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Author: John Milton
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 286
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 286
Get Book Here
Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 176
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : Theology, Doctrinal
Languages : en
Pages : 472
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
Author: Brett Foster
Publisher: Infobase Publishing
ISBN: 1438113218
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
Presents a collection of critical essays on the works of John Milton.
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 0802039197
Category : Literary Collections
Languages : en
Pages : 529
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Book Description
Angela Esterhammer, a student of Frye's in the 1980s, has provided annotation and an introduction that demonstrates the poets' importance for Frye's literary and cultural criticism and provides a twenty-first-century perspective on the legacy of his work.
Author: Stanley Eugene Fish
Publisher: Harvard University Press
ISBN: 9780674004658
Category : Literary Criticism
Languages : en
Pages : 640
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Book Description
Stanley Fish's Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world's preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement on Milton for our time. How Milton works "from the inside out" is the foremost concern of Fish's book, which explores the radical effect of Milton's theological convictions on his poetry and prose. For Milton the value of a poem or of any other production derives from the inner worth of its author and not from any external measure of excellence or heroism. Milton's aesthetic, says Fish, is an "aesthetic of testimony": every action, whether verbal or physical, is or should be the action of holding fast to a single saving commitment against the allure of plot, narrative, representation, signs, drama--anything that might be construed as an illegitimate supplement to divine truth. Much of the energy of Milton's writing, according to Fish, comes from the effort to maintain his faith against these temptations, temptations which in any other aesthetic would be seen as the very essence of poetic value. Encountering the great poet on his own terms, engaging his equally distinguished admirers and detractors, this book moves a 300-year debate about the significance of Milton's verse to a new level.
