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Author: Alan Goldsher
Publisher: Macmillan + ORM
ISBN: 1466823070
Category : Music
Languages : en
Pages : 240
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Book Description
THE BEST WAY TO BECOME A ROCK STAR IS SOMETIMES THE WORST WAY TO BECOME A ROCK STAR Unruly and antagonistic, the Washington State rock trio Modest Mouse would seem like one of the least likely candidates for mainstream stardom: Their often brilliant live performances sometimes collapsed into utter chaos. Their highly original, highly off-center songs ran as long as eleven minutes. And their leader managed to raise eyebrows among music writers, law officials . . . and sometimes even his fans. But Modest Mouse persevered. They didn't compromise their original, compelling musical style, nor did they lighten up on the attitude. They just waited for the world at large to catch up. In 2004, with the release of their smash single "Float On," it finally happened. And it was worth the wait. For everybody. Journalist Alan Goldsher uncovers the strange, little-known details of Modest Mouse's rise from DIY indie heroes to platinum-selling, Grammy-nominated international superstars. Goldsher also reveals the troubled background and fractured history of frontman Isaac Brock, a charismatic, cantankerous singer/songwriter who has spent as much time avoiding the media as he has attempting to control it. Thoroughly researched, sharply funny, and filled with more than thirty rare photos, this unauthorized biography shows how Modest Mouse trashed the Behind the Music mold and created their own unique version of the rock 'n' roll, rags-to-expensive-rags success story.
Author: Alan Goldsher
Publisher: Macmillan + ORM
ISBN: 1466823070
Category : Music
Languages : en
Pages : 240
Get Book Here
Book Description
THE BEST WAY TO BECOME A ROCK STAR IS SOMETIMES THE WORST WAY TO BECOME A ROCK STAR Unruly and antagonistic, the Washington State rock trio Modest Mouse would seem like one of the least likely candidates for mainstream stardom: Their often brilliant live performances sometimes collapsed into utter chaos. Their highly original, highly off-center songs ran as long as eleven minutes. And their leader managed to raise eyebrows among music writers, law officials . . . and sometimes even his fans. But Modest Mouse persevered. They didn't compromise their original, compelling musical style, nor did they lighten up on the attitude. They just waited for the world at large to catch up. In 2004, with the release of their smash single "Float On," it finally happened. And it was worth the wait. For everybody. Journalist Alan Goldsher uncovers the strange, little-known details of Modest Mouse's rise from DIY indie heroes to platinum-selling, Grammy-nominated international superstars. Goldsher also reveals the troubled background and fractured history of frontman Isaac Brock, a charismatic, cantankerous singer/songwriter who has spent as much time avoiding the media as he has attempting to control it. Thoroughly researched, sharply funny, and filled with more than thirty rare photos, this unauthorized biography shows how Modest Mouse trashed the Behind the Music mold and created their own unique version of the rock 'n' roll, rags-to-expensive-rags success story.
Author: Jacob McMurray
Publisher: Fantagraphics Books
ISBN: 1606994336
Category : Art
Languages : en
Pages : 248
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Book Description
Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the u.S. in the late 1970s and 1980s. The book serves as a companion and contextual backdrop to the Nirvana: Taking Punk to the Masses exhibition, which opens at Seattle’s Experience Music Project in 2011. This decade-and-a-half musical journey will be represented entirely through the lens of EMP’s oral history and permanent object collection, an invaluable and rich cultural archive of over 800 interviews and 140,000 objects ― instruments, costumes, posters, records and other ephemera dedicated to the pursuit of rock ’n’ roll. Taking Punk to the Masses focuses on 100 key objects from EMP’s permanent collection that illustrate the evolution of punk rock from underground subculture to the mainstream embrace (and subsequent underground rejection) of Grunge. These objects are put into context by the stories of those who lived it, culling from EMP’s vast archive of oral histories with such Northwest icons as Mudhoney’s Mark Arm, cartoonist Peter Bagge, design legend Art Chantry, Beat Happening’s Calvin Johnson, Sub Pop founders Bruce Pavitt and Jonathan Poneman, the Screaming Trees’ Mark Lanegan, Nirvana’s krist Novoselic, photographer Charles Petersen, Soundgarden’s kim Thayil, and dozens of others. From the Northwest’s earliest punk bands like The Wipers, to proto-grunge bands of the 1980s like Green River, Melvins and Malfunkshun, through the heady 1990s when bands such as Nirvana, Soundgarden, Pearl Jam, Alice in Chains and Mudhoney rose to the national stage and popularized alternative music, Taking Punk to the Masses is the first definitive history of one of America’s most vibrant music scenes, as told by the participants who helped make it so, and through the artifacts that survive.
