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Author: Herman Lebovics
Publisher: Cornell University Press
ISBN: 9780801435652
Category : Art
Languages : en
Pages : 284
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Book Description
Traveling in a First-Class Cabin on the luxury liner France early in 1963, the Western world's most famous painting sailed across the Atlantic on its maiden voyage to the United States. The goodwill generated by the loan eased U.S.-French relations, which had soured over tensions stemming from the cold war. The mastermind behind the Mona Lisa's triumphant tour was France's newly appointed minister of cultural affairs, Andre Malraux. In this book, Herman Lebovics recounts how Malraux's brilliant foray into the realm of diplomacy was but one example of his efforts to employ France's cultural heritage in the service of a renewed national grandeur.
Author: Herman Lebovics
Publisher: Cornell University Press
ISBN: 9780801435652
Category : Art
Languages : en
Pages : 284
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Book Description
Traveling in a First-Class Cabin on the luxury liner France early in 1963, the Western world's most famous painting sailed across the Atlantic on its maiden voyage to the United States. The goodwill generated by the loan eased U.S.-French relations, which had soured over tensions stemming from the cold war. The mastermind behind the Mona Lisa's triumphant tour was France's newly appointed minister of cultural affairs, Andre Malraux. In this book, Herman Lebovics recounts how Malraux's brilliant foray into the realm of diplomacy was but one example of his efforts to employ France's cultural heritage in the service of a renewed national grandeur.
Author: Max von Schillings
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 68
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Book Description
Author: Lynn Picknett
Publisher: Simon and Schuster
ISBN: 074328870X
Category : Religion
Languages : en
Pages : 532
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Book Description
An essential notion in the #1 New York Times bestseller The Da Vinci Code is the existence of an age-old French society, the Priory of Sion, whose task it is to protect Christ's sacred bloodline. In The Sion Revelation, Picknett and Prince reveal the story of the Priory, taking readers on a highly significant, disturbing, and even alarming ride through history into an intriguing world where a great many uncomfortable facts will have to be faced, both religious and political. Drawing on a wealth of astonishing evidence, they answer numerous questions that shroud this society, including: • Does the Priory actually exist or is the group's entire history an elaborate hoax? • Was Leonardo da Vinci really one of the Priory's Grand Masters? • What is the truth behind Pierre Plantard, the enigmatic French aristocrat who claimed to be a Priory Grand Master -- and who some claim was a Nazi sympathizer? • Could the Priory be a front for other occult societies in Europe with religious or even political agendas? By carefully untangling centuries of obfuscation, rumor, and documented fact, The Sion Revelation unravels the great intricacies of this secret society and takes us on a historical journey that is as groundbreaking in its explanation as it is riveting in its telling.
Author: Vanessa R. Schwartz
Publisher: OUP USA
ISBN: 0195389417
Category : History
Languages : en
Pages : 153
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Book Description
The French Revolution, politics and the modern nation -- French and the civilizing mission -- Paris and magnetic appeal -- France stirs up the melting pot -- France hurtles into the future.
Author: Laura Lee Downs
Publisher: Cornell University Press
ISBN: 0801464870
Category : History
Languages : en
Pages : 251
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Book Description
France has long attracted the attention of many of America's most accomplished historians. The field of French history has been vastly influential in American thought, both within the academy and beyond, regardless of France's standing among U.S. political and cultural elites. Even though other countries, from Britain to China, may have had a greater impact on American history, none has exerted quite the same hold on the American historical imagination, particularly in the post-1945 era. To gain a fresh perspective on this passionate relationship, Laura Lee Downs and Stéphane Gerson commissioned a diverse array of historians to write autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past. In addition to the essays, Why France? includes a lengthy introduction by the editors and an afterword by one of France's most distinguished historians, Roger Chartier. Taken together, these essays provide a rich and thought-provoking portrait of France, the Franco-American relationship, and a half-century of American intellectual life, viewed through the lens of the best scholarship on France.
