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Author: Barbara Rose
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
"Discussing more than a hundred years of art history, Monochromes: From Malevich to the Present is a lavish visual journey through some of the most iconic and visually stunning works of twentieth-century art. It offers very clear and understandable interpretations of an important and little understood artistic movement with international scope, and presents a cogent argument for the centrality of the monochrome to modern art. Historical survey, theoretical examination, illustrated chronicle, and aesthetic exploration-the four main texts-offer a thorough and fascinating account of this major artistic trend, tracing its evolution from its origins in revolutionary Russia to its numerous and diverse manifestations throughout the world."--Terry Berne, cultural critic for Art in America
Author: Barbara Rose
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
Get Book Here
Book Description
"Discussing more than a hundred years of art history, Monochromes: From Malevich to the Present is a lavish visual journey through some of the most iconic and visually stunning works of twentieth-century art. It offers very clear and understandable interpretations of an important and little understood artistic movement with international scope, and presents a cogent argument for the centrality of the monochrome to modern art. Historical survey, theoretical examination, illustrated chronicle, and aesthetic exploration-the four main texts-offer a thorough and fascinating account of this major artistic trend, tracing its evolution from its origins in revolutionary Russia to its numerous and diverse manifestations throughout the world."--Terry Berne, cultural critic for Art in America
Author: Craig Staff
Publisher: Bloomsbury Publishing
ISBN: 0857726455
Category : Art
Languages : en
Pages : 242
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Book Description
The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture.
Author: Oriental Ceramic Society
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 136
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Book Description
Since the Oriental Ceramic Society was established in 1921 it has organised a number of exhibitions which have comprised, wholly or in part, material from the collections of its members. Coming into the 21st century, the Society decided to stage a series of exhibitions taking as their these the decorative techniques applied to Asian ceramics. The first of these exhibitions was held in 2003 and was shown in three venues--in London, Bath and Glasgow. This exhibition tackled the subject of underglaze cobalt blue decoration and was called The World in Blue and White. The second in the series was held in 2006 and examined ceramics with polychrome decoration, whether applied directly to the unfired ceramic body or slip, or applied over an already fired glaze. This exhibition was called The World in Colours, and, like the current exhibition was held at the School of Oriental and African Studies, University of London, in their Brunei Gallery.--preface.
Author: Chris Horrocks
Publisher: Berghahn Books
ISBN: 085745465X
Category : Art
Languages : en
Pages : 196
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Book Description
Colour permeates contemporary visual and material culture and affects our senses beyond the superficial encounter by infiltrating our perceptions and memories and becoming deeply rooted in thought processes that categorise and divide along culturally constructed lines. Colour exists as a cultural as well as psycho-physical phenomenon and acquires a multitude of meanings within differing historical and cultural contexts. The contributors examine how colour becomes imbued with specific symbolic and material meanings that tint our constructions of race, gender, ideal bodies, the relationship of the self to others and of the self to technology and the built environment. By highlighting the relationship of colour across media and material culture, this volume reveals the complex interplay of cultural connotations, discursive practices and socio-psychological dynamics of colour in an international context.
Author: Peter Sharrock
Publisher: NUS Press
ISBN: 9789971694050
Category : Social Science
Languages : en
Pages : 452
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Book Description
Interpreting Southeast Asia's Past: Monument, Image and Text features 31 papers read at the 10th International Conference of the European Association of Southeast Asian Archaeologists, held in London in September 2004. The volume covers monumental arts, sculpture and painting, epigraphy and heritage management across mainland Southeast Asia and as far south as Indonesia. New research on monumental arts includes chapters on the Bayon of Angkor and the great brick temple sites of Champa. There is an article discussing the purpose of making and erecting sacred sculptures in the ancient world and accounts of research on the sacred art of Burma, Thailand and southern China (including the first study of the few surviving Saiva images in Burma), of a spectacular find of bronze Mahayana Buddhas, and of the sculpted bronzes of the Dian culture. New research on craft goods and crafting techniques deals with ancient Khmer materials, including recently discovered ceramic kiln sites, the sandstone sources of major Khmer sculptures, and the rare remaining traces of paint, plaster and stucco on stone and brick buildings. More widely distributed goods also receive attention, including Southeast Asian glass beads, and there are contributions on Southeast Asian heritage and conservation, including research on Angkor as a living World Heritage site and discussion of a UNESCO project on the stone jars of the Plain of Jars in Laos that combines recording, safeguarding, bomb clearance, and eco-tourism development.