Author: Alan Goldsher
Publisher: Macmillan
ISBN: 0312356013
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
THE BEST WAY TO BECOME A ROCK STAR IS SOMETIMES THE WORST WAY TO BECOME A ROCK STAR Unruly and antagonistic, the Washington State rock trio Modest Mouse would seem like one of the least likely candidates for mainstream stardom: Their often brilliant live performances sometimes collapsed into utter chaos. Their highly original, highly off-center songs ran as long as eleven minutes. And their leader managed to raise eyebrows among music writers, law officials . . . and sometimes even his fans. But Modest Mouse persevered. They didn't compromise their original, compelling musical style, nor did they lighten up on the attitude. They just waited for the world at large to catch up. In 2004, with the release of their smash single "Float On," it finally happened. And it was worth the wait. For everybody. Journalist Alan Goldsher uncovers the strange, little-known details of Modest Mouse's rise from DIY indie heroes to platinum-selling, Grammy-nominated international superstars. Goldsher also reveals the troubled background and fractured history of frontman Isaac Brock, a charismatic, cantankerous singer/songwriter who has spent as much time avoiding the media as he has attempting to control it. Thoroughly researched, sharply funny, and filled with more than thirty rare photos, this unauthorized biography shows how Modest Mouse trashed the Behind the Music mold and created their own unique version of the rock 'n' roll, rags-to-expensive-rags success story.
Author: Pat Graham
Publisher: Akashic Books
ISBN: 9781933354422
Category : Music
Languages : en
Pages : 148
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Book Description
Modest Mouse, Fugazi, Bikini Kill, Blonde Redhead and Shellac are just a few of the subjects in Pat Graham's visually stunning new book. Many of these photographs have shaped the iconography of 90s underground rock.
Author: Donna J. Haraway
Publisher: Routledge
ISBN: 1351399233
Category : Art
Languages : en
Pages : 368
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Book Description
One of the founders of the posthumanities, Donna J. Haraway is professor in the History of Consciousness program at the University of California, Santa Cruz. Author of many books and widely read essays, including the now-classic essay "The Cyborg Manifesto," she received the J.D. Bernal Prize in 2000, a lifetime achievement award from the Society for Social Studies in Science. Thyrza Nicholas Goodeve is a professor of Art History at the School of Visual Arts.
Author: Dave Tompkins
Publisher: Melville House
ISBN: 1612190936
Category : Music
Languages : en
Pages : 354
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Book Description
The history of the vocoder: how popular music hijacked the Pentagon's speech scrambling weapon The vocoder, invented by Bell Labs in 1928, once guarded phones from eavesdroppers during World War II; by the Vietnam War, it was repurposed as a voice-altering tool for musicians, and is now the ubiquitous voice of popular music. In How to Wreck a Nice Beach—from a mis-hearing of the vocoder-rendered phrase “how to recognize speech”—music journalist Dave Tompkins traces the history of electronic voices from Nazi research labs to Stalin’s gulags, from the 1939 World’s Fair to Hiroshima, from artificial larynges to Auto-Tune. We see the vocoder brush up against FDR, JFK, Stanley Kubrick, Stevie Wonder, Neil Young, Kraftwerk, the Cylons, Henry Kissinger, and Winston Churchill, who boomed, when vocoderized on V-E Day, “We must go off!” And now vocoder technology is a cell phone standard, allowing a digital replica of your voice to sound human. From T-Mobile to T-Pain, How to Wreck a Nice Beach is a riveting saga of technology and culture, illuminating the work of some of music’s most provocative innovators.
Author: Project on Disney
Publisher: Duke University Press
ISBN: 9780822316244
Category : Business & Economics
Languages : en
Pages : 268
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Book Description
Contains critical essays in which the authors, having visited Disney World as individuals and as a group, offer their perspectives on various aspects of the amusement park and its appeal.
Author: Jude Evans
Publisher:
ISBN: 9780578709574
Category :
Languages : en
Pages :
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Book Description
An alphabet book for music lovers.
Author: Mendoza G.
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Eric Sandy
Publisher: Microcosm Publishing
ISBN: 1648410669
Category : Music
Languages : en
Pages : 199
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Book Description
Speak In Tongues was a freewheeling, community-run underground music venue in Cleveland, Ohio that operated on a do-it-yourself basis throughout the late 1990s. The venue fostered a flourishing creative culture, where you could enjoy a puppet show from a spray-painted couch or meet other punks to start a band or a movement, but was also smoothly run with a great sound system and the best curation of music that you could hear in the city during its tenure. On any given night, you could go see hardcore punk, experimental jazz, or thrash shows where fireworks were set off inside the building. Traveling bands regularly booked shows there, including ones that went on to greater fame, like Modest Mouse, Avail, Lifter Puller, Jimmy Eat World, Alkaline Trio, Milemarker, and J Church. Venue operators, and later a management collective, contended with police surveillance, skinheads with knives, an exploding oil drum full of raw meat, a flaming car, and a different number of riots depending on who you ask. There may not have been a bar, but a healthy BYOB policy ensures that everyone’s memory is different, resulting in an entertaining story of a place that truly was what you made it, the source of lifelong friendships and endless lore. This comprehensive oral history tells a story that is greater than the sum of each person’s recollections, forming a picture of a unique, weird, special place that deeply informed the next twenty years of Cleveland’s underground culture.
