Miyoko Nagare. August 2 (legislative Day, July 2), 1954. -- Ordered to be Printed PDF Download
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Languages : en
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Author: United States. Congress Senate
Publisher:
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Category : United States
Languages : en
Pages : 2802
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Author: Russell Campbell
Publisher: Univ of Wisconsin Press
ISBN: 029921253X
Category : Performing Arts
Languages : en
Pages : 465
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Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The “Happy Hooker,” for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the “Avenger,” a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The “Love Story,” a common narrative, represents the prostitute as both heroine and anti-heroine, while “Condemned to Death” allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence. The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions.
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Languages : en
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Category :
Languages : en
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Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813551986
Category : Performing Arts
Languages : en
Pages : 233
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They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself. 21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
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Languages : en
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Author: Christine de Matos
Publisher: Palgrave Macmillan
ISBN: 9781137408105
Category : History
Languages : en
Pages : 0
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Japan as the Occupier and the Occupied examines transwar political, military and social transitions in Japan and various territories that it controlled, including Korea, Borneo, Singapore, Manchuria and China, before and after August 1945. This approach allows a more nuanced understanding of Japan's role as occupier and occupied to emerge.
Author: California. State Commission of Horticulture
Publisher:
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Category : Entomology
Languages : en
Pages : 32
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Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
