Author: Jared N. Champion
Publisher: Univ. Press of Mississippi
ISBN: 1496835506
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. Gilbert, David Gillota, Kathryn Kein, Rob King, Rebecca Krefting, Peter C. Kunze, Linda Mizejewski, Aviva Orenstein, Raúl Pérez, Philip Scepanski, Susan Seizer, Monique Taylor, Ila Tyagi, and Timothy J. Viator Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.
Modern Romance
Author: Aziz Ansari
Publisher: Penguin
ISBN: 0143109251
Category : Humor
Languages : en
Pages : 290
Book Description
The #1 New York Times Bestseller “An engaging look at the often head-scratching, frequently infuriating mating behaviors that shape our love lives.” —Refinery 29 A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated? Some of our problems are unique to our time. “Why did this guy just text me an emoji of a pizza?” “Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos?!” “My girlfriend just got a message from some dude named Nathan. Who’s Nathan? Did he just send her a photo of his penis? Should I check just to be sure?” But the transformation of our romantic lives can’t be explained by technology alone. In a short period of time, the whole culture of finding love has changed dramatically. A few decades ago, people would find a decent person who lived in their neighborhood. Their families would meet and, after deciding neither party seemed like a murderer, they would get married and soon have a kid, all by the time they were twenty-four. Today, people marry later than ever and spend years of their lives on a quest to find the perfect person, a soul mate. For years, Aziz Ansari has been aiming his comic insight at modern romance, but for Modern Romance, the book, he decided he needed to take things to another level. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. The result is unlike any social science or humor book we’ve seen before. In Modern Romance, Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world.
Publisher: Penguin
ISBN: 0143109251
Category : Humor
Languages : en
Pages : 290
Book Description
The #1 New York Times Bestseller “An engaging look at the often head-scratching, frequently infuriating mating behaviors that shape our love lives.” —Refinery 29 A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated? Some of our problems are unique to our time. “Why did this guy just text me an emoji of a pizza?” “Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos?!” “My girlfriend just got a message from some dude named Nathan. Who’s Nathan? Did he just send her a photo of his penis? Should I check just to be sure?” But the transformation of our romantic lives can’t be explained by technology alone. In a short period of time, the whole culture of finding love has changed dramatically. A few decades ago, people would find a decent person who lived in their neighborhood. Their families would meet and, after deciding neither party seemed like a murderer, they would get married and soon have a kid, all by the time they were twenty-four. Today, people marry later than ever and spend years of their lives on a quest to find the perfect person, a soul mate. For years, Aziz Ansari has been aiming his comic insight at modern romance, but for Modern Romance, the book, he decided he needed to take things to another level. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. The result is unlike any social science or humor book we’ve seen before. In Modern Romance, Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world.
The Immaterial Book
Author: Sarah Wall-Randell
Publisher: University of Michigan Press
ISBN: 0472118773
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
In romances—Renaissance England’s version of the fantasy novel—characters often discover books that turn out to be magical or prophetic, and to offer insights into their readers’ selves. The Immaterial Book examines scenes of reading in important romance texts across genres: Spenser’s Faerie Queene, Shakespeare’s Cymbeline and The Tempest, Wroth’s Urania, and Cervantes’ Don Quixote. It offers a response to “material book studies” by calling for a new focus on imaginary or “immaterial” books and argues that early modern romance authors, rather than replicating contemporary reading practices within their texts, are reviving ancient and medieval ideas of the book as a conceptual framework, which they use to investigate urgent, new ideas about the self and the self-conscious mind.
Publisher: University of Michigan Press
ISBN: 0472118773
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
In romances—Renaissance England’s version of the fantasy novel—characters often discover books that turn out to be magical or prophetic, and to offer insights into their readers’ selves. The Immaterial Book examines scenes of reading in important romance texts across genres: Spenser’s Faerie Queene, Shakespeare’s Cymbeline and The Tempest, Wroth’s Urania, and Cervantes’ Don Quixote. It offers a response to “material book studies” by calling for a new focus on imaginary or “immaterial” books and argues that early modern romance authors, rather than replicating contemporary reading practices within their texts, are reviving ancient and medieval ideas of the book as a conceptual framework, which they use to investigate urgent, new ideas about the self and the self-conscious mind.
