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Author: Richard Terry
Publisher: Routledge
ISBN: 1351917110
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Mock-heroic is the exemplary genre of the English Augustan era: it is one of the few genres that the Augustans invented themselves, and it stands in a symbolic relation to a culture still reverential of the grandeurs of the classical past and uneasy about its ability to emulate them. Mock-Heroic from Butler to Cowper shows the protean nature of mock-epic at this time. It recounts the rise of mock-heroic, discusses the properties of the form, and explores its relation both to classical epic and to contemporary genres such as the poetic travesty and the novel. It also tracks the relation of mock-heroic to the concept to the sublime, especially to the low sublime unwittingly perfected by Richard Blackmore. Terry goes beyond previous commentators in arguing that mock-heroic was not merely a conventional genre, but also provided a supple discourse through which writers could represent a range of personal and social issues. He identifies mock-heroic properties in the Mandevillian discourse of economics and in the rhetoric of male gallantry towards women, in which women were simultaneously elevated and put down. He also sees mock-heroic as informing the idea of divine grace in the poetry and letters of William Cowper. Mixing a historical approach with incisive close readings, Terry provides a powerful re-evaluation of the form.
Author: Richard Terry
Publisher: Routledge
ISBN: 1351917110
Category : Literary Criticism
Languages : en
Pages : 330
Get Book Here
Book Description
Mock-heroic is the exemplary genre of the English Augustan era: it is one of the few genres that the Augustans invented themselves, and it stands in a symbolic relation to a culture still reverential of the grandeurs of the classical past and uneasy about its ability to emulate them. Mock-Heroic from Butler to Cowper shows the protean nature of mock-epic at this time. It recounts the rise of mock-heroic, discusses the properties of the form, and explores its relation both to classical epic and to contemporary genres such as the poetic travesty and the novel. It also tracks the relation of mock-heroic to the concept to the sublime, especially to the low sublime unwittingly perfected by Richard Blackmore. Terry goes beyond previous commentators in arguing that mock-heroic was not merely a conventional genre, but also provided a supple discourse through which writers could represent a range of personal and social issues. He identifies mock-heroic properties in the Mandevillian discourse of economics and in the rhetoric of male gallantry towards women, in which women were simultaneously elevated and put down. He also sees mock-heroic as informing the idea of divine grace in the poetry and letters of William Cowper. Mixing a historical approach with incisive close readings, Terry provides a powerful re-evaluation of the form.
Author: Ritchie Robertson
Publisher: OUP Oxford
ISBN: 0191610143
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.
Author: Gerard Carruthers
Publisher: Oxford University Press
ISBN: 0192585207
Category : Literary Criticism
Languages : en
Pages : 657
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Book Description
The Oxford Handbook of Robert Burns treats the extensive writing of and culture surrounding Scotland's national 'bard'. Robert Burns (1759-96) was a producer of lyrical verse, satirical poetry, in English and Scots, a song-writer and song-collector, a writer of bawdry, journals, commonplace books and correspondence. Sculpting his own image, his untutored rusticity was a sincere persona as much as it was not entirely accurate. Burns was an antiquarian, national patriot, pioneer of what today we would call 'folk culture', and a man of the Enlightenment and Romanticism. The Handbook considers Burns's reception in his own time and beyond, extending to his iconic status as a world-writer. Burns was important to the English Romantic poets, in the context of debates about Abolition in the US, in the Victorian era he was widely utilised as a model for different kinds of popular poetry and he has been utilised as a contestant in debates surrounding Scottish and, indeed, British politics, in peacetime and in wartime down to the present day. The writer's afterlife includes not only a large number of biographies but a whole culture of commemoration in art, architecture, fiction, material culture, museum-exhibition and even forged manuscripts and memorabilia as well as appearances, apparently, via Spiritualist seances. The politics of his work channel the fierce debates of late eighteenth-century Scottish ecclesiastical controversy as well as the ages of American, Agrarian and French revolutions. All of this ground is traversed in this Handbook, the largest critical compendium ever assembled about Robert Burns.
Author: Matthew Ward
Publisher: Oxford University Press
ISBN: 0198894767
Category : History
Languages : en
Pages : 273
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Book Description
Romantic Poets and the Laughter of Feeling embraces the sublime and the ridiculous to offer a compelling new reading of British Romanticism. Matthew Ward reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics.
Author: Ashley Marshall
Publisher: JHU Press
ISBN: 1421408163
Category : Humor
Languages : en
Pages : 452
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Book Description
Rather, it is a collection of episodic little histories.
Author:
Publisher: Oxford University Press
ISBN: 0192536346
Category : Literary Criticism
Languages : en
Pages : 785
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Book Description
The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable readers to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture. The chapters are organized into five sections-'Works', 'Biographical Contexts', 'Literary and Cultural Contexts', 'Afterlives', and 'Reading Byron Now'-that guide readers through the most important issues and frameworks for interpreting Byron. 'Works' presents original readings of Byron's key works and many of his lesser-known ones, giving space to extensive studies of his great epic, Don Juan, and the poem that brought him fame, Childe Harold's Pilgrimage. 'Biographical Contexts' invites readers to consider Byron's life through key themes and patterns. 'Literary and Cultural Contexts' sets out the most important intellectual traditions from which Byron's work emerged and in which it developed. 'Afterlives' shows readers the extent of Byron's influence on literature, art, music, and politics in Europe and beyond. 'Reading Byron Now' advances the critical agendas that are shaping Byron Studies today. The Handbook tackles key themes associated with Byron including the Byronic Hero, cosmopolitanism, liberalism, sexuality, mobility, scepticism, the Gothic, celebrity culture, and much more. For new readers of Byron, the volume provides an excellent grounding in his life and work, and for specialists, it opens up exciting new approaches to an icon of Romantic literature.
