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Author: Leigh Wilson
Publisher: Edinburgh University Press
ISBN: 0748672338
Category : Body, Mind & Spirit
Languages : en
Pages : 291
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Book Description
Explores the interplay between modernist experiment and occult discourses in the early twentieth century
Author: Leigh Wilson
Publisher: Edinburgh University Press
ISBN: 0748672338
Category : Body, Mind & Spirit
Languages : en
Pages : 291
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Book Description
Explores the interplay between modernist experiment and occult discourses in the early twentieth century
Author: Birgit Meyer
Publisher: Stanford University Press
ISBN: 9780804744645
Category : Body, Mind & Spirit
Languages : en
Pages : 404
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Book Description
This is the first book to explore comparatively how magic—usually portrayed as the antithesis of the modern—is also at home in modernity.
Author: Sara Danius
Publisher: Cornell University Press
ISBN: 150172116X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.
Author: John Bramble
Publisher: Springer
ISBN: 1137465786
Category : History
Languages : en
Pages : 197
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Book Description
This study of modernism's high imperial, occult-exotic affiliations presents many well-known figures from the period 1880-1960 in a new light. Modernism and the Occult traces the history of modernist engagement with 'irregular', heterodox and imported knowledge.
Author: Jason Ananda Josephson Storm
Publisher: University of Chicago Press
ISBN: 022640336X
Category : History
Languages : en
Pages : 428
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Book Description
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
Author: Edward Bever
Publisher: Penn State Press
ISBN: 0271079878
Category : Religion
Languages : en
Pages : 215
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Book Description
This collection of essays considers the place of magic in the modern world, first by exploring the ways in which modernity has been defined in explicit opposition to magic and superstition, and then by illuminating how modern proponents of magic have worked to legitimize their practices through an overt embrace of evolving forms such as esotericism and supernaturalism. Taking a two-track approach, this book explores the complex dynamics of the construction of the modern self and its relation to the modern preoccupation with magic. Essays examine how modern “rational” consciousness is generated and maintained and how proponents of both magical and scientific traditions rationalize evidence to fit accepted orthodoxy. This book also describes how people unsatisfied with the norms of modern subjectivity embrace various forms of magic—and the methods these modern practitioners use to legitimate magic in the modern world. A compelling assessment of magic from the early modern period to today, Magic in the Modern World shows how, despite the dominant culture’s emphatic denial of their validity, older forms of magic persist and develop while new forms of magic continue to emerge. In addition to the editors, contributors include Egil Asprem, Erik Davis, Megan Goodwin, Dan Harms, Adam Jortner, and Benedek Láng.
Author: Sanford Schwartz
Publisher: Princeton University Press
ISBN: 1400857627
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Sanford Schwartz situates Modernist poetics in the intellectual ferment of the early twentieth century, which witnessed major developments in philosophy, science, and the arts. Beginning with the works of various philosophers--Bergson, James, Bradley, Nietzsche, and Husserl, among others--he establishes a matrix that brings together not only the principal characteristics of Modernist/New Critical poetics but also the affiliations between the Continental and the Anglo-American critical traditions. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Rachel O. Moore
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
Author: Malika Maskarinec
Publisher: Northwestern University Press
ISBN: 0810137712
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
The Forces of Form in German Modernism charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally intensifying forces: the force of gravity and a self-determining will to form. Maskarinec thereby discloses, for the first time, German modernism's sustained preoccupation with classical mechanics and with how human bodies and artworks resist gravity. Considering canonical artists such as Rodin and Klee, seminal authors such as Kafka and Döblin, and largely neglected thinkers in aesthetics and art history such as those associated with Empathy Aesthetics, Maskarinec unpacks the manifold anthropological and aesthetic concerns and historical lineage embedded in the idea of form as the precarious achievement of uprightness. The Forces of Form in German Modernism makes a decisive contribution to our understanding of modernism and to contemporary discussions about form, empathy, materiality, and human embodiment.
Author: Felicity Gee
Publisher: Routledge
ISBN: 1315312794
Category : History
Languages : en
Pages : 250
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Book Description
This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.
