The Complete Poems of Louis Daniel Brodsky: Volume, Two, 1967-1976 PDF Download
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Author: Louis Daniel Brodsky
Publisher: Time Being Books
ISBN: 9781568090740
Category : Poetry
Languages : en
Pages : 724
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Book Description
The second volume in Louis Daniel Brodsky's Complete Poems series, covering his early years as a professional poet, from 1967-1976, contains more than eight hundred chronologically arranged pieces. This body of work shows Brodsky developing a number of artistic strategies to record the life he chose outside the realm of academia, which he abandoned after complete his master's degree in creative writing at San Francisco State University in 1968. --Time Being Books.
Author: Louis Daniel Brodsky
Publisher: Time Being Books
ISBN: 9781568090740
Category : Poetry
Languages : en
Pages : 724
Get Book Here
Book Description
The second volume in Louis Daniel Brodsky's Complete Poems series, covering his early years as a professional poet, from 1967-1976, contains more than eight hundred chronologically arranged pieces. This body of work shows Brodsky developing a number of artistic strategies to record the life he chose outside the realm of academia, which he abandoned after complete his master's degree in creative writing at San Francisco State University in 1968. --Time Being Books.
Author: Louis Daniel Brodsky
Publisher: Time Being Books
ISBN: 9781568091020
Category : Poetry
Languages : en
Pages : 816
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Book Description
The third volume of The Complete Poems of Louis Daniel Brodsky presents over seven hundred poems, written from July 1976 through December 1980. By this period in his life, Brodsky had a wife and two children, a thriving business that kept him traveling, and a passion for acquiring Faulkneriana, sparked by his deep appreciation of the author's literature, that had led him on increasingly frequent journeys to Oxford, Mississippi, and elsewhere, to meet those who knew Faulkner and those who might supplement Brodsky's expanding collection. Spending considerably more time away from home than ever before, he began to compose most of his poems while driving, eating in small-town caf , staying in motels, and retreating to bars after twelve-hour workdays, always filling his omnipresent notebook with new images and metaphors. It was during these trips that Brodsky conceived many of his poetic personae: Willy Sypher, the Jewish ragman road peddler; a man who, though he lost no family in it, still feels he's a victim of the Holocaust; the Northern outlander, who appears in many of his "Southern" poems; the nature poet, who captures the beauty of rural America, and the cynical city poet, who observes its bigotry and vulgarity; and the unhappy family man, who feels he must escape home, for the freedom of the open road, but nevertheless suffers guilt and remorse. The poems from this segment of Brodsky's literary career reflect a man, in his mid and late thirties, facing growing desperation as he attempts to fulfill the complex responsibilities of his day-to-day commitments and yet address an unrelenting compulsion to record his frenetic life, in verse.
Author: Louis Daniel Brodsky
Publisher: Time Being Books
ISBN: 9781568091242
Category : Poetry
Languages : en
Pages : 954
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Book Description
Tracing the days of the writer edging into middle age, the 888 poems presented in volume four of The Complete Poems of Louis Daniel Brodsky offer a glimpse into the frenzied life of a man compelled, by his discipline and inner passion, to capture the elements of his existence and explode them upon the page ... Startlingly honest and bristling with the energy of Brodsky's discontent, this book records the poet gaining momentum, as a writer, even as his personal life spirals out of control. --Time Being Books.
Author: Robert H. Brinkmeyer, Jr.
Publisher: LSU Press
ISBN: 0807148415
Category : Literary Criticism
Languages : en
Pages : 494
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Book Description
In the 1949 classic Killers of the Dream, Lillian Smith described three racial "ghosts" haunting the mind of the white South: the black woman with whom the white man often had sexual relations, the rejected child from a mixed-race coupling, and the black mammy whom the white southern child first loves but then must reject. In this groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's work by adding a fourth "ghost" lurking in the psyche of the white South -- the specter of European Fascism. He explores how southern writers of the 1930s and 1940s responded to Fascism, and most tellingly to the suggestion that the racial politics of Nazi Germany had a special, problematic relevance to the South and its segregated social system. As Brinkmeyer shows, nearly all white southern writers in these decades felt impelled to deal with this specter and with the implications for southern identity of the issues raised by Nazism and Fascism. Their responses varied widely, ranging from repression and denial to the repulsion of self-recognition. With penetrating insight, Brinkmeyer examines the work of writers who contemplated the connection between the authoritarianism and racial politics of Nazi Germany and southern culture. He shows how white southern writers -- both those writing cultural criticism and those writing imaginative literature -- turned to Fascist Europe for images, analogies, and metaphors for representing and understanding the conflict between traditional and modern cultures that they were witnessing in Dixie. Brinkmeyer considers the works of a wide range of authors of varying political stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by engaging in their works the vital contemporary debates about totalitarianism and democracy, these writers reconfigured their understanding not only of the South but also of themselves as southerners, and of the nature and significance of their art. The magnum opus of a distinguished scholar, The Fourth Ghost offers a stunning reassessment of the cultural and political orientation of southern literature by examining a major and heretofore unexplored influence on its development.
