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Author: Ferdinand Praeger
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Author: Ferdinand Praeger
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
Author: Henry Theophilus Finck
Publisher: The Minerva Group, Inc.
ISBN: 9781410216274
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
A lively and provocative study of the great composer and his works. Mr. Finck's established reputation as a musical scholar, thorough familiarity with Wagner literature, and interesting style, give his book a marked and permanent value. It is the result of many years' special study, and is both a full review of Wagner's life, the dramatic episodes of which are treated with unusual fullness, and a summary and critical analysis of the musical and poetic contents of his writings, rich in anecdote and apposite quotation. This title is cited and recommended by Books for College Libraries and the Catalogue of the Lamont Library, Harvard College.
Author: Gabriel Wayditch
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: Henry T. Finck
Publisher:
ISBN:
Category :
Languages : en
Pages : 496
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Author: Henry Theophilus Finck
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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Book Description
Author: Christian Thielemann
Publisher: Simon and Schuster
ISBN: 168177173X
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
Over the course of a distinguished career conducting some of the world's finest orchestras, Christian Thielemann has emerged as the leading modern interpreter of Richard Wagner. My Life with Wagner chronicles his ardent personal and professional engagement with the composer whose work has shaped his thinking and feeling from early childhood. Thielemann retraces his journey around the world—from Berlin to Bayreuth via Venice, Hamburg and Chicago—and combines analysis with revealing insights drawn from Thielemann's many years of experience as a Wagner conductor. Thielemann takes on each of Wagner's opera in turn, and his appraisal is illuminated by a deep affinity for the music, an intimate knowledge of the scores, and the inside perspective of a world-class practitioner. And yet for all the adulation Wagner's art inspires, Thielemann does not shy away from unpalatable truths about the man himself, explaining why today Wagner is venerated and reviled in equal measure. A richly rewarding read for admirers of a composer who continues to fascinate long after his death.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 754
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Book Description
Author: Rachel Orzech
Publisher: Boydell & Brewer
ISBN: 1580469701
Category : History
Languages : en
Pages : 263
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Book Description
"This book examines the shifting attitudes toward Wagner reflected in the Parisian press during the period of the Third Reich. Paradoxically, during one of the darkest periods of French history, as the German threat grew more tangible and then manifested in the Nazi occupation of France, Parisians chose to see in Wagner a universality that transcended his Germanness. As Franco-German diplomatic relations gradually worsened in the 1930s, Wagner became an increasingly integral part of French musical culture. Parisians were unwilling to surrender Wagner to German exclusivist claims. In previous decades the French had used Wagner to symbolize a diverse array of political arguments and positions, from right-wing nationalism to left-wing humanism and egalitarianism, In the 1930s, however, the Parisian press depicted him as a universalist. Although Wagner had stood in for German nationalism and chauvinism in recent periods of Franco-German conflict, in the 1930s Parisians refused this notion and attempted to reclaim his role in their own national history and imagination. Even once war was declared in 1939 and a ban on the performance of Wagner's music was implemented, commentators insisted that it was simply a temporary measure designed to avoid public disturbance. Simultaneously, they maintained that 'music has no borders,' and that 'it is childish to mix art and politics.' The Wagner discourses that emerged from the 1930s Parisian press paved the way for the dominant Wagner discourse in the German-controlled Occupation press: Collaboration through Wagner. By a great irony of history, the concept of Wagner the universalist that had been used to resist the Nazis in the 1930s was transformed into the infamous collaborationist rhetoric promoted by the Vichy government between 1940 and 1944"--
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1166
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Book Description
Author: Chris Walton
Publisher: Camden House
ISBN: 9781571133311
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
An investigation of the considerable influence of Wagner's stay in Zurich from 1849 to 1858 -- a period often discounted by scholars -- on his career. When the people of Dresden rose up against their king in May 1849, Richard Wagner went from Royal Kapellmeister to republican revolutionary overnight. He gambled everything, but the rebellion failed, and he lost all. Now a wantedman in Germany, he fled to Zurich. Years later, he wrote that the city was "devoid of any public art form" and full of "simple people who knew nothing of my work as an artist." But he lied: Zurich boasted arguably the world's greatest concentration of radical intellectuals and a vibrant music scene. Wagner was accepted with open arms. This book investigates Wagner's affect on the musical life of the city and the city's impact on him. Mathilde Wesendonck emerges not as Wagner's passive muse but as a self-assured woman who exploited gender expectations to her own benefit. In 1858, Wagner had to flee Zurich after again gambling everything -- this time on Mathilde -- and again losing.But it was in Zurich that Wagner wrote his major theoretical works; composed Das Rheingold, Die Walküre, and parts of Siegfried and Tristan und Isolde; first planned Parsifal; held the first festival of his music; and conceived of a theater to stage his own works. If Wagner had been free in 1849 to choose a city in which to seek heightened intellectual stimulation among the like-minded and the similarly gifted, he could have come to nomore perfect place. Chris Walton teaches music history at the Musikhochschule Basel in Switzerland. He is the recipient of the 2010 Max Geilinger Prize honoring exemplary contributions to the literary and cultural relationship between Switzerland and the English-speaking world.
