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Author: Erik Irving Gray
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 208
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Book Description
"This subtle and meticulously discriminating study of the Victorians' Milton takes the critical debate on influence a stage further by exploring the paradox of Milton's powerful influence and invisible presence in Victorian culture."--Isobel Armstrong
Author: Erik Irving Gray
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 208
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Book Description
"This subtle and meticulously discriminating study of the Victorians' Milton takes the critical debate on influence a stage further by exploring the paradox of Milton's powerful influence and invisible presence in Victorian culture."--Isobel Armstrong
Author: Matthew Bevis
Publisher: Oxford University Press, USA
ISBN: 0199576467
Category : History
Languages : en
Pages : 913
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Book Description
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.
Author: Erik Gray
Publisher: Cornell University Press
ISBN: 0801457416
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
The Victorian period was a golden age for the study of Milton. Yet the influence of Milton on poetry, and on literature more generally, during the period is often obscure. Victorian writers rarely display the overt, self-conscious engagement with Milton that typified so much Romantic writing earlier in the nineteenth century. In Milton and the Victorians Erik Gray argues that this shift represents not a breach but an expansion: if Milton's influence seems less remarkable than before, it is due not to his absence but to his pervasiveness. Through detailed consideration of works by Elizabeth Barrett Browning, Christina Rossetti, Matthew Arnold, Alfred Tennyson, and George Eliot, Gray shows how Victorian writers tended to draw upon the less sublime, more understated elements of Milton's writings. In tracing the characteristically oblique influence of Milton on Victorian authors, Gray also draws attention to important aspects of Milton's own work, notably the way it often depicts power being exerted indirectly. Gray thus proposes new and nuanced models of literary relations, while offering original and elegant readings both of Milton's poetry and of major works of Victorian literature.
Author: Feisal G. Mohamed
Publisher: Northwestern University Press
ISBN: 0810135353
Category : Literary Criticism
Languages : en
Pages : 521
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Book Description
The phrase “early modern” challenges readers and scholars to explore ways in which that period expands and refines contemporary views of the modern. The original essays in Milton’s Modernities undertake such exploration in the context of the work of John Milton, a poet whose prodigious energies simultaneously point to the past and future. Bristling with insights on Milton’s major works, Milton’s Modernities offers fresh perspectives on the thinkers central to our theorizations of modernity: from Lucretius and Spinoza, Hegel and Kant, to Benjamin and Deleuze. At the volume's core is an embrace of the possibilities unleashed by current trends in philosophy, variously styled as the return to ethics, or metaphysics, or religion. These make all the more visible Milton’s dialogues with later modernity, dialogues that promise to generate much critical discussion in early modern studies and beyond. Such approaches necessarily challenge many prevailing assumptions that have guided recent Milton criticism—assumptions about context and periodization, for instance. In this way, Milton’s Modernities powerfully broadens the historical archive beyond the materiality of events and things, incorporating as well intellectual currents, hybrids, and insights.
Author: Marissa Greenberg
Publisher: Northwestern University Press
ISBN: 0810147416
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
Author: James Kincaid
Publisher: Routledge
ISBN: 1317971183
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
What happens when bad criticism happens to good people? Annoying the Victorians sets the tradition of critical discourse and literary criticism on its ear, as well as a few other areas. James Kincaid brings his witty, erudite and thoroughly cynical self to the Victorians, and they will never read (or be read) quite the same.
Author: Sarah Bartels
Publisher: Routledge
ISBN: 1000348040
Category : History
Languages : en
Pages : 249
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Book Description
In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.
Author: Jillian M. Hess
Publisher: Oxford University Press
ISBN: 0192648489
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection "Fly-Catchers", while George Eliot referred to one of her commonplace books as a "Quarry," and Michael Faraday kept quotations in his "Philosophical Miscellany." Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period's dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); "real time" entries signalling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six). Richly illustrated, this book brings an archive of commonplace books, scrapbooks, and albums to the reader.
Author: Charles LaPorte
Publisher: University of Virginia Press
ISBN: 0813931584
Category : History
Languages : en
Pages : 299
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Book Description
Victorian Poets and the Changing Bible charts the impact of post-Enlightenment biblical criticism on English literary culture. --from publisher description.
Author: Isobel Hurst
Publisher: Oxford University Press
ISBN: 0199283516
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
"In this study, Isobel Hurst brings together two lines of enquiry in recent criticism: the Romantic and Victorian reception of ancient Greece and Rome, and women as writers and readers in the nineteenth century."--BOOK JACKET.
