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Author: Alan Windsor
Publisher: Routledge
ISBN: 0429614861
Category : Art
Languages : en
Pages : 628
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Book Description
Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.
Author: Alan Windsor
Publisher: Routledge
ISBN: 0429614861
Category : Art
Languages : en
Pages : 628
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Book Description
Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.
Author: Art Gallery of New South Wales
Publisher: Agnsw
ISBN:
Category : Art
Languages : en
Pages : 234
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Book Description
Author: William Anderson
Publisher: Century
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
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Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Alan Windsor
Publisher: Ashgate Publishing
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Artists are included if they (at one end of the timescale) had finished their training by 1900, and were truly beginning their professional career in the twentieth century, and (at the other end of the timescale) had established themselves professionally on the national scene by 1990. If the artist was foreign born, he or she is included if they resided in Britain, and exhibited or worked here long enough for their presence to be of significance for British art.
Author: David McCann
Publisher: Cambridge Scholars Publishing
ISBN: 1527501493
Category : Art
Languages : en
Pages : 195
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Book Description
Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ‘completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde. In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists. Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of his father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today.
Author: Jutta Vinzent
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110595338
Category : History
Languages : en
Pages : 242
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Book Description
This book traces artists’ theories of constructive space in the first half of the twentieth century. Drawing on these concepts and recent theories on space, it develops a methodology termed ‘Spatial Art History’ that conceives of artworks as physical spatio-temporal things, which produce the social, to overcome the reductive understanding of art as a mere mirror or facilitator of society.
Author: Simon Pierse
Publisher: Routledge
ISBN: 1351574965
Category : Art
Languages : en
Pages : 315
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Book Description
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Author: Alan Windsor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Presents brief articles on 1,500 modern British painters, citing their credentials and associations, exhibit and award histories, and genres and descriptions of their work. Also describes schools and movements, foundations, galleries, and other topics of interest. A portable handbook for dealers and viewers. Many advertisements. No index. Annotation copyright by Book News, Inc., Portland, OR
Author:
Publisher:
ISBN:
Category : Microcards
Languages : en
Pages : 744
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Book Description