Modern Romance and Transformations of the Novel
Author: Ian Duncan
Publisher: Cambridge University Press
ISBN: 0521395356
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Modern Romance examines the relationship between the revival of romance form and the ascendancy of the novel in British literary culture, from 1760 to 1850. The revival of romance as the literary embodiment of a national cultural identity provided a metaphor for the 'authenticity' of the novel itself, set against the changing formations of modern life. The material conditions, cultural status and formal repertoire of prose fiction were given a canonical transformation, leading to the form's nineteenth-century heyday, in Scott's Waverley novels. Ian Duncan's illuminating and innovative study begins with the first identification of modern prose fiction with romance form in the late eighteenth-century Gothic novel, and moves through Scott's highly influential dialectical blend of romance and history, to his relations with his successor in the role of national author, Charles Dickens.
Publisher: Cambridge University Press
ISBN: 0521395356
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Modern Romance examines the relationship between the revival of romance form and the ascendancy of the novel in British literary culture, from 1760 to 1850. The revival of romance as the literary embodiment of a national cultural identity provided a metaphor for the 'authenticity' of the novel itself, set against the changing formations of modern life. The material conditions, cultural status and formal repertoire of prose fiction were given a canonical transformation, leading to the form's nineteenth-century heyday, in Scott's Waverley novels. Ian Duncan's illuminating and innovative study begins with the first identification of modern prose fiction with romance form in the late eighteenth-century Gothic novel, and moves through Scott's highly influential dialectical blend of romance and history, to his relations with his successor in the role of national author, Charles Dickens.
Modern Romance
Author: David Levinthal
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 166
Book Description
American-born photographer Levinthal has earned national recognition by creating potent, ironic, and sometimes controversial visions using miniature figures and toys as characters in staged tableaux. Since publishing his first major work in 1977 (Hitler Moves East: A Graphic Chronicle, 1941-43), he has worked with Barbie, blackface memorabilia, toy soldiers, and various modeling figures to explore the icons and stereotypes of popular culture. Levinthal executed his series Modern Romance in the mid-1980s. Echoing the paintings of Edward Hopper and film noir, these are scenes of urban life in dreamy neon-lit color and television blues. Levinthal shows us figures lingering on street corners, entering movie theaters, passing through alleys, conversing in diners, and interacting in confined spaces. He also depicts the impersonal landscape of the city: cop cars on the streets, doorways, and murky bedrooms. Levinthal's lovely and vaguely troubling photographs house a tension of possibilities; with details obscured, they speak of solitude, sexual isolation, and urban anxiety. An illuminating essay by Eugenia Parry opens the book, nicely placing this formative series in both a personal and an artistic context. This is serious art, dealing with fascinating ideas. Highly recommended for contemporary art collections of academic and public libraries. Deborah Miller, Minneapolis--"Library Journal"
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 166
Book Description
