Oscar-Claude Monet - the Paintings PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Oscar-Claude Monet - the Paintings PDF full book. Access full book title Oscar-Claude Monet - the Paintings by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN: 9781520591919
Category :
Languages : en
Pages : 164
Get Book Here
Book Description
The works of French Impressionist painter Oscar Claude Monet (14 November 1840 - 5 December 1926).
Author:
Publisher:
ISBN: 9781520591919
Category :
Languages : en
Pages : 164
Get Book Here
Book Description
The works of French Impressionist painter Oscar Claude Monet (14 November 1840 - 5 December 1926).
Author:
Publisher:
ISBN: 9781982985776
Category :
Languages : en
Pages : 50
Get Book Here
Book Description
The works of French Impressionist painter Oscar Claude Monet (14 November 1840 - 5 December 1926). Composite 4 Edition.
Author: Oscar-claude Monet
Publisher: Createspace Independent Pub
ISBN: 9781468068443
Category : Art
Languages : en
Pages : 484
Get Book Here
Book Description
Claude Monet (1840-1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to 'plein-air' landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, 'soleil levant').This book is the most comprehensive collection of Claude Monet's Paintings ever published, covering the artist's entire 64 years of creation; a keepsake for the connoisseur of fine art. On 484 pages, this book includes a detailed biography, a resume written by Monet himself (in English and French), and over 900 paintings on 460 colour plates (large format 8½ x 11 inches), as well as a special section of Monet's famous Water Lilies Series, and the Series of the London Parliament Buildings and Bridges. Monet's paintings obtain record prices at auctions. 'Le Pont du chemin de fer à Argenteuil,' an 1873 painting of a railway bridge spanning the Seine near Paris, was bought for a record $41.4 million at Christie's auction in New York on 6th May 2008. The previous record for Monet's painting stood at $36.5 million. 'Le basin aux nyphéas' (from the water lilies series) sold at Christie's 24 June 2008 for £40,921,250 ($80,451,178) setting a new auction record for the artist.
Author: Claude Monet
Publisher:
ISBN: 9780834300064
Category : Impressionism (Art)
Languages : en
Pages : 37
Get Book Here
Book Description
Author: Ann Waldron
Publisher: Penguin
ISBN: 1101149450
Category : Juvenile Nonfiction
Languages : en
Pages : 112
Get Book Here
Book Description
Claude Monet is considered one of the most influential artists of all time. He is a founder of the French Impressionist art movement, and today his paintings sell for millions of dollars. While Monet was alive, however, his work was often criticized and he struggled financially. With over one hundred black-and-white illustrations, this book unveils a true portrait of the artist!
Author: Roberto Carvalho de Magalhães
Publisher: Enchanted Lion Books
ISBN: 9781592700097
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Get Book Here
Book Description
Discusses the style and technique of the French Impressionist painter Claude Monet.
Author: Alberto Martini
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Carol Belanger Grafton
Publisher: Courier Corporation
ISBN: 0486998738
Category : Design
Languages : en
Pages : 52
Get Book Here
Book Description
Monet's interpretations of light and shifting color revolutionized modern art. Enjoy 187 images of the master's finest Impressionist works — including Jerusalem Artichokes, Lady with Parasol, Water Lilies, and many more — presented here in full color for easy use in an array of creative projects.
Author: Nina Kalitina
Publisher: Parkstone International
ISBN: 178042731X
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L’Académie Suisse, established by an ex-model on the Quai d’Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre’s studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore’s variable nature. At this time Monet’s landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin’s seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet’s work is in line not only with Manet’s Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, “My studio! I’ve never had a studio, and I can’t see why one would lock oneself up in a room. To draw, yes – to paint, no”. Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, “There’s my real studio.”Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet’s, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.
Author: Mary Mathews Gedo
Publisher: University of Chicago Press
ISBN: 0226284808
Category : Architecture
Languages : en
Pages : 305
Get Book Here
Book Description
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
