reflections on modes of communication in the Bronze Age Aegean, drawing on papers presented at two round table workshops of the Sheffield Centre for Aegean Archaeology on ‘Technologies of Representation’ and ‘Writing and Non-Writing in the Bronze Age Aegean’. Each was designed to capture current developments in these interrelated research areas and also to help elide boundaries between ‘science-based’ and ‘humanities-based’ approaches, and between those focused on written communication (especially its content) and those interested in broader modes of communication. Contributions are arranged thematically in three groups: the first concerns primarily non-written communication, the second mainly written communication, and the third blurs this somewhat arbitrary distinction. Topics in the first group include use of color in wall-paintings at Late Bronze Age Pylos; a re-interpretation of the ‘Harvester Vase’ from Ayia Triada; re-readings of the sequence of grave stelae at Mycenae, of Aegean representations of warfare, and of how ritual architecture is represented in the Knossos wall-paintings; and the use of painted media to represent depictions in other (lost) media such as cloth. Topics in the second group range from defining Aegean writing itself, through the contexts for literacy and how the Linear B script represented language, to a historical exploration of early attempts at deciphering Linear B. In the third group Linear B texts and archaeological data are used to explore how people were represented diacritically through taste and smell, and how different qualities of time were expressed both textually and materially; the roles of images in Aegean scripts, complemented by a Peircian analysis of early Cretan writing; a consideration of the complementary role of (non-literate) sealing and (literate) writing practices; and concludes with a further exploration of the color palette used at Pylos.
Publisher: Oxbow Books
ISBN: 1789256429
Category : Social Science
Languages : en
Pages : 353
Book Description
This volume presents a series of reflections on modes of communication in the Bronze Age Aegean, drawing on papers presented at two round table workshops of the Sheffield Centre for Aegean Archaeology on ‘Technologies of Representation’ and ‘Writing and Non-Writing in the Bronze Age Aegean’. Each was designed to capture current developments in these interrelated research areas and also to help elide boundaries between ‘science-based’ and ‘humanities-based’ approaches, and between those focused on written communication (especially its content) and those interested in broader modes of communication. Contributions are arranged thematically in three groups: the first concerns primarily non-written communication, the second mainly written communication, and the third blurs this somewhat arbitrary distinction. Topics in the first group include use of color in wall-paintings at Late Bronze Age Pylos; a re-interpretation of the ‘Harvester Vase’ from Ayia Triada; re-readings of the sequence of grave stelae at Mycenae, of Aegean representations of warfare, and of how ritual architecture is represented in the Knossos wall-paintings; and the use of painted media to represent depictions in other (lost) media such as cloth. Topics in the second group range from defining Aegean writing itself, through the contexts for literacy and how the Linear B script represented language, to a historical exploration of early attempts at deciphering Linear B. In the third group Linear B texts and archaeological data are used to explore how people were represented diacritically through taste and smell, and how different qualities of time were expressed both textually and materially; the roles of images in Aegean scripts, complemented by a Peircian analysis of early Cretan writing; a consideration of the complementary role of (non-literate) sealing and (literate) writing practices; and concludes with a further exploration of the color palette used at Pylos.