American-born photographer Levinthal has earned national recognition by creating potent, ironic, and sometimes controversial visions using miniature figures and toys as characters in staged tableaux. Since publishing his first major work in 1977 (Hitler Moves East: A Graphic Chronicle, 1941-43), he has worked with Barbie, blackface memorabilia, toy soldiers, and various modeling figures to explore the icons and stereotypes of popular culture. Levinthal executed his series Modern Romance in the mid-1980s. Echoing the paintings of Edward Hopper and film noir, these are scenes of urban life in dreamy neon-lit color and television blues. Levinthal shows us figures lingering on street corners, entering movie theaters, passing through alleys, conversing in diners, and interacting in confined spaces. He also depicts the impersonal landscape of the city: cop cars on the streets, doorways, and murky bedrooms. Levinthal's lovely and vaguely troubling photographs house a tension of possibilities; with details obscured, they speak of solitude, sexual isolation, and urban anxiety. An illuminating essay by Eugenia Parry opens the book, nicely placing this formative series in both a personal and an artistic context. This is serious art, dealing with fascinating ideas. Highly recommended for contemporary art collections of academic and public libraries. Deborah Miller, Minneapolis--"Library Journal"
Bad Love
Author: Piper Lawson
Publisher: Piper Lawson Books
ISBN:
Category : Fiction
Languages : en
Pages : 278
Book Description
A bad boy with a heart of gold. A single mom with dirty fantasies. And a wild bet that threatens to consume them both... LOGAN I bet my family’s legacy on pleasing 10,000 women. Kendall Sullivan, marketing queen, is my only hope of saving what I love. She doesn’t have time for my jokes or my playboy reputation... Too bad I can’t get her sweet vulnerability out of my head. I'm starting to think the only woman I want to please is her. KENDALL Pastor’s kid. Single mom. I’ve lived life by my values, and without regrets. Until Logan Hunter makes me a sinful proposition. He’s gorgeous and entitled, but his fierce passion is impossible to ignore. Saying yes would be worse than reckless… But temptation never looked so good. If you enjoy dirty talk, fun antics, hot guys who treat their families like gold, steamy scenes, badass heroines, cute kids, and smart banter…you'll love Bad Love! A full-length standalone romance with an HEA from USA Today bestselling author Piper Lawson. “My #1 read of 2019.” ★★★★★ Samantha “Oh my God, I loved this book.” ★★★★★ Suzanne “Unadulterated magic. Piper’s writing is smart, witty, fun, hot, sexy and I couldn’t get enough. ” ★★★★★ Cindy “A great modern day love story with a twist! I loved this fast paced read.” ★★★★★ Tina “Absolutely phenomenal. I was hooked from the beginning.” ★★★★★ Amber “Sweet, funny and steamy...I couldn’t put it down.” ★★★★★ Peggy “If I could give a book more than 5 stars, this would be it.” ★★★★★ Pam “Omg this book was AMAZING! Logan is book boyfriend material!” ★★★★★ Kristen “I LOVED Logan and Kendall...steamy sexy times, witty banter, and a great story line. Read it. Right now.” ★★★★★ Tammy “The chemistry between these two is unreal.” ★★★★★ Beth “This book really has everything...love, humor, romance and self discovery.” ★★★★★ Kim “Delicious and beautiful.” ★★★★★ Paulette “Wow, I totally loved ‘Bad Love’. If you enjoy captivating characters, interesting plot and beautiful modern love stories, this is your book!” ★★★★★ Suzanna “Writing like that is why I read.” ★★★★★ Cindy “Sheer genius.” ★★★★★ The Talented Miss Ripley Other readers of Piper Lawson's books enjoyed books by: Carrie Ann Ryan, Corinne Michaels, Susan Stoker, Natasha Madison, Chelle Bliss, Chelle Sloane, Sally Thorn, Christina Lauren, Colleen Hoover, Talia Hibbert, Helena Hunting, Elle Kennedy, Kristen Callihan, Penny Reid, Kristen Ashley, KA Tucker, Melissa Foster, Bella Andre, Jean Oram, Sarina Bowen, Vi Keeland, Winter Renshaw, Meghan March, Willow Winters, Carly Phillips, Erika Wilde, Kendall Ryan, Jillian Dodd, Melissa Foster, Nana Malone, Anna Todd, Lauren Blakely, Julia Kent and Jay Crownover.
