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Author: Edith Balas
Publisher: American Philosophical Society
ISBN: 9780871692160
Category : Mannerism (Art)
Languages : en
Pages : 220
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Book Description
There are no surviving documents that explain Michelangelo's complex sculptural program for the Medici Chapel. The work as we have it is no more than an unfinished, fragmentary realization of the artist's original conception. Speculation about its meaning began quite early, for Michelangelo's contemporaries were apparently no better informed than we. An interpretation made by Benedetto Varchi in 1549 & since universally accepted, was by his own admission a personal opinion, not confirmed by the artist. In the 16th century, interpretations quite at variance with modern scholarly assumptions were made. Here, Dr. Edith Balas contends that the artist deliberately veiled his meaning in obscurity, making his images, like the language of Neoplatonic philosophers, intelligible only to an intellectual elite. Assuming the role of the Magus, Michelangelo conceived a cryptic, magical world of potent allegorical images designed not simply or primarily to commemorate the departed Medici but to help achieve elevation for their souls. Illus.
Author: Edith Balas
Publisher: American Philosophical Society
ISBN: 9780871692160
Category : Mannerism (Art)
Languages : en
Pages : 220
Get Book Here
Book Description
There are no surviving documents that explain Michelangelo's complex sculptural program for the Medici Chapel. The work as we have it is no more than an unfinished, fragmentary realization of the artist's original conception. Speculation about its meaning began quite early, for Michelangelo's contemporaries were apparently no better informed than we. An interpretation made by Benedetto Varchi in 1549 & since universally accepted, was by his own admission a personal opinion, not confirmed by the artist. In the 16th century, interpretations quite at variance with modern scholarly assumptions were made. Here, Dr. Edith Balas contends that the artist deliberately veiled his meaning in obscurity, making his images, like the language of Neoplatonic philosophers, intelligible only to an intellectual elite. Assuming the role of the Magus, Michelangelo conceived a cryptic, magical world of potent allegorical images designed not simply or primarily to commemorate the departed Medici but to help achieve elevation for their souls. Illus.
Author: Charles De Tolnay
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
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Book Description
Author: Michelangelo
Publisher: Thames & Hudson
ISBN: 9780500236901
Category : Art
Languages : en
Pages : 213
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Book Description
When Michelangelo left Florence for Rome in 1534, the Medici tombs were unfinished, but there was no question of another sculptor being brought in to complete them. They were already icons of artistic perfection, which it would be sacrilege for anyone else to touch. That eminence they retain to this day. The two seated Medici Dukes and the reclining figures of Night, Day, Dawn and Dusk are among the most famous sculptures in the world, endlessly copied and universally recognisable.
Author: Frederick Hartt
Publisher:
ISBN:
Category :
Languages : en
Pages : 11
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Author: Erika Tietze-Conrat
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
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Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author: William E. Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: William Edward Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Allison Scheier
Publisher:
ISBN:
Category :
Languages : en
Pages : 43
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Author: Charles De Tolnay
Publisher:
ISBN:
Category :
Languages : en
Pages : 275
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