Author: Bette W. Oliver
Publisher: Rowman & Littlefield
ISBN: 0761870288
Category : History
Languages : en
Pages : 109
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Book Description
Jean-Baptiste Pierre LeBrun's life was marked by his intense interest in art, first as an artist, and then from 1770 until his death in 1813, as an art dealer/connoisseur and as a participant in the transformation of the Louvre into a national museum during the French Revolution. He managed to accommodate whichever regime assumed power, from monarchy to republic to empire. He married the artist Elisabeth Vigée in 1776 and together they figured prominently in the pre-revolutionary cultural world of Paris. LeBrun travelled widely, buying art for his gallery and contributing to a number of aristocratic collections. His expertise in attributions of 17th-century Dutch and Flemish paintings was acknowledged internationally, while his reference work on the subject was considered the most comprehensive ever written. LeBrun, the grand-nephew of the illustrious artist Charles LeBrun, became one of the most successful art dealers in Paris. He played an active role in the politics of art between 1789 and 1802, serving as an expert-commissioner in restoration at the national museum. His inventories of artworks, confiscated from all over Europe by Napoleon's armies, have provided a valuable record of the development of the French national museum. In addition, his inventories have been useful in the identification and recovery of Nazi confiscations during World War II. LeBrun's accomplishments during a tumultuous period of political and artistic change present evidence of his contributions to the concept of the modern art museum, notably in the areas of conservation, restoration, and arrangement.
Author: Jonathyne Briggs
Publisher: Oxford University Press
ISBN: 0190266643
Category : Music
Languages : en
Pages : 249
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Book Description
Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, author Jonathyne Briggs reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture. Popular music, at once individual and communal, fixed and plastic, offers an illuminating window into such transformations in social structures through the ways in which musicians, musical consumers, and critical intermediaries re-imagined themselves as part of novel cultural communities, whether local, national, or supranational in nature. Briggs argues that national identity was but one of a panoply of identities in flux during the postwar period in France, demonstrating that the development of hybridized forms of popular music provided the French with a method for expressing and understanding that flux. Drawing upon an array of printed and aural sources, including music publications, sound recordings, record sleeves, biographies, and cultural criticism, Sounds French is an essential new look at popular music in postwar France.
Author: Vanessa R. Schwartz
Publisher: University of Chicago Press
ISBN: 0226742431
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Looks at the influence of French culture on a variety of motion pictures in the 1950s and 1960s, including "Gigi" and "Funny Face."
Author: Jill Carrick
Publisher: Routledge
ISBN: 1351556096
Category : Art
Languages : en
Pages : 185
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Book Description
Jill Carrick's Nouveau R?isme, 1960s France, and the Neo-avant-garde provides the first in-depth historical analysis of the "New Realism" movement and the critical and theoretical debates it engaged. This text makes available a new corpus of material - the rich historical and theoretical analysis as well as the fascinating photographic documentation of artists and works - from one of the most significant French art movements of the post-World War II period, whose literature has up to now been dominated by the terms of its founder, Pierre Restany. The illustrations and surprising contextual material - many of which have been unearthed by the author's archival research - document artwork, artists' collaborations, and ephemeral events.
Author: Asha Rogers
Publisher: Oxford University Press
ISBN: 0192599577
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Debates about the value of the 'literary' rarely register the expressive acts of state subsidy, sponsorship, and cultural policy that have shaped post-war Britain. In State Sponsored Literature, Asha Rogers argues that the modern state was a major material condition of literature, even as its efforts were relative, partial, and prone to disruption. Drawing from neglected and occasionally unexpected archives, she shows how the state became an integral and conflicted custodian of literary freedom in the postcolonial world as beliefs about literature's 'public' were radically challenged by the unrivalled migration to Britain at the end of Empire. State Sponsored Literature retells the story of literature's place in post-war Britain through original analysis of the institutional forces behind canon-formation and contestation, from the literature programmes of the British Council and Arts Council and the UK's fraught relations with UNESCO, to GCSE literature anthologies and the origins of The Satanic Verses in migrant Camden. The state did not shape literary production in a vacuum, Rogers argues, but its policies, practices, and priorities were also inexorably shaped in turn. Demonstrating how archival work can potentially transform our understanding of literature, this book challenges how we think about literature's value by asking what state involvement has meant for writers, readers, institutions, and the ideal of autonomy itself.
