Author: Jerry Wasserman
Publisher: Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 418
Book Description
Modern Canadian Plays
Author: Jerry Wasserman
Publisher: Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 418
Book Description
Publisher: Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 418
Book Description
Modern Canadian Plays
Author: Jerry Wasserman
Publisher: Burnaby, B.C. : Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 420
Book Description
In Volume II, Wasserman shows us Canadian drama from 1985 up to 1997, during which we see women playwrights rise to greater prominence, along with Native, gay and lesbian, and Quebecois playwrights. But, continuing on from Volume I, this selection of plays not only takes us farther into the annals of the lives of the marginalized; it also provides a revealing cultural and philosophical cross-section of late-20th-century life in Canada. In one way or another, we are shown ourselves as we are, and not in the critically-neutral, determinedly naive terms of the contemporary mainstream in which we are all represented as gloriously enmeshed in a world of cybernetic stringency--the uncomplicated aesthetic of a never-ending stream of zeroes and ones. If the plays presented in these two volumes are the contours of an "indigenous Canadian drama," they outline anything but a norm. The plays in this fourth edition of Modern Canadian Plays: Volume IIdate from 1985 to 1997: Bordertown Cafeby Kelly Rebar Polygraphby Robert Lepage and Marie Brassard Mooby Sally Clark The Orphan Musesby Michel Marc Bouchard 7 Storiesby Morris Panych Dry Lips Oughta Move to Kapuskasingby Tomson Highway Amigo's Blue Guitarby Joan MacLeod Lion in the Streetsby Judith Thomson Never Swim Aloneby Daniel MacIvor Fronteras Americanasby Guillermo Verdecchia Harlem Duetby Djanet Sears Problem Childby George F. Walker
Publisher: Burnaby, B.C. : Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 420
Book Description
In Volume II, Wasserman shows us Canadian drama from 1985 up to 1997, during which we see women playwrights rise to greater prominence, along with Native, gay and lesbian, and Quebecois playwrights. But, continuing on from Volume I, this selection of plays not only takes us farther into the annals of the lives of the marginalized; it also provides a revealing cultural and philosophical cross-section of late-20th-century life in Canada. In one way or another, we are shown ourselves as we are, and not in the critically-neutral, determinedly naive terms of the contemporary mainstream in which we are all represented as gloriously enmeshed in a world of cybernetic stringency--the uncomplicated aesthetic of a never-ending stream of zeroes and ones. If the plays presented in these two volumes are the contours of an "indigenous Canadian drama," they outline anything but a norm. The plays in this fourth edition of Modern Canadian Plays: Volume IIdate from 1985 to 1997: Bordertown Cafeby Kelly Rebar Polygraphby Robert Lepage and Marie Brassard Mooby Sally Clark The Orphan Musesby Michel Marc Bouchard 7 Storiesby Morris Panych Dry Lips Oughta Move to Kapuskasingby Tomson Highway Amigo's Blue Guitarby Joan MacLeod Lion in the Streetsby Judith Thomson Never Swim Aloneby Daniel MacIvor Fronteras Americanasby Guillermo Verdecchia Harlem Duetby Djanet Sears Problem Childby George F. Walker
Major Plays of the Canadian Theatre, 1934-1984
Author: Richard Perkyns
Publisher: Toronto, Ont. : Irwin
ISBN:
Category : Canadian drama
Languages : en
Pages : 756
Book Description
Publisher: Toronto, Ont. : Irwin
ISBN:
Category : Canadian drama
Languages : en
Pages : 756
Book Description
Canadian Drama and the Critics
Author: Leonard W. Conolly
Publisher: Talon Books
ISBN:
Category : Drama
Languages : en
Pages : 396
Book Description
These critical deliberations on contemporary Canadian drama is an ideal companion text to Modern Canadian Plays Volumes I and II.
Publisher: Talon Books
ISBN:
Category : Drama
Languages : en
Pages : 396
Book Description
These critical deliberations on contemporary Canadian drama is an ideal companion text to Modern Canadian Plays Volumes I and II.
Head of Drama
Author: Sydney Newman
Publisher: ECW Press
ISBN: 1773050532
Category : Performing Arts
Languages : en
Pages : 699
Book Description
The memoir of the creator of Doctor Who and a legend in British and Canadian TV and film A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs Ñ written in the years before his death in 1997 Ñ are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, NewmanÕs artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to NewmanÕs memoir is an in-depth biographical essay by Graeme Burk, which positions NewmanÕs legacy in the history of television, and an afterword by one of SydneyÕs daughters, Deirdre Newman.
Publisher: ECW Press
ISBN: 1773050532
Category : Performing Arts
Languages : en
Pages : 699
Book Description
The memoir of the creator of Doctor Who and a legend in British and Canadian TV and film A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs Ñ written in the years before his death in 1997 Ñ are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, NewmanÕs artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to NewmanÕs memoir is an in-depth biographical essay by Graeme Burk, which positions NewmanÕs legacy in the history of television, and an afterword by one of SydneyÕs daughters, Deirdre Newman.
My TWP Plays
Author: Jack Winter
Publisher:
ISBN: 9780889227842
Category : Drama
Languages : en
Pages : 0
Book Description
The first anthology of plays by one of the central figures of Toronto's left-wing theater collective TWP.
Publisher:
ISBN: 9780889227842
Category : Drama
Languages : en
Pages : 0
Book Description
The first anthology of plays by one of the central figures of Toronto's left-wing theater collective TWP.
Theatre and Autobiography
Author: Sherrill Grace
Publisher: Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 364
Book Description
This groundbreaking exploration of a wide range of contemporary theorists and playwrights covers an extraordinary breadth of styles and performances.
Publisher: Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 364
Book Description
This groundbreaking exploration of a wide range of contemporary theorists and playwrights covers an extraordinary breadth of styles and performances.
Nightwood Theatre
Author: Shelley Scott
Publisher: Athabasca University Press
ISBN: 1897425554
Category : Drama
Languages : en
Pages : 347
Book Description
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Publisher: Athabasca University Press
ISBN: 1897425554
Category : Drama
Languages : en
Pages : 347
Book Description
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Voices of Exile in Contemporary Canadian Francophone Literature
Author: Elizabeth Dahab
Publisher: Lexington Books
ISBN: 073911879X
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.
Publisher: Lexington Books
ISBN: 073911879X
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.
English-Canadian Theatre
Author: Eugene Benson
Publisher:
ISBN:
Category : Canadian drama
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Canadian drama
Languages : en
Pages : 150
Book Description