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Author: Klaus Biesenbach
Publisher:
ISBN: 9781633450691
Category : Architecture
Languages : en
Pages : 304
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Book Description
The first publication to capture the vibrancy, scrappy idiosyncrasy, and stubborn contemporaneity of PS1's rich history since its founding in 1971 Since its inception in the early 1970s, MoMA PS1 has been a crucible for radical experimentation. Committed to the city as well as to maintaining an international scope, PS1 has always put the artist at the center, engaging practitioners old and young, well established or completely unknown, and at work in every discipline from performance, music, dance, poetry, and new media to painting, sculpture, photography, and architecture. This groundbreaking publication captures the vibrancy, scrappy idiosyncrasy, and stubborn contemporaneity of a long and venerable tradition that began with the legendary series of performances organized by founder Alanna Heiss under the Brooklyn Bridge in 1971. Organized into three main sections that delve into PS1's rich history during the 1970s, 1980s, and 1990s and beyond, the book features in-depth conversations between Heiss and Klaus Biesenbach, the current director of MoMA PS1, and over 40 recollections and statements, both new and historical, by artists, curators, and critics closely associated with the institution, including Rebecca Quaytman, James Turrell, Andrea Zittel and many others. Extensive illustrations include photographic documentation of exhibitions and performances from the archives, facsimile catalogue pages, letters, applications to the studio program, exhibition posters, and event invitations. Complete with an illustrated chronology and comprehensive exhibition history, this book offers a vivid chronicle of the extraordinary history of MoMA PS1
Author: Klaus Biesenbach
Publisher:
ISBN: 9781633450691
Category : Architecture
Languages : en
Pages : 304
Get Book Here
Book Description
The first publication to capture the vibrancy, scrappy idiosyncrasy, and stubborn contemporaneity of PS1's rich history since its founding in 1971 Since its inception in the early 1970s, MoMA PS1 has been a crucible for radical experimentation. Committed to the city as well as to maintaining an international scope, PS1 has always put the artist at the center, engaging practitioners old and young, well established or completely unknown, and at work in every discipline from performance, music, dance, poetry, and new media to painting, sculpture, photography, and architecture. This groundbreaking publication captures the vibrancy, scrappy idiosyncrasy, and stubborn contemporaneity of a long and venerable tradition that began with the legendary series of performances organized by founder Alanna Heiss under the Brooklyn Bridge in 1971. Organized into three main sections that delve into PS1's rich history during the 1970s, 1980s, and 1990s and beyond, the book features in-depth conversations between Heiss and Klaus Biesenbach, the current director of MoMA PS1, and over 40 recollections and statements, both new and historical, by artists, curators, and critics closely associated with the institution, including Rebecca Quaytman, James Turrell, Andrea Zittel and many others. Extensive illustrations include photographic documentation of exhibitions and performances from the archives, facsimile catalogue pages, letters, applications to the studio program, exhibition posters, and event invitations. Complete with an illustrated chronology and comprehensive exhibition history, this book offers a vivid chronicle of the extraordinary history of MoMA PS1
Author: Nicole R. Fleetwood
Publisher: Harvard University Press
ISBN: 067491922X
Category : Art
Languages : en
Pages : 350
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Book Description
"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."
Author: Klaus Biesenbach
Publisher:
ISBN: 9780984177622
Category : Art, American
Languages : en
Pages : 0
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Book Description
Text by Klaus Biesenbach, Cornelia H. Butler, Neville Wakefield.
Author:
Publisher:
ISBN: 9781942884675
Category :
Languages : en
Pages : 232
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Book Description
Catalogue published for the exhibition organized by the Guggenheim Museum Bilbao and the Râeunion des Musâees Nationaux-Grand Palais, with the participation of the Niki Charitable Art Foundation, Santee. Held at the Grand Palais, Galeries Nationales, Paris, France, September 17, 2014-February 2, 2015 and Guggenheim Museum, Bilbao, Spain, February 27-June 11, 2015.
Author: Germano Celant
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286
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Book Description
Author: Zainab Bahrani
Publisher: P.S.1 Contemporary Art Center
ISBN: 9780996893084
Category : Art
Languages : en
Pages : 275
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Book Description
This exhibition catalogue, accompanying the major building-wide exhibition Theater of Operations: The Gulf Wars 1991-2011, includes four new commissioned texts by scholars of Iraqi art Zainab Bahrani, Rijin Sahakian, and Nada Shabout, as well as a media-focused critique from McKenzie Wark. The book will also feature essays from our curators Ruba Katrib and Peter Eleey, as well as critical reproductions from contemporaneous media artifacts, ranging from the Baghdad Diaries--the personal diaries during Iraqi occupation and sanction of artist Nuha Al-Radi--as well as entries from the still-anonymous blogger Riverbend's Baghdad Burning blog chronicling her time living under occupation, as well as texts from Serge Daney, Jean Baudrillard. As this conflict was the first to disseminate via a 24hr televised news cycle, this publication examines the impact of this period of ongoing conflict and its pervasive effects on visual culture.
Author: Barry Bergdoll
Publisher: The Museum of Modern Art
ISBN: 9780870708077
Category : City planning
Languages : en
Pages : 0
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Book Description
Published to accompany the exhibition held at the Museum of Modern Art, 24 Mar. - 11 Oct. 2010.
Author: Antonio Castro Leal
Publisher:
ISBN: 9781494041571
Category :
Languages : en
Pages : 200
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Book Description
This is a new release of the original 1940 edition.
Author:
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781942884309
Category : Music
Languages : en
Pages : 474
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Book Description
"The records, the charts, the clubs, the stories"--Cover.
Author: Mark Leckey
Publisher: Hayward Gallery Publishing
ISBN: 9781853323058
Category : Art and popular culture
Languages : en
Pages : 0
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Book Description
Turner Prize-winner artist Mark Leckey, presents the latest in the Hayward Touring celebrated series of artist-curated exhibitions.The Universal Addressability of Dumb Things explores the tenuous boundaries between the virtual and the real, between the 'dumb' and the animate. As modern technology becomes ever more sophisticated and pervasive, objects appear to communicate with us: phones talk back, refrigerators suggest recipes and websites seem to anticipate our desires.Through a conceptual assemblage of archaeological artifacts, contemporary artworks and visionary machines, Leckey proposes an exemplary network of objects – an 'Internet of Things' – all communicating, talking away to one another and, implicitly, looking back at us.The most imaginative, innovative and authoritative thinkers and writers in this field are brought together in this book – practitioners of art-writing, cultural criticism and the history of technology. Three unique, new texts deal with themes including monstrosity, the power of writing and the boundless power of the Internet.Myth, monstrosity, animism and the articulate are the subjects of this highly original statement on our increasingly technologised world.Published on the occasion of the Hayward Touring exhibition in 2013 to Bluecoat, Liverpool (16 February – 14 April), Nottingham Contemporary (27 April – 30 June), and De La Warr Pavilion, Bexhill-on-sea (12 July – 20 October).