Author: Michael Griffin
Publisher: Rowman & Littlefield
ISBN: 1611487226
Category : Poetry
Languages : en
Pages : 393
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Book Description
Though his name might not be familiar to many twenty-first century readers, Laurence Whyte (d.1753) is an important missing link in eighteenth-century Ireland’s literary and musical histories. A rural poet who established himself in Dublin as a teacher of mathematics and as an active member (and poetic chronicler) of the much admired and supported Charitable Musical Society, Whyte was a poet of considerable talent and dexterity, and his body of work yields a wealth of insight into the intersecting cultures of his time and place. Published in 1740 and 1742, Whyte’s writing, by turns humorous and poignant, insightful and nostalgic, straddled the worlds of Gaelic and Anglo-Irish, of the rural midlands and the capital, of Catholic and Protestant. Some of the dualities explored in his verse were present, to varying extents, in the work of Jonathan Swift and Oliver Goldsmith. In matters poetical, political and cultural, Whyte is an important, though as yet neglected and unstudied, figure. This edition, comprehensively introduced and annotated, retrieves him from that neglect.
Author: Richard Holmes
Publisher: Bucknell University Press
ISBN: 1611485541
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
James Arbuckle (c.1700–1742), poet and essayist, was born in Belfast to a Presbyterian merchant family of Scottish origin and educated at Glasgow University (1717–1723). In Glasgow, his poetry, influenced by Pope and the Latin classics, won praise from leading members of Scotland’s literary and political establishment, including Allan Ramsay. In 1723 he moved to Dublin, producing under the name “Hibernicus” Ireland’s first literary journal, in collaboration with a group of young Whig intellectuals forming the “Molesworth circle”. Heaimed at first to avoid politics, but in the highly politicized Dublin of Dean Swift that proved impossible. He was satirized by members of Swift’s circle and responded with the ironic Panegyric on the Rev Dean Swift. His later work, especially The Tribune, developed a radical and anticlerical critique of contemporary Ireland, in which Swift was represented more as Church Tory than Irish patriot.Arbuckle was well-known in his day, but his work has not been published since the end of the eighteenth century. He has often been discussed in modern scholarly work across a range of disciplines: on Swift and Pope; Scottish poetry and especially Allan Ramsay; Francis Hutcheson and the early Scottish Enlightenment; the background to the United Irishmen of 1798; the history of Irish presbyterians. Arbuckle himself has not been the focus of detailed scholarly inquiry until now. This edition presents an annotated selection of Arbuckle’s work in poetry and prose. It begins with a substantial introduction dealing with his biography and political and literary context. It is then divided into three parts. The first, on his Scottish period, includes the annotated texts of his two principal poems, Snuff and Glotta. The second presents a selection of the “Hibernicus” essays, grouped by four themes: literary (which will include a selection of his Horace translations); philosophical (responding principally to Francis Hutcheson); political (placing him in the contemporary varieties of Whiggism, and especially the dispute between Walpole and “Opposition” Whigs); religious (the focus here is on his writing on toleration). The final section deals with his response to Swift’s Irish writing, as demonstrated in selected essays from The Tribune and in A Panegyric.
Author: David Duff
Publisher: OUP Oxford
ISBN: 0191610208
Category : Literary Collections
Languages : en
Pages : 1285
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Book Description
This wide-ranging and original book reappraises the role of genre, and genre theory, in British Romanticism. Analyzing numerous examples from 1760 to 1830, David Duff examines the generic innovations and experiments which propel the Romantic 'revolution in literature', but also the fascination with archaic forms such as the ballad, sonnet, and romance, whose revival and transformation make Romanticism a 'retro' movement as well as a revolutionary one. The tension between the drives to 'make it old' and to 'make it new' generates one of the most dynamic phases in the history of literature, whose complications are played out in the critical writing of the period as well as its creative literature. Incorporating extensive research on classification systems and reception history as well as on literary forms themselves, Romanticism and the Uses of Genre demonstrates how new ideas about the role and status of genre influenced not only authors but also publishers, editors, reviewers, and readers. The focus is on poetry, but a wider spectrum of genres is considered, a central theme being the relationship - hierarchical, competitive, combinatory - between genres. Among the topics addressed are generic primitivism and forgery; Enlightenment theory and the 'cognitive turn'; the impact of German transcendental aesthetics; organic and anti-organic form; the role of genre in the French Revolution debate; the poetics of the fragment; and the theory and practice of genre-mixing. Unprecedented in its scope and detail, this important book establishes a new way of reading Romantic literature which brings into focus for the first time its tangled relationship with genre.
Author: Rebecca Totaro
Publisher: Routledge
ISBN: 1317021304
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
The Plague Epic in Early Modern England: Heroic Measures, 1603-1721 presents together, for the first time, modernized versions of ten of the most poignant of plague poems in the English language - each composed in heroic verse and responding to the urgent need to justify the ways of God in times of social, religious, and political upheaval. Showcasing unusual combinations of passion and restraint, heart-rending lamentation and nation-building fervor, these poems function as literary memorials to the plague-time fallen. In an extended introduction, Rebecca Totaro makes the case that these poems belong to a distinct literary genre that she calls the 'plague epic.' Because the poems are formally and thematically related to Milton's great epics Paradise Lost and Paradise Regained, this volume represents a rare discovery of previously unidentified sources of great value for Milton studies and scholarly research into the epic, didactic verse, cultural studies of the seventeenth century, illness as metaphor, and interdisciplinary approaches to illness, natural disaster, trauma, and memory.