Author: Darryn Ansted
Publisher: Routledge
ISBN: 1351546244
Category : Art
Languages : en
Pages : 225
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Book Description
By uniquely treating Gerhard Richter?s entire oeuvre as a single subject, Darryn Ansted combines research into Richter?s first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter?s East German murals, early work, lesser known paintings, and destroyed and unfinished pieces buttress this major re-evaluation of Richter?s other well known but little understood paintings. By placing the reader in the artist?s studio and examining not only the paintings but the fraught and surprising decisions behind their production, Richter?s methodology is deftly revealed here as one of profound yet troubled reflection on the shifting identity, culture and ideology of his period. This rethinking of Richter?s oeuvre is informed by salient analyses of influential theorists, ranging from Theodor Adorno to Slavoj ?i?ek, as throughout, meticulous visual analysis of Richter?s changing aesthetic strategies shows how he persistently attempts to retrace the border between an objective reality structured by ideology and his subjective experience as a contemporary painter in the studio. Its innovative combination of historical accuracy, philosophical depth and astute visual analysis will make this an indispensible guide for both new audiences and established scholars of Richter?s painting.
Author: David Meckler
Publisher: iUniverse
ISBN: 0595301118
Category :
Languages : en
Pages : 194
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Book Description
Author: Ann Temkin
Publisher: The Museum of Modern Art
ISBN: 9780870707315
Category : Art
Languages : en
Pages : 256
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Book Description
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
Author: Nuit Banai
Publisher: Reaktion Books
ISBN: 1780233337
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
Denounced as a charlatan and fêted as a mystic, French artist Yves Klein (1928–62) scandalized the art world with his enthusiastic embrace of postwar mass culture and his exploitation of controversial publicity tactics. Today, we know Yves Klein not only as one of the most radical artists of the postwar period, but also as an iconic role model for contemporary practices—he reinvented abstract painting, conceived new horizons for performance art, and was a trailblazer in the realm of land, body, and conceptual art. In this new critical biography, Nuit Banai examines the relationship between Klein’s brief life and his wide repertoire of artistic practices. While surveying the artist’s life, Banai establishes that Klein’s brilliance was, above all, performative, revealing that he created and inhabited myriad public identities: bourgeois, judo expert, painter, avant-garde artist, collaborator, politician, fascist, and showman, among others. With each persona, Banai shows, Klein invented new ways to communicate his paradoxical message of spiritual enlightenment and Dada iconoclasm to a rapt and unsuspecting audience. Illuminating the many facets of Klein’s influential artistic career, Yves Klein is an invaluable introduction to the inventor of the inimitable International Klein Blue.
Author: Sean Esbjörn-Hargens
Publisher: State University of New York Press
ISBN: 1438433867
Category : Psychology
Languages : en
Pages : 483
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Book Description
In a world as complex as ours, an integral approach is needed to help sort through a dynamic landscape and respond effectively to individual and collective challenges. Integral Theory in Action provides the first multi-authored overview of such an approach. Integral Theory is the result of 30 years of research and is being applied in over 35 distinct disciplines. This volume brings together two dozen leading scholar-practitioners who are actively applying integral principles and who address a range of issues from an integral perspective including: climate change, embodiment, feminist aesthetics, community discourse, treatment of depression, developmental theory, and global ethics. The strengths, limitations, and potential of Integral Theory and Ken Wilber's AQAL model are weighed by each contributor. This collection pushes the field of Integral Theory in new ways and new directions, and provides a comprehensive overview that makes it an invaluable resource for any integral effort.