Publisher: Piper Lawson Books
ISBN:
Category : Fiction
Languages : en
Pages : 278
Book Description
A bad boy with a heart of gold. A single mom with dirty fantasies. And a wild bet that threatens to consume them both... LOGAN I bet my family’s legacy on pleasing 10,000 women. Kendall Sullivan, marketing queen, is my only hope of saving what I love. She doesn’t have time for my jokes or my playboy reputation... Too bad I can’t get her sweet vulnerability out of my head. I'm starting to think the only woman I want to please is her. KENDALL Pastor’s kid. Single mom. I’ve lived life by my values, and without regrets. Until Logan Hunter makes me a sinful proposition. He’s gorgeous and entitled, but his fierce passion is impossible to ignore. Saying yes would be worse than reckless… But temptation never looked so good. If you enjoy dirty talk, fun antics, hot guys who treat their families like gold, steamy scenes, badass heroines, cute kids, and smart banter…you'll love Bad Love! A full-length standalone romance with an HEA from USA Today bestselling author Piper Lawson. “My #1 read of 2019.” ★★★★★ Samantha “Oh my God, I loved this book.” ★★★★★ Suzanne “Unadulterated magic. Piper’s writing is smart, witty, fun, hot, sexy and I couldn’t get enough. ” ★★★★★ Cindy “A great modern day love story with a twist! I loved this fast paced read.” ★★★★★ Tina “Absolutely phenomenal. I was hooked from the beginning.” ★★★★★ Amber “Sweet, funny and steamy...I couldn’t put it down.” ★★★★★ Peggy “If I could give a book more than 5 stars, this would be it.” ★★★★★ Pam “Omg this book was AMAZING! Logan is book boyfriend material!” ★★★★★ Kristen “I LOVED Logan and Kendall...steamy sexy times, witty banter, and a great story line. Read it. Right now.” ★★★★★ Tammy “The chemistry between these two is unreal.” ★★★★★ Beth “This book really has everything...love, humor, romance and self discovery.” ★★★★★ Kim “Delicious and beautiful.” ★★★★★ Paulette “Wow, I totally loved ‘Bad Love’. If you enjoy captivating characters, interesting plot and beautiful modern love stories, this is your book!” ★★★★★ Suzanna “Writing like that is why I read.” ★★★★★ Cindy “Sheer genius.” ★★★★★ The Talented Miss Ripley Other readers of Piper Lawson's books enjoyed books by: Carrie Ann Ryan, Corinne Michaels, Susan Stoker, Natasha Madison, Chelle Bliss, Chelle Sloane, Sally Thorn, Christina Lauren, Colleen Hoover, Talia Hibbert, Helena Hunting, Elle Kennedy, Kristen Callihan, Penny Reid, Kristen Ashley, KA Tucker, Melissa Foster, Bella Andre, Jean Oram, Sarina Bowen, Vi Keeland, Winter Renshaw, Meghan March, Willow Winters, Carly Phillips, Erika Wilde, Kendall Ryan, Jillian Dodd, Melissa Foster, Nana Malone, Anna Todd, Lauren Blakely, Julia Kent and Jay Crownover.
How to Go Steady
Author: Jacque Nodell
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983612909
Category :
Languages : en
Pages : 200
Book Description
How to Go Steady explores love, heartbreak, and wisdom from vintage romance comic book stories and advice columns. Romance comics were a genre of comic books that were incredibly popular in the postwar years. The first true romance title, Young Romance, was created by Joe Simon and Jack Kirby (the same creative team behind Captain America) in 1947. The genre exploded like wildfire and for years sold more copies than superhero titles. Romance comics contained stories of love and lots of heartbreak. In this history book meets how-to guide you'll learn all about dating according to romance comic books of the 1960s and 1970s. Chapters delve into how to meet potential dates, etiquette, coping with jealousy and heartbreak, meeting parents, sex, and of course, the do's and don'ts surrounding going steady. Not only will you learn everything from what to do with a borrowed hankie to how to make the first move, you'll learn how to develop the most attractive quality of all-the confidence to be yourself. Historical anecdotes and practical tips told in a fun and accessible way make How to Go Steady the perfect read for comic book fans and non-comic fans alike, as well as those looking for love.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983612909
Category :
Languages : en
Pages : 200
Book Description
How to Go Steady explores love, heartbreak, and wisdom from vintage romance comic book stories and advice columns. Romance comics were a genre of comic books that were incredibly popular in the postwar years. The first true romance title, Young Romance, was created by Joe Simon and Jack Kirby (the same creative team behind Captain America) in 1947. The genre exploded like wildfire and for years sold more copies than superhero titles. Romance comics contained stories of love and lots of heartbreak. In this history book meets how-to guide you'll learn all about dating according to romance comic books of the 1960s and 1970s. Chapters delve into how to meet potential dates, etiquette, coping with jealousy and heartbreak, meeting parents, sex, and of course, the do's and don'ts surrounding going steady. Not only will you learn everything from what to do with a borrowed hankie to how to make the first move, you'll learn how to develop the most attractive quality of all-the confidence to be yourself. Historical anecdotes and practical tips told in a fun and accessible way make How to Go Steady the perfect read for comic book fans and non-comic fans alike, as well as those looking for love.
