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Author: Charles Cowden Clarke
Publisher: Edinburgh : W. P. Nimmo
ISBN:
Category : Characters and characteristics in literature
Languages : en
Pages : 304
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Book Description
Author: Charles Cowden Clarke
Publisher: Edinburgh : W. P. Nimmo
ISBN:
Category : Characters and characteristics in literature
Languages : en
Pages : 304
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Book Description
Author: Aaron Kunin
Publisher: Bloomsbury Publishing
ISBN: 1474222684
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance understood characters as types. They thought the job of a character was to collect every example of a kind, in the same way that an entry in a dictionary collects definitions of a word. Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable. This book tests the old meaning of character against modern examples from poems, novels, comics, and performances in theater and film by Shakespeare, Molière, Austen, the Marx Brothers, Raul Ruiz, Denton Welch, and Lynda Barry. The heart of the book is the character of the misanthrope, who, in Shakespeare's phrase, “banishes the world.”
Author: William Driver Howarth
Publisher: CUP Archive
ISBN: 9780521286794
Category : Drama
Languages : en
Pages : 360
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Book Description
This study explores the evolution of Molière's comedy as a careful amalgamation of comedy and philosophical satire.
Author: Andrew Calder
Publisher: A&C Black
ISBN: 1847142710
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The history of ideas provides an important means of understanding and reinterpreting the literature of the past; and in this study Dr. Calder demonstrates the illumination that this informed approach brings to the comedies of MoliFre. In the course of this study, the author outlines a fresh theory of classical comedy which applies to the works of other French writers of the 17th century; and the historical reinterpretations of MoliFre's two most difficult plays -- Le Tartuffe and Dom Juan -- break entirely new ground.Although this is a work which specialists will admire, it is also intended to serve as an introduction to MoliFre and French classical comedy at large and will be of considerable value to younger students and readers of MoliFre in general.
Author: Augustin Frédéric Hamon
Publisher:
ISBN:
Category : Authors, Irish
Languages : en
Pages : 334
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Book Description
Author: Denis M. Calandra
Publisher: Houghton Mifflin Harcourt
ISBN: 0544184114
Category : Literary Criticism
Languages : en
Pages : 70
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Book Description
This CliffsNotes guide includes everything you’ve come to expect from the trusted experts at CliffsNotes, including analysis of the most widely read literary works.
Author: Alvin Eustis
Publisher: Walter de Gruyter
ISBN: 3110873397
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Author: Michael Hawcroft
Publisher: Oxford University Press
ISBN: 0199228833
Category : Drama
Languages : en
Pages : 247
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Book Description
Molière wrote, directed, and starred in comedies for public and court audiences in seventeenth-century France. He is perennially successful, but perennially subject to critical controversy: do his plays aim to do more than make audiences laugh? This book focuses on a group of characters in the plays, the interpretation of whose role lies at the heart of any answer to this question. For over a century critics have baptised them 'raisonneurs'. They are characters who engagewith some of Molière's most foolish protagonists, but they have been variously interpreted as exponents of wisdom or as ridiculous bores. This book argues that new light can be shed on the words and actions of these characters, and so on the tenor of the plays as a whole, by detailed contextual analysis of thedramaturgical and comic structures in which they operate. They have never before been treated so exhaustively. They emerge neither as the mouthpieces of common sense nor as pompous fools, but as thoughtful, witty, and resourceful friends of the foolish protagonists whom Molière himself played. The book takes into account what is known of the performance styles of Molière's troupe of actors as well as engaging closely with the text of the plays and the critical debate to date. Someof Molière's most teasingly problematic plays are held up to fresh scrutiny, including L'Ecole des femmes, Le Tartuffe, Le Misanthrope, and Le Malade imaginaire. The book is written with scholars, students, and interested theatre-goers in mind. This is the first book-length treatment of the topic.
Author: Emmy Kleist
Publisher:
ISBN:
Category :
Languages : en
Pages : 142
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Book Description
Author: Albert Bermel
Publisher: SIU Press
ISBN: 9780809315505
Category : Drama
Languages : en
Pages : 308
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Book Description
Exploring each of Molière's 33 plays (including the divertissements) for its theatrical possibilities, Bermel deals with dramatic structures, settings, roles and their interactions, original productions, and outstanding recent stage performances in France, Britain, and the United States. His emphasis is theatrical rather than literary, philosophical, or biographical, although he necessarily brings these considerations to bear when discussing certain plays. Bermel introduces a new methodology, one featuring the type of scrutiny directors, actors, and designers apply to any play before and during rehearsal. Thus he studies the dramatic implications of each scene or part of a scene by noting which characters are present, which ones are absent, and why. He analyzes each role, explores interactions among characters, traces the significance of structure, considers how much information is provided and who provides it, and examines such notable background factors as setting, season, and scenic arrangement. Using this methodology, Bermel provides new interpretations of Molière's most celebrated plays and demonstrates that many of the less famous plays also deserve attention. Previous Molière critics have been conservative, especially in that they favor traditional stagings; Bermel, however, encourages new explorations of the plays. His main intention is to keep Molière alive and vital for present and future readers and audiences. Nowhere is this more apparent than in his attention to, and sympathy for, female characters and their points of view.
