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Author: George William Brandt
Publisher:
ISBN: 9780198711391
Category :
Languages : en
Pages : 334
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Book Description
Author: George William Brandt
Publisher:
ISBN: 9780198711391
Category :
Languages : en
Pages : 334
Get Book Here
Book Description
Author: Eric Bentley
Publisher: Hal Leonard Corporation
ISBN: 9781557832795
Category : Performing Arts
Languages : en
Pages : 500
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Book Description
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
Author: Una Chaudhuri
Publisher: University of Michigan Press
ISBN: 9780472065899
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The first book-length study of the notion of place and its implications in modern drama
Author: Manfred Pfister
Publisher: Cambridge University Press
ISBN: 9780521423830
Category : Drama
Languages : en
Pages : 364
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Book Description
Manfred Pfister's book is the first to provide a coherent comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. The material on which his analysis is based covers all genres and periods. His approach is systematic rather than historical, combining more abstract categorisations with detailed interpretations of sample texts.
Author: O. B. Hardison Jr.
Publisher: JHU Press
ISBN: 1421430878
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
Author: Kirsten Shepherd-Barr
Publisher: Oxford University Press
ISBN: 0199658773
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama 'modern'.
Author: Robert Gordon
Publisher: University of Michigan Press
ISBN: 9780472068876
Category : Performing Arts
Languages : en
Pages : 430
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Book Description
A comparative survey of the major approaches to Western acting since the 19th century
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
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Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Author: Peter Szondi
Publisher: Stanford University Press
ISBN: 9780804744027
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
Peter Szondi's Celan Studies marked the beginning of critical work on Paul Celan, the most important German poet of the second half of the twentieth century. The book's three studies each concentrate on a different Celan poem. "The Poetry of Constancy: Paul Celan's Translation of Shakespeare's Sonnet 105" investigates a historical turn from a poetry that claims to present its object to a poetry that only promises to do so. "Reading 'Engführung'" follows the movement of poetic language into territory undisclosed to epistemic reason. "Eden" addresses "Du liegst," a poem on the murder of Rosa Luxemburg and Karl Liebknecht; Szondi actually was with Celan when the poem was written. It analyzes the relation between the historical facts to which a poem refers and its composition. The book contains, as appendixes, Szondi's notes for three more projected studies of Celan poems, left unwritten at the time of his death in 1971.
Author: Peter Szondi
Publisher: John Wiley & Sons
ISBN: 150954559X
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
