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Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1316368696
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.
Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1316368696
Category : Literary Criticism
Languages : en
Pages : 235
Get Book Here
Book Description
Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.
Author: Phyllis MacKenzie
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
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Book Description
Author: Caroline Middleton DeCamp
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
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Book Description
Author: William Lander
Publisher:
ISBN:
Category : Imagination in literature
Languages : en
Pages : 0
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Book Description
The purpose of this thesis is to define the nature of Milton's imagination, with special emphasis on the form and content of Paradise Lost . Although it deals with the poet's concentration on sound as the most prominent feature of the style of Paradise Lost , it seeks to show that there is room for modification in the modern view that a heavy emphasis on sound and an absence of particularized visual images must lead to a ''dissociation of sensibility" in poetry. Mere importantly, Milton's style is defended as one which was appropriate for the kind of epic poem he was writing.
Author: Roland Mushat Frye
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Eugene Joseph Kovatch
Publisher:
ISBN:
Category : Figures of speech
Languages : en
Pages : 112
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Book Description
Author: Anna Abraham
Publisher: Cambridge University Press
ISBN: 1108429246
Category : Psychology
Languages : en
Pages : 865
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Book Description
The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.
Author: William Fairfield Warren
Publisher:
ISBN:
Category : Cosmography
Languages : en
Pages : 94
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Book Description
Author: Edward Le Comte
Publisher: Taylor & Francis
ISBN: 9780815303060
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Susan Aldworth
Publisher:
ISBN: 9781527233102
Category : Imagery (Psychology) in art
Languages : en
Pages : 100
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Book Description
