Mining the Museum

Mining the Museum PDF Author: Fred Wilson
Publisher: New Press
ISBN: 9781565841086
Category : African Americans
Languages : en
Pages : 87

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Book Description

Mining the Museum

Mining the Museum PDF Author: Fred Wilson
Publisher: New Press
ISBN: 9781565841086
Category : African Americans
Languages : en
Pages : 87

Get Book Here

Book Description


Mining the Museum

Mining the Museum PDF Author: Ralph Sporay
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 15

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Book Description
Mining the Museum Exhibition was created by Fred Wilson and ran at the Maryland Historical Society from April 1992 to February 1993. The exhibition addressed exclusions that museums have of African American and Native American artifacts, and their historical contributions. The film takes an in-depth look at the exhibition and how it unfolded from those that were directly involved in it's creation. An examination from it's conception to it's execution are emphasized. A comprehensive look back in time by the creators and the general public is presented through memory and archived material.

Mining the Museum and After

Mining the Museum and After PDF Author: Hillary Marie Cook
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 134

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Book Description


Landscapes of Extraction

Landscapes of Extraction PDF Author: Betsy Fahlman
Publisher:
ISBN: 9783777437538
Category :
Languages : en
Pages : 176

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Book Description
Works from an exhibition that proves mining can be as sublime as it is destructive. Landscapes of Extraction explores the art of mining, which completely transformed the American West. These landscapes of enterprise altered the natural environment on a spectacular scale, with open pit mines, coal tipples, and oil rigs. Yet artists have often found these scenes beautiful, even sublime. The four scholarly essays presented here explore how artists have portrayed the mining industry in the American West. The multiple landscapes created by large-scale mining inspired these artworks: the mines themselves, the towns that grew up around them, and the miners and their families who lived and worked there. The industry has shaped communities and landscapes throughout the West: Arizona, California, Colorado, Montana, New Mexico, Nevada, Oklahoma, Texas, and Utah. Landscapes of Extraction explores how a powerful regional narrative became a fundamental element of national identity and played out on a vast geographical scale.

The Whole Picture

The Whole Picture PDF Author: Alice Procter
Publisher: Cassell
ISBN: 1788402219
Category : Political Science
Languages : en
Pages : 288

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Book Description
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

All Roads Lead to Battle Mountain

All Roads Lead to Battle Mountain PDF Author: Dana R. Bennett
Publisher:
ISBN: 9781495108792
Category :
Languages : en
Pages :

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Mining in the Old West

Mining in the Old West PDF Author: Sandor Demlinger
Publisher: Schiffer Publishing
ISBN: 9780764323546
Category : History
Languages : en
Pages : 0

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Book Description
From the 1848 discovery of gold at Sutter's Mill in northern California, follow the development of mining in the American West through over 300 vintage photos. See the people and places of history face to face. See the early mining towns and the makeshift mining operations rising on the mountainsides. This is a treasure trove for historians, Old West aficionados, and lovers of old photographs.

Inside the Lost Museum

Inside the Lost Museum PDF Author: Steven Lubar
Publisher: Harvard University Press
ISBN: 0674983297
Category : Art
Languages : en
Pages : 417

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Book Description
Curators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors. Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service. Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.

Mining the Home Movie

Mining the Home Movie PDF Author: Karen L. Ishizuka
Publisher: Univ of California Press
ISBN: 0520248074
Category : Art
Languages : en
Pages : 354

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Book Description
Features essays that combine research, critical analyses and theoretical approaches regarding the meaning and value of amateur and archival films. This book identifies home movies as methods of visually preserving history. It defines a genre of film studies and establishes the home movie as a tool for extracting historical and social insights.

Avant-Garde Museology

Avant-Garde Museology PDF Author: Arseny Zhilyaev
Publisher: U of Minnesota Press
ISBN: 1452952280
Category : Art
Languages : en
Pages : 679

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Book Description
The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.