Author: Louisiana Baptist Convention
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 1476
Book Description
Minutes of the Annual Session of the Louisiana Baptist State Convention
Author: Louisiana Baptist Convention
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 1476
Book Description
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 1476
Book Description
Minutes of the ... Annual Session of the Baptist General Association of Virginia
Author: Baptist General Association of Virginia
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 934
Book Description
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 934
Book Description
Minutes of the Second Annual Session of the Colored Shiloh Baptist Association of Virginia
Author: Colored Shiloh Baptist Association of Virginia
Publisher:
ISBN:
Category : Baptist associations
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : Baptist associations
Languages : en
Pages : 76
Book Description
Minutes of the ... Annual Meeting of the Baptist Convention of the State of Michigan
Author: Baptist Convention of the State of Michigan
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 160
Book Description
Confederate Imprints
Author: T. Michael Parrish
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1132
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1132
Book Description
Annual of the Alabama Baptist State Convention, Containing Proceedings of the ... Session, List of Ordained Ministers, Minutes of Alabama Baptist Ministerial Benefit Society, Ministers' Conference and Statistical Tables
Author: Baptists. Alabama. Convention
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
New Voyages to Carolina
Author: Larry E. Tise
Publisher: UNC Press Books
ISBN: 1469634600
Category : History
Languages : en
Pages : 425
Book Description
New Voyages to Carolina offers a bold new approach for understanding and telling North Carolina's history. Recognizing the need for such a fresh approach and reflecting a generation of recent scholarship, eighteen distinguished authors have sculpted a broad, inclusive narrative of the state's evolution over more than four centuries. The volume provides new lenses and provocative possibilities for reimagining the state's past. Transcending traditional markers of wars and elections, the contributors map out a new chronology encompassing geological realities; the unappreciated presence of Indians, blacks, and women; religious and cultural influences; and abiding preferences for industrial development within the limits of "progressive" politics. While challenging traditional story lines, the authors frame a candid tale of the state's development. Contributors: Dorothea V. Ames, East Carolina University Karl E. Campbell, Appalachian State University James C. Cobb, University of Georgia Peter A. Coclanis, University of North Carolina at Chapel Hill Stephen Feeley, McDaniel College Jerry Gershenhorn, North Carolina Central University Glenda Elizabeth Gilmore, Yale University Patrick Huber, Missouri University of Science and Technology Charles F. Irons, Elon University David Moore, Warren Wilson College Michael Leroy Oberg, State University of New York, College at Geneseo Stanley R. Riggs, East Carolina University Richard D. Starnes, Western Carolina University Carole Watterson Troxler, Elon University Bradford J. Wood, Eastern Kentucky University Karin Zipf, East Carolina University
Publisher: UNC Press Books
ISBN: 1469634600
Category : History
Languages : en
Pages : 425
Book Description
New Voyages to Carolina offers a bold new approach for understanding and telling North Carolina's history. Recognizing the need for such a fresh approach and reflecting a generation of recent scholarship, eighteen distinguished authors have sculpted a broad, inclusive narrative of the state's evolution over more than four centuries. The volume provides new lenses and provocative possibilities for reimagining the state's past. Transcending traditional markers of wars and elections, the contributors map out a new chronology encompassing geological realities; the unappreciated presence of Indians, blacks, and women; religious and cultural influences; and abiding preferences for industrial development within the limits of "progressive" politics. While challenging traditional story lines, the authors frame a candid tale of the state's development. Contributors: Dorothea V. Ames, East Carolina University Karl E. Campbell, Appalachian State University James C. Cobb, University of Georgia Peter A. Coclanis, University of North Carolina at Chapel Hill Stephen Feeley, McDaniel College Jerry Gershenhorn, North Carolina Central University Glenda Elizabeth Gilmore, Yale University Patrick Huber, Missouri University of Science and Technology Charles F. Irons, Elon University David Moore, Warren Wilson College Michael Leroy Oberg, State University of New York, College at Geneseo Stanley R. Riggs, East Carolina University Richard D. Starnes, Western Carolina University Carole Watterson Troxler, Elon University Bradford J. Wood, Eastern Kentucky University Karin Zipf, East Carolina University
Publication
Author: West Virginia Library Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 330
Book Description
God's Almost Chosen Peoples
Author: George C. Rable
Publisher: Univ of North Carolina Press
ISBN: 0807834262
Category : History
Languages : en
Pages : 600
Book Description
Throughout the Civil War, soldiers and civilians on both sides of the conflict saw the hand of God in the terrible events of the day, but the standard narratives of the period pay scant attention to religion. Now, in God's Almost Chosen Peoples, Li
Publisher: Univ of North Carolina Press
ISBN: 0807834262
Category : History
Languages : en
Pages : 600
Book Description
Throughout the Civil War, soldiers and civilians on both sides of the conflict saw the hand of God in the terrible events of the day, but the standard narratives of the period pay scant attention to religion. Now, in God's Almost Chosen Peoples, Li
Voices of Black Folk
Author: Terri Brinegar
Publisher: Univ. Press of Mississippi
ISBN: 1496839269
Category : Biography & Autobiography
Languages : en
Pages : 262
Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
Publisher: Univ. Press of Mississippi
ISBN: 1496839269
Category : Biography & Autobiography
Languages : en
Pages : 262
Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.