Taking a Stand
Author: Jared N. Champion
Publisher: Univ. Press of Mississippi
ISBN: 1496835506
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. Gilbert, David Gillota, Kathryn Kein, Rob King, Rebecca Krefting, Peter C. Kunze, Linda Mizejewski, Aviva Orenstein, Raúl Pérez, Philip Scepanski, Susan Seizer, Monique Taylor, Ila Tyagi, and Timothy J. Viator Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.
Publisher: Univ. Press of Mississippi
ISBN: 1496835506
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. Gilbert, David Gillota, Kathryn Kein, Rob King, Rebecca Krefting, Peter C. Kunze, Linda Mizejewski, Aviva Orenstein, Raúl Pérez, Philip Scepanski, Susan Seizer, Monique Taylor, Ila Tyagi, and Timothy J. Viator Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.
Romance Fiction
Author: Kristin Ramsdell
Publisher: Bloomsbury Publishing USA
ISBN: 1610692357
Category : Language Arts & Disciplines
Languages : en
Pages : 742
Book Description
A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on "Chick Lit" in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have.
Publisher: Bloomsbury Publishing USA
ISBN: 1610692357
Category : Language Arts & Disciplines
Languages : en
Pages : 742
Book Description
A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on "Chick Lit" in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have.
The Vast and Terrible Drama
Author: Eric Carl Link
Publisher: University of Alabama Press
ISBN: 0817358854
Category : Literary Collections
Languages : en
Pages : 239
Book Description
A broad treatment of the cultural, social, political, and literary under-pinnings of an entire period and movement in American letters The Vast and Terrible Drama is a critical study of the context in which authors such as Oliver Wendell Holmes, Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London created their most significant work. In 1896 Frank Norris wrote: "Terrible things must happen to the characters of the naturalistic tale. They must be twisted from the ordinary . . . and flung into the throes of a vast and terrible drama." There could be "no teacup tragedies here." This volume broadens our understanding of literary naturalism as a response to these and other aesthetic concerns of the 19th century. Themes addressed include the traditionally close connection between French naturalism and American literary naturalism; relationships between the movement and the romance tradition in American literature, as well as with utopian fictions of the 19th century; narrative strategies employed by the key writers; the dominant naturalist theme of determinism; and textual readings that provide broad examples of the role of the reader. By examining these and other aspects of American literary naturalism, Link counters a century of criticism that has perhaps viewed literary naturalism too narrowly, as a subset of realism, bound by the conventions of realistic narration.
Publisher: University of Alabama Press
ISBN: 0817358854
Category : Literary Collections
Languages : en
Pages : 239
Book Description
A broad treatment of the cultural, social, political, and literary under-pinnings of an entire period and movement in American letters The Vast and Terrible Drama is a critical study of the context in which authors such as Oliver Wendell Holmes, Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London created their most significant work. In 1896 Frank Norris wrote: "Terrible things must happen to the characters of the naturalistic tale. They must be twisted from the ordinary . . . and flung into the throes of a vast and terrible drama." There could be "no teacup tragedies here." This volume broadens our understanding of literary naturalism as a response to these and other aesthetic concerns of the 19th century. Themes addressed include the traditionally close connection between French naturalism and American literary naturalism; relationships between the movement and the romance tradition in American literature, as well as with utopian fictions of the 19th century; narrative strategies employed by the key writers; the dominant naturalist theme of determinism; and textual readings that provide broad examples of the role of the reader. By examining these and other aspects of American literary naturalism, Link counters a century of criticism that has perhaps viewed literary naturalism too narrowly, as a subset of realism, bound by the conventions of realistic narration.
The Origins of the English Novel, 1600-1740
Author: Michael McKeon
Publisher: JHU Press
ISBN: 9780801869594
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.
Publisher: JHU Press
ISBN: 9780801869594
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.