Author: Robert W. Hamblin
Publisher:
ISBN:
Category : Manuscripts, American
Languages : en
Pages : 376
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Book Description
Author: Louis Daniel Brodsky
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
Author: Jackson R. Bryer
Publisher: Durham [N.C.] : Duke University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 840
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Book Description
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Author: James G. Watson
Publisher: University of Texas Press
ISBN: 0292757883
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun.
Author: William Faulkner
Publisher:
ISBN:
Category : Manuscripts, American
Languages : en
Pages : 392
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Book Description
Author: Susan Snell
Publisher: University of Georgia Press
ISBN: 0820333662
Category : Biography & Autobiography
Languages : en
Pages : 434
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Book Description
William Faulkner is Phil Stone's contribution to American literature, once remarked a mutual confidant of the Nobel laureate and the Oxford, Mississippi, attorney. Despite his friendship with the writer for nearly fifty years, Stone is generally regarded as a minor figure in Faulkner studies. In her biography Phil Stone of Oxford, Susan Snell offers the first complete critical assessment of Stone's role in the transformation of Billy Falkner, a promising but directionless young man, into William Faulkner, arguably the greatest American novelist of the twentieth century. In the first decades of their friendship, Stone served Faulkner in many ways--as mentor, muse, patron, editor, agent, and publicist. Later, Stone was among Faulkner's first biographers and was a source of archival, biographical, and critical information for such Faulkner scholars as James B. Meriwether and Carvel Collins. Ironically, the most intriguing aspect of Stone's relationship with Faulkner has until now been the least studied. Stone was one of Faulkner's principal character studies, and from his life came the raw material out of which Faulkner constructed a good part of his fictional Yoknapatawpha County. Stone's Ivy League education, his friendships with gamblers and prostitutes, his family's hunting excursions, even his family's antebellum mansion only begin to suggest the borrowings from Stone's life found in books ranging from The Sound and the Fury and Go Down, Moses to the Snopes trilogy. Faulkner also appropriated Stone's personality and profession to mirror--and sometimes mask--his own insecurities. Such characters as Quentin Compson, Darl Bundren, Horace Benbow, and Gavin Stevens owe much to the author himself but also recall Stone in often subtle ways. The fraternal rivalries for their mother's love that consume Darl Bundren and Quentin Compson, for example, are based on Stone's own unhappy family life. Bundren's and Compson's mothers more closely resemble Stone's mother than Faulkner's. In Stone, Faulkner saw the Old South confronting its twentieth-century crucibles--the teeming, rapacious white lower classes; the Great Depression; and the first stirrings of the civil rights and women's movements. In the 1930s, Faulkner recurrently dealt with the region's decadence and the fall of old patriarchies like the Compson and Sartoris families. During these years, Faulkner's fortunes rose steadily as Stone's declined, but it is Stone's story--not his own--that he chose to tell. Snell says that in a sense Faulkner usurped Stone's place in the South's social order, building his reputation and acquiring real estate as personal and financial failures nearly overwhelmed Stone. Stone's transparent jealousy of Faulkner, personality flaws, and mental instability in his final years have engendered skepticism about his claims concerning the years he had spent "fooling with Bill." But, to hastily relegate Stone to the marginalia of Yoknapatawpha County, Snell suggests, is to leave untapped a rich source of information.Phil Stone of Oxford tells the tragic story of a talented, complex man, bred for power in the declining era of southern patriarchy, yet compelled to pursue the Muse vicariously.
